In this episode we speak with Mexican American Ceramic and Multidisciplinary artist Kristy Moreno who is a current long-term resident artist at Archie Bray Foundation for the Ceramic Arts (The Bray). “My current body of work examines the systems and bonds between social, political, and personal narratives. These narratives intersect to embody forms of relativity, healing and resilience. By producing these physically paused moments, I introduce a space for reflection which investigates the journey of my personal point of view, individual habits and character.” - Kristy MorenoKristy Moreno was born in the city of Inglewood, California and often found herself creating doodles of her favorite cartoons. Moving to Orange County inspired her to become involved in the art communities of Santa Ana, leading her to collaborate with group collectives including We Are Rodents and Konsept. She then attended Santa Ana College where she found an interest in ceramics that led her to transfer to California State University, Chico to pursue a BFA degree. Her work now spans across mediums to bring awareness and visibility to an abundant future where mutual aid is possible.Website: https://kristymorenoart.weebly.comIG: @kristy.moreno https://www.instagram.com/kristy.moreno/?hl=enSong Featured: Mar Iguana by É Arenas

In this episode recurring host and artist Cannupa Hanska Luger gets into conversation with Joseph M. Pierce, a Citizen of the Cherokee Nation and an Associate Professor at Stony Brook University where he teaches and researches about Queer Studies, Indigenous Studies and Latin American Studies. Joseph is also a writer and an artist who often collaborates with other Queer, Trans and 2spirit Indigenous Kin on curation and performance work. In this conversation Joseph and Cannupa speak about the points of connection within community through time, focusing on the realms of storytelling and speculative fiction that weave us together in continuum.  More about the Artist:Joseph M. Pierce is Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19 th century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the 2021 special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, Latin American Research Review, and has also been featured in Indian Country Today. Along with S.J. Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.Ways to engage with Joseph's work:Joseph M. Pierce website: https://www.josephmpierce.com Dayunisi's Turn: https://terremoto.mx/en/revista/el-giro-de-dayunisi/ Knowledge of Wounds: www.knowledgeofwounds.comJoseph and SJ Norman in conversation about their collaborative practice: https://movementresearch.org/publications/critical-correspondence/sj-norman-in-conversation-with-joseph-m-pierceFeatured Song: Performing Life from Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ by Elisa Harkins

In this episode we hear from New York-based narrative artist, producer, and curator Evan Starling-Davis who excavates the everyday stories pushed beneath the margins of our society. Navigating his lens as a Black and queer digital-age griot, Evan’s work breaches the hard facts, personal truths, and surreal realities we bury ourselves in. His artistic practice is situated within art immersion, mindfulness pedagogy, and experiential technology, and is heavily guided by the Black Speculative Arts Movement (Afrosurrealism and Afrofuturism specifically). Evan Starling-Davis is in conversation with artist Cannupa Hanska Luger who is a recurring host with Broken Boxes and who often accesses speculative fiction in his practice from the perspective of an Indigenous person of the Great Plains of North America. This episode was recorded at Colgate University in Hamilton New York as a part of a recent artist residency. Special thanks to Nick West, Curator of Picker Art Gallery for the introductions to Evan Starling-Davis and for organizing a studio on campus to record this conversation. Artist Bio:Evan Starling-Davis is a New York-based narrative artist, producer, and curator, excavating the everyday stories pushed beneath the margins of our society. Navigating his lens as a Black and queer digital-age griot, Evan’s work breaches the hard facts, personal truths, and surreal realities we bury ourselves in. A doctoral candidate of Literacy Education at Syracuse University with a focus in extended reality (XR) technology, Starling-Davis researches and facilitates arts-based literacy and social justice projects and interventions for Black communities in the US. His artistic practice is situated within art immersion, mindfulness pedagogy, and experiential technology, and is heavily guided by the Black Speculative Arts Movement (Afrosurrealism and Afrofuturism specifically). To create new pathways for Black imagination and media literacy to flourish, Evan combines motivational design, multimedia arts, and immersive technology in striking new ways. Exploring immersive technologies as tools of healing (such as virtual, augmented, and mixed-reality) his most recent project, Hidden Fragments Breathing, models the radical potential immersive art exposure has to transform literacy in Black communities across the Rust Belt. As a curator with meticulous attention-to-detail, Starling-Davis has managed public humanities projects and community-based art experiences from conception to completion. His interdisciplinary projects have been featured in art galleries, museums, and theaters internationally. More recently, he has been selected as a 2020-2021 Humanities NY Public Humanities Fellow, a 2019-2020 Louise B. and Bernard G. Palitz Art Scholar, and a 2018-2019 Syracuse University McKean Scholar. Music Featured: Saffron by MF DOOM from Metal Fingers Presents: Special Herbs Vol. 1 & 2

