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October 04Pornsak Pichetshote goes deep on ‘Exquisite Corpses: Lone Gunman’ and ‘Absolute Green Arrow’
Pornsak Pichetshote is having one hell of a year. He’s helping expand James Tynion IV and Michael Walsh’s Exquisite Corpses universe with Exquisite Corpses: Lone Gunman, while over at DC, Absolute Green Arrow has given him the chance to build a very different kind of mythology around one of comics’ most familiar mantles.
Today, the AIPT Comics Podcast brings you an unedited conversation with Pornsak. We dig into Lone Gunman, what happens to a final girl after she survives, the history behind that mysterious golden mask, the 13 Families, and how the series expands the world of Exquisite Corpses. Pornsak also talks about what working with James Tynion IV has taught him about writing comics and creating memorable new characters.
Then we get into spoiler territory for Absolute Green Arrow, including the Merlin reveal, why the original mystery was designed to resolve in six issues, and how the back half of the series operates almost like a sequel to that opening story. Pornsak also teases why Merlin was the right choice once we learn who makes up the other half of Green Arrow.
Plus, Dave and Alex recap the week in comics with reviews and news!
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
IDW teases two major reveals for NYCC 2026 panel, reveals full signing schedule
Dark Horse Comics reveals NYCC 2026 signing schedule and booth plans
‘Something is Killing the Children’ #50 gets blind bags with mystery covers and trading cards
Zoe Thorogood and Joe Whiteford sink their teeth into ‘Vampire on Aisle 6’
Marvel reveals bloody new ‘Midnight’ art as universe tops 1 million orders
'AMAZING SPIDER-MAN' #1000 VARIANTS ALLOCATED
Joshua Williamson and Bruno Redondo announce ‘Batman: Justice Year’ at SDCC Málaga
Our Top Books of the Week:
Dave:
Tomb of Apocalypse #2 (Ashley Allen, Domenico Carbone)
Amazing Spider-Man #1000 (Various)
Alex:
Smart Division #2 (Zack Kaplan, John Pearson)
Aliens vs X-Men #1 (Gillen, Geraldo Borges)
Standout KAPOW moment of the week:
Alex: Uncanny X-Men #36 (Gail Simone, Luciano Vecchio)
Dave: Queen in Black #5 (Al Ewing, Iban Coello, Paco Medina)
TOP BOOKS FOR NEXT WEEK
Alex: All the Midnight #1s!
Dave: Demon #1 (James Harren Cover)
JUDGING BY THE COVER JR.
Dave: Batman: Bad Seeds - Streets of Gotham #1 (Javier Rodriguez Card Stock Cover)
Alex: Mike Mayhew Midnight X-Men #1
Interview: Pornsak Pichetshote - EXQUISITE CORPSES LONE GUNMAN #1 (OF 5) FOC Oct 12 - Release Date: Nov 4 - Day 2 Newsletter
Artist: Alberto Ponticelli; colors: Jordie Bellaire
You’ve described Lone Gunman as “Season 1.5” of Exquisite Corpses. What did you realize you needed to explore between the end of the first series and the beginning of Season 2 that made this story necessary?
Laura won the game, but surviving twelve killers doesn’t exactly mean she gets to live happily ever after. What interested you about treating the “Final Girl” as the beginning of a story rather than the end of one?
The golden mask was such a striking piece of the Lone Gunman mythology in Season 1. How much does digging into its history change what we thought we understood about the Lone Gunman and the game itself?
Two years have passed for Laura, Xavi, and Jason. They have money and seemingly escaped the Families, but they're still carrying what happened to them. How differently has each of them processed surviving that night?
You mentioned bringing lessons from Absolute Green Arrow into Lone Gunman. Those seem like very different books on the surface, so what have you learned writing Green Arrow that unexpectedly became useful when writing a horror story like this?
You’re working with Alberto Ponticelli again after Unknown Soldier, alongside Jordie Bellaire. Alberto has talked about bringing roughness, textures, and “dirty marks” to this world. What are those two bringing visually that makes this chapter of Exquisite Corpses feel distinct from Season 1?
For one fun one to wrap up: If surviving Exquisite Corpses earned Laura an actual two-year, all-expenses-paid vacation with absolutely zero killers, billionaires, or golden masks allowed, where would you send her, and what would she do with herself?
