Bleak mood and tone? Yes. Suffocating cinematography? Yes. Emotionally dark places? Yes. But would I recommend it? Well...while Red Road isn't necessarily a film I would have sought out on my own, Arnold's feature directorial debut does an effective job at signaling the former actress as a filmmaker of undoubtable talent and vision. Should you watch it on a date? No.

To follow along on the path toward cinematic edification:

- [email protected]

- battleshippretension.com/category/idmb

- facebook.com/IDoMoviesBadly

Bleak mood and tone? Yes. Suffocating cinematography? Yes. Emotionally dark places? Yes. But would I recommend it? Well...while Red Road isn't necessarily a film I would have sought out on my own, Arnold's feature directorial debut does an effective job at signaling the former actress as a filmmaker of undoubtable talent and vision. Should you watch it on a date? No.

To follow along on the path toward cinematic edification:

- [email protected]

- battleshippretension.com/category/idmb

- facebook.com/IDoMoviesBadly

Bleak mood and tone? Yes. Suffocating cinematography? Yes. Emotionally dark places? Yes. But would I recommend it? Well...while Red Road isn't necessarily a film I would have sought out on my own, Arnold's feature directorial debut does an effective job at signaling the former actress as a filmmaker of undoubtable talent and vision. Should you watch it on a date? No.

To follow along on the path toward cinematic edification:

- [email protected]

- battleshippretension.com/category/idmb

- facebook.com/IDoMoviesBadly

Tyler and David are joined by Josh Fadem to talk about the upcoming summer movies.

The Big Bang Theory/ The Amazing Race

Tyler and David discuss what they've been watching, including The Sicilian, Nightmares, Avengers: Age of Ultron, Search Party, Dodsworth, Bitter Rice, The Crossing Guard, Survivor, The Last Man on Earth, Futurama, Archer and The Amazing Race.

The Exorcist films 1-5. A fresh, outsider’s guide to the Exorcist franchise. Five films, right? How many? A case for the popular appeal of a film that isn’t immediately effective to views out of the moment. Bloody Disgusting has a great series on slowing getting non-horror audiences into horror films. Rooting for the Devil in the Exorcist. Sad endings un stories about losing faith. A series of memorable set pieces. A tradition of single mother horror films. Defending the wrong underdogs. One more with strange feelings!` A horridly flawed and side-barred Alien comparison. The greatest Exorcist 3 that’s ever been. One of the greatest stand-alone films in Killapalooza history. Two films fight for forth film in the Exorcist franchise, but only one will win. Or maybe really neither will win.

Stills

Samuel L. Jackson is credited in The Exorcist 3. This is allegedly his scene.

The Exorcist films 1-5. A fresh, outsider’s guide to the Exorcist franchise. Five films, right? How many? A case for the popular appeal of a film that isn’t immediately effective to views out of the moment. Bloody Disgusting has a … Continue reading →

She's progressive, creative, confident, and a feminist - and that's just the guest! Jenni Miller stops by I Do Movies Badly to talk about Andrea Arnold, the progressive, British filmmaker who only has 3 films to her name (so far), but who doesn't lack in provocativeness. Jenni talks about Arnold's upbringing in British estates and how that informs class in her films, the "female" qualifier when it comes to cinematic depictions of sex and violence, and the state of being a freelance writer en route to the recommendations: Red Road (2006), Fish Tank (2009), and Wuthering Heights (2011).

To follow the work of Jenni Miller:

- www.jennimiller.com

- twitter.com/msjennimiller

To follow along on the path toward cinematic edification:

- [email protected]

- battleshippretension.com/category/idmb

- facebook.com/IDoMoviesBadly

She's progressive, creative, confident, and a feminist - and that's just the guest! Jenni Miller stops by I Do Movies Badly to talk about Andrea Arnold, the progressive, British filmmaker who only has 3 films to her name (so far), but who doesn't lack in provocativeness. Jenni talks about Arnold's upbringing in British estates and how that informs class in her films, the "female" qualifier when it comes to cinematic depictions of sex and violence, and the state of being a freelance writer en route to the recommendations: Red Road (2006), Fish Tank (2009), and Wuthering Heights (2011).

To follow the work of Jenni Miller:

- www.jennimiller.com

- twitter.com/msjennimiller

To follow along on the path toward cinematic edification:

- [email protected]

- battleshippretension.com/category/idmb

- facebook.com/IDoMoviesBadly