British Sitcom History Podcast

Maybe it's just our age but it feels like Keeping Up Appearances was almost ever present when we were growing up. But how does it hold up in the cold light of day? Could it be a timeless classic or is Hyacinth Bucket a true britcom villain?

Part 2 of our look at Keeping Up Appearances and we do our best not to be too negative!

Allen went to the opening night of the brand new West End show Fawlty Towers - The Play and gives us his totally objective review. Is it going to be the sitcom successor to the Only Fools and Horses Musical and take theatreland by storm? Or is it a lazy cash grab from John Cleese?

We recently looked at the peak years of Red Dwarf, a show that was so good that even the Americans had a go at it. There were two attempts (more like one and a half) at pilots for a US series and footage has unofficially leaked out. So let's have a look at them!

In this bonus episode, Gareth is a guest on The Modern British History Podcast. Harry White is the host and he generally looks at the modern (post war) British political scene. In this episode, he invited Gareth on to discuss the eighties sitcom Yes Minister and they discuss how it caricatures the civil service of the time. And have things changed forty years later?

Find more from Harry here:

https://www.modernbritishhistory.co.uk/

It's christmas! Time for cheer and good will to all men (or women). Unless you're Rigsby, in which case it's time to be a miserable git as always. But will he ruin the day for everyone else?

We look at the Rising Damp christmas special from 1975 and see how it measures up to our own miserable christmas experiences.

In 1971, the TV sitcom Please Sir! got itself a big screen spin off. We're joined by Sol Harris of Diminishing Returns Podcast to see if it makes the transition smoothly, despite a change in cast member and a distinct lack of Potter.

Fleabag, the iconic series that defined a generation, was based on a theatrical one-person show that Phoebe Waller-Bridge wrote and performed a few years before the TV people got involved. In 2019, she did that show again for the benefit of an audience (and cameras) as part of the National Theatre Live project.

We watched it! And then inevitably compared it to the TV show.

It's part 2 of our discussion on (probably not really a sitcom) Fleabag, in which we continue to dissect in excruciating detail Phoebe Waller-Bridge's iconic series and then the rest of her career as well.

British Sitcom History takes on its most modern show yet as we travel all the way back to 2016 to look at the generation defining Fleabag.

Phoebe Waller-Bridge got the Guardianistas chattering with her frank portrayal of a woman dealing with grief and loneliness but how does it stand up when looked at by two slightly chippy middle aged men from Yorkshire? And is it even a sitcom? (No)