1 hr 29 min
September 27Ryan North talks ‘Doomquest,’ ‘The Flash,’ Fantastic Four, and superhero problem-solving
Ryan North has a knack for giving superheroes problems that their powers cannot easily solve. This week on the AIPT Comics Podcast, we’re running our full conversation with North as he catches us up on a busy year and a half that has included the end of One World Under Doom, the launch of Doomquest, his jump to DC with The Flash, and his continuing adventures with Marvel’s First Family.
North digs into the unlikely fever-fueled origin of Doomquest, why the series became a Doctor Doom character study, and the freedom that comes with dropping Victor into different moments in history. We also get into Wally West’s increasingly dangerous ability to prevent disasters before they happen, why joy remains essential to North’s take on the Flash, and how the Fantastic Four continue to open doors to wonderfully strange science-fiction stories.
The conversation goes even further into the challenges of writing ridiculously powerful heroes, North’s approach to continuity, superhero horror, his desire to make more creator-owned work, and the novel he’s been quietly working on. Plus, we somehow end up debating Doom, Reed Richards, and Wally West in an escape room, which sends North down a wonderfully bizarre escape-room rabbit hole.
Interview: Ryan North
Sep 23, 2026, The Flash #37
Releases Oct 21, 2026 Doomquest #5
Releases Sep 30, 2026 Fantastic Four #17
AIPT: The last time we had you on was back in February 2025, and quite a bit has happened since then. One World Under Doom has come and gone, Fantastic Four has kept rolling, and now you’ve added The Flash to your plate at DC. Looking back at everything that’s happened since we last talked, what’s the past year and a half been like for you creatively?
AIPT: Doomquest has almost felt like a series of tests for Doom, dropping him into different points in history and asking whether he can outthink everyone who came before him. But issue #4 does something crueler and gives Victor the chance to live a genuinely happy life with Valeria. Was confronting Doom with happiness always one of the destinations you wanted this series to reach?
AIPT: What I find fascinating about Doomquest is that Doom keeps getting opportunities to prove he's the smartest or most capable person in the room, but that doesn't necessarily mean he's becoming a better person. When you're writing him, where do you draw the line between Doom actually growing and Doom simply finding new evidence that he was right all along?
Why center your Star Trek story on the Pakled?
AIPT: Over in The Flash, Wally's "Flashes of Insight" have evolved to the point where he can glimpse what is about to happen and potentially prevent accidents and crimes before they occur. That sounds wonderful until you start thinking about the implications. Is the danger here less about whether Wally can save everyone and more about what happens to someone who starts believing he should?
AIPT: Your Wally is someone who genuinely loves being the Flash, which feels important because superhero comics can sometimes make being a hero seem completely miserable. How important is that joy to your version of Wally, especially as his ability to see and prevent disasters starts putting more responsibility on his shoulders?
AIPT: In Fantastic Four, you've been able to go from enormous cosmic and scientific problems to wonderfully strange ideas like the Future Foundation returning and Doom's technology leaking into the wider world. After writing these characters for this long, what still makes you stop and think, "I can't believe nobody has done this Fantastic Four story before"?
AIPT: You're currently writing Reed Richards, Doctor Doom, and Wally West, three characters who can approach impossible problems from very different directions. Do you find yourself thinking about them differently when constructing a story, or is there a common Ryan North rule for writing someone who can potentially break your plot if you give them five minutes to think?
Danger and Other Unknown Risks a fab creator owned title, do you have anything similar or in the creator owned realm in the works?