Mario Ybarra, Jr., is a visual and performance artist, an educator and an activist who combines street culture with fine art in order to produce what he calls “contemporary art that is filtered through a Mexican American experience in Los Angeles.” Mario has exhibited at the Art Institute of Chicago, ICA Boston, LACMA, MOCA Detroit, the Tate and the Whitney Biennial, among others. He was a featured speaker at the Creative Summit in New York, and Art Pace San Antonio and has taught at Williams College, UCLA, Otis, CalArts, Skowhegan and the Alternative School. His work with Slanguage studio, a project Mario founded with his partner Karla Diaz 20 years ago, has been an influential and oftentimes the sole provider of arts in his community. Slanguage has been based out of an old bakery shop in Wilmington Ca, out of a warehouse in Long beach Ca, out of LAX art in Hollywood, and has seen many changes and iterations. What does not change is a lifetime commitment to their community with contribution to the careers of many young artists, curators and organizers practicing in the artworld and affecting change today.This conversation is presented by artist Cannupa Hanska Luger, a recurring host who is leading the Spring/Summer sessions of the podcast for 2022. This episode was produced by Ginger Dunnill for Broken Boxes Podcast. Follow Mario’s work on IG @mario_ybarra_jr and Slanguage Studio @slanguagestudioMusic featured: Young, Gifted and Brown by Joe Bataan

Chip Thomas, aka jetsonorama, is a photographer, public artist and physician who has been working in a small clinic on the Navajo Nation since 1987. There he coordinates the Painted Desert Project which he describes as a community building dialog which manifests as a constellation of murals painted by artists from the Navajo Nation as well as from around the World.Thomas’ own public artwork consists of enlarged black and white photographs pasted onto structures along the roadside primarily on the Navajo Nation. His motivation is to reflect back to the community and the love they’ve shared with him over the years.Thomas was a 2018 Kindle Project gift recipient and in 2020 he was one of a handful of artists chosen by the UN to recognize the 75th anniversary of the UN’s founding. Selected artists are to generate work that contributes to the envisioning and shaping of a more resilient and sustainable future. The UN writes “…Right now we are facing the greatest health challenge to the human race in a century. COVID-19 has revealed that a virus can affect not only our physical health but also our ability to cope with the psychological impact in its wake.” Thomas spent 2021 working collaboratively to create art that is a community based response to the pandemic.Find out more about Chip’s work on social media @jetsonorama Music featured: "To Never Forget the Source" by Sons of Kemet

This is the final episode of a 3 part interview series featuring artist Kathy Elkwoman Whitman reflecting on her life and art in conversation with her son, artist Cannupa Hanska Luger.

This is a three session chronological broadcast series and it is recommended to listen to it in order.

Music featured in this episode: Why Did You Separate Me From The Earth by Anohni

This is the final episode of a 3 part interview series featuring artist Kathy Elkwoman Whitman reflecting on her life and art in conversation with her son, artist Cannupa Hanska Luger.

This is the final episode of a 3 part interview series featuring artist Kathy Elkwoman Whitman reflecting on her life and art in conversation with her son, artist Cannupa Hanska Luger.

Kathy Elkwoman Whitman is a fearless artist who over the course of her life has continually taken creative risks and pushed conceptual boundaries in the Native Artworld. A true multidisciplinary artist and an enrolled member of the Three Affiliated Tribes of Fort Berthold, Elkwoman is a master stone and metal sculptor, a painter, a jeweler, and a fashion designer. Over the course of her career, Elkwoman has been honored with many prestigious awards and participated in numerous exhibitions around the world. She is a member of the Indigenous Sculptor Society and continues to lead art workshops and participate in artist residences throughout the United States. Her artwork is in many public collections and she continues to be acknowledged in the Indigenous Artworld as a groundbreaking artist of her generation. When asked about her life as an artist, Elkwoman reflects that what she truly loves and appreciates about her life is the ability to continue to create and impact the world with her artwork.

Cannupa Hanska Luger is a multidisciplinary artist and an enrolled member of the Three Affiliated Tribes of Fort Berthold and Mandan, Hidatsa, Arikara and Lakota descent. Through monumental installations, performance and social collaboration, Luger activates speculative fiction and communicates stories about 21st Century Indigeneity, combining critical cultural analysis with dedication and respect for the diverse materials, environments, and communities he engages. He lectures and produces large-scale projects around the globe.

This is a three session chronological broadcast series and it is recommended to listen to it in order.

Music featured in this episode: Why Did You Separate Me From The Earth? By Anohni

This is the second episode of a 3 part interview series featuring artist Kathy Elkwoman Whitman reflecting on her life and art in conversation with her son, artist Cannupa Hanska Luger.

This is the first episode of a 3 part interview series featuring artist Kathy Elkwoman Whitman reflecting on her life and art in conversation with her son, artist Cannupa Hanska Luger.