BS With Friends!

G'day friend! Happy to see you again. If you wanna take a seat, Max and Xzy were just about to discuss the naughtiness of AMC, the grassroots movement of black artists, and Christopher Guest's Waiting for Guffman. Pull a chair and join us!

Oh well hi there, friend! If you've got the time to spare, Max and Xzy are just talkin' about the 2001 Coen Brothers film The Man Who Wasn't There. Along with the usual movie news like what is happening at WB (still) and the Cinestate controversy.

Funny seeing you here, friend! Max and I were just about to chat about 1999's Election. There's also quite a bit of news to catch up on. Get yourself a refreshing beverage and join us, why don'tcha?

Hi there once again, friends! We cordially invite you to this very special impromptu episode of B.S. With Friends. Xzy and special guest Ron Taylor highlight 2019's Queen & Slim, it's contribution to modern black cinema, and current relevance.

Oh geez! It's your friends again! You invited us over for pizza and Mario Kart, remember? Don't worry, we brought the pizza and the Mario Kart. We also wanted to talk about some cool new BTS screenshots from James Mangold's Logan, our favorite sound mixes in cinema, and 2010's hit film Toy Story 3.

And if you'd like to see those Logan pics, they're linked below!

https://www.comicbookmovie.com/x-men/wolverine/logan/logan-director-james-mangold-shares-never-before-seen-photos-concept-art-from-his-2017-masterpiece-a175674

In this one your friends Xzy and Max discuss WB and their weird week that saw a new Tenet trailer, Ruby Rose dropping out of Batwoman, and the Snyder Cut that isn't a cut. Afterward, we keep the PTA train goin' with our initial thoughts on The Master.

In this one, your friends Xzy and Max decide to talk Tenet, the stalemate between Hollywood and the world, and first impressions of Paul Thomas Anderson's Boogie Nights.

Welcome to episode uno! In this one, your friends Xzy and Max discuss the uncertain future of movie theaters and then lighten things up a bit with a traumatizing first watch of Roman Polanski's Chinatown. Because that's...that's how we roll.