AIPT: Finally, something silly: Doom, Reed Richards, and Wally West are trapped in an escape room together. Who actually solves it, who insists they solved it first, and how quickly does the escape room regret letting these three people inside?
53 min
September 20Tom King and Daniel Sampere reflect on 40 issues of ‘Wonder Woman’
Earlier this week, AIPT revealed that Tom King and Daniel Sampere’s Wonder Woman run is coming to an end with issue #40 this December. Now, you can hear the full conversation behind that interview on the AIPT Comics Podcast.
Nearly two years after we last spoke with King and Sampere about their ambitious plans for Diana, the creative team returns to reflect on how those plans changed and what it means to finally approach the last page. King discusses an original vision that could have stretched to 100 issues, while Sampere looks back at how drawing Diana changed his approach to storytelling, particularly the quieter acting, expressions, and gestures that define her character.
The conversation also digs into Trinity’s evolution, Steve Trevor’s death and return, the Sovereign and Matriarch, and the qualities King and Sampere believe define Wonder Woman after spending years telling her story. With Wonder Woman #37 beginning the final stretch and issue #40 set for December 16, this is the full audio chat about bringing their run home.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Marvel NYCC Plans
DC NYCC Plans
DC December 2026 solicitations
Wonder Woman arc ends with #40
‘Fantastic Four: First Foes’ finale introduces the Wizard and Frightful Four
Marvel unveils ‘Black Widow: Black, White & Red Room’ for December 2026
Marvel reveals Miracleman’s new era with two ‘Avengers: Armageddon’ covers
Miracleman joins the Avengers for November 2026 relaunch
Exclusive: ‘The Simpsons Treehouse of Horror’ gets complete 3-volume omnibus box set
Disney’s beloved 1973 animated classic returns 50 years later for ‘Robin Hood’
Exclusive: Francesco Francavilla sets sail with ‘Vengeance Unchained: The Legend of Black Caesar’ cover
'The Princess Murders' ble nds slasher horror, dark comedy, and fairy tale satire
Our Top Books of the Week:
Dave:
Avengers: Armageddon #4 (Chip Zdarsky, Delio Diaz & Frank Alpizar)
Ofiusa #1 (Guillem March)
Chris:
Regicide #2 (Patrick Kindlon, Ludovic Lalliat)
The Patron #2 (Christian Ward, John Pearson)
Standout KAPOW moment of the week:
Chris: Exquisite Corpses: Fox Mask Killer #1 (Che Grayson, Adam Gorham)
Dave: Avengers: Armageddon #4 (Chip Zdarsky, Delio Diaz & Frank Alpizar)
TOP BOOKS FOR NEXT WEEK
Chris: Star Trek #1 (Christopher Cantwell, Dennis Menheere)
Dave: Muppets Take the Marvel Universe #1 (Various)
JUDGING BY THE COVER JR.
Dave: Universal Monsters: Blood of the Wolf Man #4 (Mike Del Mundo Cover)
Chris: Marvel Mangaverse: Ghostlocke #1 (Yuji Kaku Main)
Interview: Wonder Woman - End of Tom King and Daniel Sampere’s run
With Wonder Woman #40 officially ending your run on December 16, how much of that final issue resembles the ending you envisioned when you first started the book? Were there pieces of the finale you already knew back at issue #1?
One thing that has defined this run is Diana’s ability to be incredibly powerful without losing her compassion. In #37, she’s fighting a giant monster while calmly teaching two babies a lesson. What did you identify early on as the essential qualities of Wonder Woman that you never wanted to lose?
Daniel, knowing #40 is your final issue, did you approach drawing it differently? Was there a feeling of, "This might be my last chance to draw Diana doing this," that pushed you toward certain images or ideas?
Steve Trevor’s death hung over the book for a long time, so seeing Diana finally reunite with him in #37 carries a lot of weight. How did you approach that reunion after keeping Diana and Steve apart for so long?
Trinity has gone from a mysterious new character to someone deeply embedded in Diana and Steve’s story. Looking back now, what surprised you most about who Trinity became compared to the character you originally imagined?
The Matriarch is literally going through Hell in the upcoming special, while #39 brings the Sovereign back before the finale. How does the Matriarch’s relationship with her father reflect or complicate what you explored through the Sovereign earlier in the run?
