BROADWAY NATION

My guest today is author Adam Rush, whose latest book is titled Adaptation in Musical Theatre.

Adam is a Program Leader and Senior Lecturer in Musical Theatre at the University of Winchester in the UK. Listeners may remember him from his previous appearance on this podcast when he and co-author Millie Taylor

Become A PATRON of Broadway Nation!

This episode is made possible in part by the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third and final segment of my conversation with

Today we explore how this show-stopping song-form made its way

If you missed the first two episodes in this series, you may

Become A PATRON of Broadway Nation!

This episode is made possible in part by the generous support of our Patron Club Members. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my conversation with my frequent co-host, Albert Evans, in which we investigate the Double Songs of Broadway.

In this episode, we highlight the amazing work of songwriters Jerome Kern & Anne Caldwell, Cole Porter, Arthur Schwartz & Dorothy Fields, Richard Adler & Jerry Ross, Jule Styne & Stephen Sondheim, Lionel Bart, and especially Meredith Willson in their Broadway musicals The Night Boat, Anything Goes, By the Beautiful Sea, Damn Yankees, Gypsy, Oliver!, Here's Love, The Music Man, and The Unsinkable Molly Brown.

Become A PATRON of Broadway Nation!

This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, PAULA & STEVE REYNOLDS.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season Four!

Broadway Nation is back with a new season of all-new episodes

I have a fantastic slate of guests and topics lined up over the coming weeks and months, and today we kick it all off with the return of my frequent co-host and partner in crime, Albert Evans, and the first in a series of episodes exploring the Double Songs of Broadway.

These show-stopping musical stunts span the entire history of the Broadway musical and have been utilized by many of the greatest songwriters, from Irving Berlin to Meredith Willson to Jerry Herman to Sondheim, Schwartz, and Miranda.

Become A PATRON of Broadway Nation!

This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, PAULA & STEVE REYNOLDS.

If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast.

And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the fourth and final section of my conversation with author Margaret Hall about her recent biography of Paul Gemignani titled Gemignani – Life And Lessons From Broadway And Beyond.

If you missed the previous episodes in this series, you may want to catch up on those before listening to this one.

Paul Gemignani served as the Music Director for more than 40 Broadway musicals, including those that are the focus of this episode — Sunday In The Park with George, Into the Woods, Crazy for You, as well as the revivals of She Loves Me and Kiss Me, Kate.

Many of Gemignani's collaborators are discussed in this episode, including Stephen Sondheim, James Lapine, Scott Ellis, Lonnie Price, Michael Cerveris, and Patti LuPone.

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third part of my conversation with author Margaret Hall, whose captivating book is titled Gemignani – Life And Lessons From Broadway And Beyond.

If you missed the first two parts, you may want to catch up on those episodes before listening to this one.

As the title suggests, Margaret’s book is a biography of Paul Gemignani, who served as the Music Director for more than 40 Broadway musicals, including the 3 shows that are the focus of this episode. 

The first two are Sweeney Todd and Merrily We Roll Along, and Gemignani’s contribution to these musicals and his close working relationship with Stephen Sondheim and Hal Prince have been widely acknowledged but never to the level of detail and insight that Margaret brings to them. However, Gemignani’s enormous contribution to the development of Dreamgirls and his close collaboration with that show’s director and creator, Michael Bennett, have been closely guarded secrets for decades and were revealed for the first time in Margaret’s book. You will hear the reasons for all of this mystery and subterfuge later in the episode. 

We also focus briefly on Paul's work on the Broadway musical EVITA and his interactions with Andrew Lloyd Webber and Patti LuPone.

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the second part of my recent conversation with author Margaret Hall, the remarkable young theater historian whose new book is titled Gemignani – Life And Lessons From Broadway And Beyond.

If you missed part one, you may want to catch up on that episode before listening to this one.

Margaret spent much of the pandemic interviewing Paul Gemignani who is without a doubt one of the most significant figures in the history of modern Broadway musical. Beginning as a replacement with the original production of Follies in 1971 Gemignani served as the Music Director for more than 40 Broadway musicals including Sweeney Todd, Evita, Sunday In The Park With George, On The 20th Century, and Into The Woods to name only a few. 

Margaret’s book takes us behind the scenes of those acclaimed productions and illuminates the crucial role that music directors play in the creation, development, and success of a musical.

Paul Gemignani’s incredible talent and theatrical know how made him the first-choice music director, and indispensable collaborator of both Stephen Sondheim and Harold Prince. As you will hear, after Sondheim and Prince ended their creative partnership and went their separate ways, Paul Gemignani was often pulled back and forth and caught in the middle between these two great artists and their various projects.

As we ended the previous episode the legendary Music Director Hal Hasting’s had unexpectedly died and Paul Gemignani has suddenly been drafted to replace him as the Music Director of A Little Night Music the new Prince and Sondheim musical that has just opened.  

Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is Margaret Hall, a remarkable young theater historian who is the author of the celebrated new book Gemignani – Life And Lessons From Broadway And Beyond.

As you will hear, Margaret spent much of the pandemic interviewing Paul Gemignani who is without a doubt one of the most significant, and at the same time most under-appreciated, figures in the history of modern musical. Since 1971 Paul Gemignani has served as the Music Director for more than 40 Broadway productions including Follies, A Little Night Music, Sweeney Todd, Evita, Sunday In The Park With George, Into The Woods, and Crazy for You, to name only a few. His incredible talent and theatrical know-how made him the first-choice music director, and indispensable collaborator of Kander & Ebb, Stephen Sondheim, Andrew Lloyd Webber and Harold Prince.

Margaret’s book not only takes us behind the scenes and into the orchestra pit of many of the most significant and acclaimed productions in Broadway history, it also illuminates the crucial role that music directors play in the creation, development, and performance of a musical.

Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the third and final part of my conversation with Ben Francis whose amazingly compelling new book is titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical.

Just like the book, our discussion has been structured around Sondheim’s collaborators. In this episode we discuss his work with George Furth, John Weidman, Hugh Wheeler & James Lapine. And, as always, Sondheim’s mentor and surrogate father Oscar Hammerstein II plays a big role in this conversation as well.

Along the way nearing everyone of Sondheim’s musicals are discussed including A Little Night Music, Anyone Can Whistle, Assassins, Company, Do I Hear A Waltz?, Follies, Gypsy, Into the Woods, Merrily We Roll Along, Passion, Road Show, Sunday In The Park With George, Sweeney Todd, and West Side Story as well as Rodgers & Hammerstein’s Allegro.

Ben Francis’ other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist.

Become A PATRON of Broadway Nation!

This episode is made possible in part through the generous support of our Broadway Nation Patron Club members including our inaugural members Roger Kloresse, Neil Hoyt, and Chris Moad.

My sincere thanks to all three of you for your loyal support!

If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron.

If you are a fan ofBroadway Nation, I invite you too to become a PATRON!

For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. 

All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.

If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:

⁠https://broadwaynationpodcast.supercast.tech/⁠

Thank you in advance for your support!

Learn more about your ad choices. Visit megaphone.fm/adchoices

Learn more about your ad choices. Visit megaphone.fm/adchoices