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NEWS
Our Top Books of the Week
Dave:
Alex:
Standout KAPOW moment of the week:
Alex - Doom Snikt in OOUD #4
Dave - Battle Beast #1 (Robert Kirkman, Ryan Ottley)
TOP BOOKS FOR NEXT WEEK
JUDGING BY THE COVER JR.
Interview: James Tynion - Exquisite Corpses #1 out May 14, 2025
1. What drew you to the exquisite corpse method as a structural framework—and how did it shape your writing process across collaborators?2. You’ve said before that horror lets you explore personal fears in metaphorical ways—what fear sits at the heart of Exquisite Corpses for you personally?3. This project is filled with shifting tones and visual voices—how did you maintain thematic cohesion across multiple artists and chapters?4. You’ve tackled horror through multiple lenses—from psychological horror in The Nice House on the Lake to body horror in Something is Killing the Children. Where does Exquisite Corpses fall on your personal horror spectrum?5. You’ve spoken about burnout and choosing joy in your writing—did this collaborative process reawaken anything in you creatively?6. There’s a class warfare element baked into the DNA of Exquisite Corpses. How important was it for you to make that commentary explicit rather than just subtext?7. You’re known for big ideas in genre fiction. Was there ever a version of Exquisite Corpses that could’ve been a prose project or TV pitch—or was comics always the only way this could work?8. What’s one element in Exquisite Corpses—a character, twist, or scene—that you’re most excited for readers to finally experience, but can’t say anything about yet?4.6
5050 ratings
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Our Top Books of the Week
Dave:
Alex:
Standout KAPOW moment of the week:
Alex - Doom Snikt in OOUD #4
Dave - Battle Beast #1 (Robert Kirkman, Ryan Ottley)
TOP BOOKS FOR NEXT WEEK
JUDGING BY THE COVER JR.
Interview: James Tynion - Exquisite Corpses #1 out May 14, 2025
1. What drew you to the exquisite corpse method as a structural framework—and how did it shape your writing process across collaborators?2. You’ve said before that horror lets you explore personal fears in metaphorical ways—what fear sits at the heart of Exquisite Corpses for you personally?3. This project is filled with shifting tones and visual voices—how did you maintain thematic cohesion across multiple artists and chapters?4. You’ve tackled horror through multiple lenses—from psychological horror in The Nice House on the Lake to body horror in Something is Killing the Children. Where does Exquisite Corpses fall on your personal horror spectrum?5. You’ve spoken about burnout and choosing joy in your writing—did this collaborative process reawaken anything in you creatively?6. There’s a class warfare element baked into the DNA of Exquisite Corpses. How important was it for you to make that commentary explicit rather than just subtext?7. You’re known for big ideas in genre fiction. Was there ever a version of Exquisite Corpses that could’ve been a prose project or TV pitch—or was comics always the only way this could work?8. What’s one element in Exquisite Corpses—a character, twist, or scene—that you’re most excited for readers to finally experience, but can’t say anything about yet?1,710 Listeners
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