When readers close Wonder Woman #40 on December 16, what do you hope they understand about your version of Diana that perhaps wasn’t as clear when the run began? Is there something about the run that you think will take on a different meaning once the full story is known?
1 hr 7 min
September 13Michael Walsh brings horror to Jonah Hex and teases ‘Exquisite Corpses’ Season 2
This week, Michael Walsh joins the AIPT Comics Podcast to talk Jonah Hex and the Shadow of Death, his new DC Next Level series launching October 7. Walsh digs into bringing horror to the Old West, exploring an older Jonah Hex wrestling with his past, building new supernatural mythology into the DC Universe, and the influences behind his take on the legendary gunslinger. We also get into Exquisite Corpses, including how the writers’ room shaped Walsh as a storyteller, his role overseeing the current spinoffs, and some early teases about what he and James Tynion IV are cooking up for Season 2.
Before that, Dave and Chris Coplan break down the week’s biggest comics news, including the Amazing Spider-Man #1000 preview and DC extending The Fury of Firestorm. Then it’s our favorite comics of the week, standout KAPOW moments, the books we’re most excited about next week, and Judging by the Cover Jr., featuring some of the best cover art hitting shelves.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Marvel reveals ‘Amazing Spider-Man’ #1000 preview with Aunt May shocker
And TRIPLE H is writing a story!?
Symbie’s origins will be revealed in upcoming one-shot
DC extends ‘The Fury of Firestorm’ through issue #15
Rob Liefeld gets in on Midnight Universe gimmick with ‘Avengelyne’ #1 Midnight Variant
Our Top Books of the Week:
Dave:
The Forever Home #1 (Christian Ward, Sami Kivelä)
Doomquest #4 (Ryan North, Francesco Mobili)
Chris:
The Karman Blade #1 (DVP, Ian Bertram)
Chachu #2 (Iman Vellani, Marianna Ignazzi)
Standout KAPOW moment of the week:
Chris: Hellraiser: Resurrections — The Onanistic Ritual #1 (Zac Thompson, Gavin Mitchell)
Dave: Spawn '77 #1 (Mark Spears, Todd McFarlane)
TOP BOOKS FOR NEXT WEEK
Chris: Batman Day 2026: Batman of Two Worlds #1 (Matt Fraction, Javier Fernandez)
Dave: Exquisite Corpses: Fox Mask Killer #1 (Che Grayson, Adam Gorham)
JUDGING BY THE COVER JR.
Dave: A Mischief of Magpies #2 (Matias Bergara 5 Copy Cover)
Chris: The Patron #2 (John Pearson Variant B)
Interview: Michael Walsh - Jonah Hex and the Shadow of Death #1, out Oct 7, FOC Sept 14
AIPT: You’ve described yourself as a horror creator, but Jonah Hex isn’t traditionally the first DC character people associate with horror. What did you see in Jonah that made you think he could be a genuinely great horror character?
AIPT: This is an older Jonah Hex whose days as a bounty hunter seemingly ended some time ago. What interested you about meeting him at this stage of his life instead of telling another story about Hex in his prime?
AIPT: The solicitation describes Jonah’s life as one of “bloodshed, pain, and guilt,” and redemption seems central to this story. Does Jonah actually believe he deserves redemption, or is taking on this threat more about finally finding something worth dying for?
AIPT: The evil arriving in Ashecott is described as something older than the town and from beyond the world its residents know. How do you introduce something truly supernatural without losing the dirt, grit, and grounded quality that makes a Jonah Hex Western feel like Jonah Hex?
AIPT: We’re still waiting for season two of Exquisite Corpses, so I have to sneak one in. After building that world collaboratively with so many creators, did anything about that experience change the way you approached writing, drawing, or surprising readers on Jonah Hex and the Shadow of Death?
AIPT: Finally, Jonah Hex gets dropped into an Exquisite Corpses-style killing competition. No guns allowed. What completely inappropriate weapon are you giving him, and how far does he make it?
1 hr 8 min
September 06Saladin Ahmed talks Cheetara’s new era and his X-Men corner
This week, Eisner Award-winning writer Saladin Ahmed joins the AIPT Comics podcast to talk about three very different heroes currently occupying his writing desk: Cheetara, Wolverine, and Bishop.
