In the latest installment of their On Writers' series, Randall and Mel talk with Brian Evenson, author of such eerie and enigmatic works Last Days, Song for the Unraveling of the World, and Father of Lies. Brian discusses his "ruthless" style, body horror, and genre experimentation in his 2021 collection The Glassy, Burning Floor of Hell. We also chat about his TV work on Peacock's Friend of the Family and the literary spin-offs of Aliens and Dead Space he's written under the name B.K. Evenson. Brian's got plenty of recommendations, too, so have some pen and paper handy. Learn more about his incredible body of work at BrianEvenson.com. 

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Brian Evenson on The Glassy, Burning Floor of Hell, Body Horror, and Stephen King

Founded in 2017, The Losers’ Club® is an award-winning weekly series that chronologically digs through the work of Stephen King with humor, irreverence, and a critical eye. Each episode, the Losers gather together to read between the iconic pages and share the latest in King’s Dominion, whether it’s the author’s oft-controversial tweets, the boldest Hollywood headlines, or his endless forthcoming projects. The series also regularly features special guests. In the past, the Losers have spoken to Mike Flanagan, Thomas Jane, Tananarive Due, Chapo Trap House, Owen Teague, Mick Garris, Mary Lambert, Jerry O’Connell, Wil Wheaton, Joe Bob Briggs, and even King himself.

Suitable for readers both Constant and casual. King says check us out.

Edited by Kyle Orozovich. Music by The Most/Charlie Laurence. Produced by Michael Roffman and Randall Colburn.

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You've read the book, now watch the series! In this deep dive into the first season of Audience Network's Mr. Mercedes, Losers Randall Colburn, Justin Gerber, Ashley Casseday, and Dan Pfleegor discuss the ways in which the show improves upon the source material, how a good performance can elevate a dud character, and the cultural turmoil of the time that clearly influenced its production. Later this summer, the Losers will check in on the show’s subsequent seasons as their coverage of the trilogy continues.
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Mr. Mercedes TV Review

After releasing The Colorado Kid and Joyland via the Hard Case Crime imprint, Stephen King made his grand debut into the world of hard-boiled crime fiction with Mr. Mercedes. The first in a trilogy, the 2014 novel introduced readers to Bill Hodges, a crusty, retired detective who finds his golden years interrupted by the taunts of a psychopathic killer he failed to apprehend. 
Join the Losers as they detail the book’s origins, how it differs from the author’s previous forays into crime, and the ways in which it reflects evolving societal fears about domestic terrorism. They also discuss the book’s messy vision of a post-recession America and its musings on class, second chances, and the nature of evil. It’s also one of King’s poundcakiest books, so prepare to blush.
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Mr. Mercedes

The Losers close out April with another trip to prom with Carrie White, only this time there's no Brian De Palma, no Sissy Spacek, and no Amy Irving. Instead, they dial back to 2002, when NBC aired a new vision of Carrie that may or may not have been the backdoor pilot for a would-be TV series. Together they discuss Bryan Fuller's vision, the early aughts aesthetics, the garish CGI, Angela Bettis and Patricia Clarkson's performances, how it hews closer to the page, and more.
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Carrie (2002)

The Losers head to Frazier, New Hampshire to review Stephen King's novel Doctor Sleep. Together, they weigh in on the True Knot, dirty dozens of dishes with poundcake, and argue whether King should have ever burned down The Overlook Hotel. Note: This episode was recorded in Fall of 2019 and is being re-published for our chronological read through.
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Doctor Sleep (Rerun)

We interrupt our regular programming to give you a taste of The Lady Killers: A Feminine Rage Podcast. Our sister series -- featuring Jenn Adams, Sammie Kuykendall, Mae Schults, and Rocco Thompson -- celebrated the 50th anniversary of Stephen King's first novel by revisiting King's first adaptation.
Brian De Palma's 1976 Oscar-nominated Carrie.
Together, they discuss cinematic mean girls, upsetting monologues, cartoonish calisthenics, egregious red hats, Carrie’s true motivations, and more. They also answer burning questions like: What do we think of De Palma’s opening shower scene? Why does King like to burn down his fictional towns?
Enjoy and be sure to subscribe to The Lady Killers!
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Brian Evenson on The Glassy, Burning Floor of Hell, Body Horror, and Stephen King

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