In episode #22 we discussed Chico Buarque's eighth album, "Construção", released 50 years ago by Philips in December 1971. Considered by many the best Brazilian album of all time, it was Chico's first studio record after returning to Brazil following a period living in Europe due to the Brazilian dictatorship.

Perhaps not by consequence, it is Chico Buarque's more political record, surrounded by themes such as the social-economic issues in the country and lack of freedom, all that encapsulated by Chico Buarque's superb lyrics.

In episode #21 we discussed the album "Negro é Lindo", released by Philips in November 1971. It was Jorge Ben's third and last studio album recorded with Trio Mocotó as his backup band. An ending to a trilogy, the arrangements are more centered on the acoustic guitar, possibly the fruit of his partnership with Paulinho Tapajós, who directed Ben’s recordings between 71 and 75, including his future masterpiece "A Tábua de Esmeralda". It is also Jorge Ben's more political record to date, like its own title Negro é Lingo suggests, a translation of the slogan Black is Beautiful.

In episode #20, we continue our conversation about Som Livre from Brazuca Sounds #19. After releasing a generation of newcomers, such as Novos Baianos, and Alceu Valença, SOM LIVRE decided to invest in high-profile names like Rita Lee, Tim Maia, Jorge Ben, and Marcos Valle. Producer Lincoln Olivetti had a tremendous impact on Som Livre from the late 70s until the mid-80s when its iconic SOM LIVRE green logo was then replaced by a modern version. Follow our playlist on Spotify: "Soundtrack Brazuca Sounds". 

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In episode #18, we talked about Brazilian psychedelic-folk artists out of the Brazilian Northeast states of Pernambuco, Ceará, and Paraiba. The region is mostly known worldwide because of Bahia (Caetano, Gil, Tom Zé, Gal Costa, Bethania), nevertheless, in the mid-to-late 1970s artists came from all over the wilderness, such as Alceu Valença, Zé Ramalho, Belchior, and Fagner. They all came to produce great records interconnecting Brazilian regional folklore to psychedelia, rock, and folk.

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Hosted on Acast. See acast.com/privacy for more information.

In episode #15, we talk about three Brazilian vocal groups: Trio Ternura, Trio Esperança, and Golden Boys. All centered around family members, more or less like a Brazilian proto-version of the Jackson 5, these three groups showcased a variety of backgrounds and genres.

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In episode #13 we celebrate Erasmo Carlos' 80th birthday telling the story behind his album "Carlos, Erasmo", released in 1971. A transitional album in his career, Erasmo was moving from being a rock n' roll Jovem Guarda star to becoming a great lyricist, influenced by Folk, MPB, and Soul.

"The other Carlos" when compared to his writing superstar partner Roberto Carlos, Erasmo was finally and for all taking his music to a different territory and making a name for himself