With ThunderCats: Cheetara launching September 9, Ahmed discusses taking one of Third Earth’s most mysterious heroes into her own ongoing series, the troubling visions that challenge what she knows about ThunderCats history, working with artist Andrea Arcari, and the freedom Dynamite has given him to push and reshape the mythology.
The conversation also returns to the X-Men universe, where Ahmed’s working on Wolverine and Bishop. We dig into where both characters currently stand, the distinct challenges of writing two veteran mutants, and what Ahmed is building toward in each series.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Indiana Jones hunts Marvel’s greatest artifacts in new variant covers
Batman vs. Absolute Batman: DC reveals its big Batman Day 2026 special
Boom-Boom takes charge as Marvel announces ‘Fugitive X-Force’ #1
Curt Pires and Jok unleash time-traveling monsters in ‘Creature Corps’
Our Top Books of the Week:
Dave:
The Legion of Super-Heroes #1 (Joshua Williamson, Hayden Sherman)
Superman: The Stranger (Wes Craig)
Alex:
The Legion of Super-Heroes #1 (Joshua Williamson, Hayden Sherman)
Crowbound #1 (Jeff Lemire, Dustin Nguyen)
Standout KAPOW moment of the week:
Alex: Captain America #15 (Zdarsky, Schiti)
Dave: Doom Patrol #1 (Darcy Van Polgeest, Nico Henrichon)
TOP BOOKS FOR NEXT WEEK
Alex: The Forever Home #1 (Christian Ward, Sami Kivelä)
Dave: Six of Us #1 (Tom King, Gabriel Hernández Walta)
JUDGING BY THE COVER JR.
Dave: Black Cat #14 (Josemaria Casanovas)
Alex: The Karman Blade #1 (Ian Bertram)
Interview: Saladin Ahmed - ThunderCats: Cheetara (FOC August 10, out September 2)
1. Cheetara has always been one of the more mysterious ThunderCats because of her visions. What excited you about making those visions the engine of an ongoing series rather than just a supporting trait?
2. The solicitation mentions voices that contradict the Book of Omens and even praise the Mu'Tants. Were you interested in exploring how faith or certainty can be challenged when someone suddenly has conflicting truths?
3. One thing I've always liked about Cheetara is that she's often the calmest person in the room while everyone else is reacting emotionally. How did you approach giving her an internal journey that still feels true to that personality?
4. This is your first project with Dynamite and your first time writing ThunderCats. What surprised you most once you started digging into the mythology? Was there a corner of the universe you found yourself unexpectedly fascinated by?
5. Andrea Ancari is relatively new to American readers. What did you see in his storytelling that made him the right artist for a book balancing action, visions, and psychological mystery?
6. ThunderCats has existed across cartoons, comics, and multiple reinterpretations over decades. Were there specific versions of Cheetara you found yourself drawing inspiration from, or did you intentionally try to build your own voice for her?
Wolverine / X-Men questions
1. One thing I've really enjoyed in your Wolverine run is seeing Logan genuinely vulnerable again. Between the broken claws and now the healing factor failing, what opportunities does a weakened Wolverine create that an invincible Wolverine simply can't?
2. Wolverine #21 was almost a bottle episode, with Logan and Nightcrawler just trying to relax before everything goes wrong. How important are those quieter character issues when you're writing someone who's usually defined by violence?
3. Julius Ohta has become a fantastic collaborator on the series. Are there moments where his storytelling or acting has changed the way you approached later scripts?
Bishop / X-office question
With both Wolverine and Bishop, you've been working inside a very interconnected X-Men line. How much collaboration happens behind the scenes?
Bonus fun question
You've now written everything from Miles Morales to Wolverine, Daredevil, and now Cheetara. Is there a dream character or franchise that still sits on your bucket list where, if the phone rang tomorrow, you'd immediately say yes?
59 min
August 30What’s next for DSTLRY and Neon Ichiban
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Hickman’s ‘Midnight X-Men’ is a ‘mutant, vampire epic’ with Krakoa-era DNA
Midnight Previewssssss

Marvel’s next Avengers vs. X-Men showdown is happening on the hockey rink
Whatever this news is it sounds stupid

Vault reveals ‘One Zero Zero One Saves the World’ from Jeremy Robinson and Tiago Palma

Vault announces ‘Inanna: The Name She Lost’ from Inanna Sarkis, Tim Seeley and Ademir Leal

Dark Horse spotlights Doctor Doom in ‘Marvel’s Most Villainous’ Volume 2

Dark Horse and Marvel celebrate classic X-Men history with ‘The Art of The Uncanny X-Men’

Dark Horse collects Jack Kirby’s Marvel Westerns in new three-volume series
Our Top Books of the Week:
Dave:
Operation: Iron Coffin #2 (Kenny Porter, Tyrell Cannon)

Hammerfist #1 (Rick Remender, Steve Epting)
Alex:
Fireborn #4 (Curt Pires, Franklin Jonas, Patrick Mulholland)

Absolute Wonder Woman #23 (Kelly Thompson, Hayden Sherman)
Standout KAPOW moment of the week:
Alex: What If… Cassandra Nova Killed Charles Xavier? #1 (Sumit Kumar, Ashley Allen)
Dave: Godzilla Conquers the Multiverse #2 (Gerry Duggan, Javier Garron)
TOP BOOKS FOR NEXT WEEK
Alex: Crowbound #1 (Jeff Lemire, Dustin Nguyen) & The Doom Patrol #1 (Darcy Van Poelgeest, Nico Henrichon)

Dave: Marvel Dimensions (Alex Ross)
JUDGING BY THE COVER JR.
Dave: Cruel Kingdom #1 (Yanick Paquette)

Alex: Legion of Super Heroes #1 (Hayden Sherman)
DSTLRY - David Steinberger (co-founder and CEO) and Chip Mosher (co-founder and CCO)
DSTLRY has settled into its partnership with Penguin Random House, and readers are starting to see a steadier publishing cadence again. Looking back, what did that transition teach the company, and how does it position DSTLRY differently heading into the rest of 2026?

You've said from the beginning that DSTLRY wasn't trying to become "just another publisher." Now that the initial launch period is behind you, what do you think defines DSTLRY's identity today compared to when you first announced the company?

We've seen collections like Warm Fusion and A Mischief of Magpies join the schedule alongside new single issues. How important is building a strong hardcover library for DSTLRY's long-term vision, especially as more readers discover these books after their initial release?

Neon Ichiban has grown quickly from a digital comics platform into something that feels much more creator-focused. At what point did you realize the platform could become more than simply a place to read comics?

The new partnership with Scott's Collectibles brings a huge roster of creators into Neon Ichiban's digital remarques program. Why was that collaboration the right next step, and how do you see it changing the experience for fans who collect sketches and signatures?

One of the most intriguing ideas behind Neon Ichiban is the Digital Fast-Pass at conventions. Do you see this as solving a long-standing problem for fans who spend hours waiting in Artist Alley, or is the bigger goal expanding access to creators beyond the convention itself?

You've spent years thinking about where comics are headed digitally, first at Comixology and now with Neon Ichiban. What do you think today's readers expect from a digital comic that they didn't expect even five years ago?

Both DSTLRY and Neon Ichiban seem to share the same philosophy: giving creators more opportunities while giving fans new ways to engage with their work. Is there a bigger vision connecting those two efforts, and where do you hope they are a year from now after another SDCC has come and gone?
1 hr 29 min
August 23Benjamin Percy and Phillip Kennedy Johnson talk Marvel’s Midnight Universe
Marvel’s Midnight Universe is getting ready to open its doors, and this week we’re going straight to two of the writers helping build it.
Benjamin Percy and Phillip Kennedy Johnson join the AIPT Comics Podcast for an extended conversation about Midnight Fantastic Four and Midnight Spider-Man, two of the three series launching Marvel’s new horror-infused universe on October 7. Along with Jonathan Hickman on Midnight X-Men, Percy and Johnson are helping to establish a world in which familiar Marvel characters are being rebuilt through body horror, cosmic terror, and some seriously disturbing new origins.
Percy digs into the Lovecraftian nightmare behind his Fantastic Four, why their familiar powers are closer to curses, the influence of California's strange scientific and occult history, and just how grotesque Reed Richards' elasticity can become. Johnson takes us inside his radically different Peter Parker, the role Oscorp plays in his transformation, ScieTronc's horrifying designs, and why calling this version of Peter "Man-Spider" barely scratches the surface.
The conversation also gets into the larger Midnight Universe, including how Percy, Johnson, and Hickman are coordinating their books, how carefully they're approaching other Marvel characters, plans for the universe to eventually expand, and yes, whether Hickman's beloved data pages are coming along for the ride.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Marvel November solicitations!
Jean Grey returns!

Marvel’s ‘Incursions’ one-shots revisit the road to ‘Secret Wars’ this November

Marvel teases ‘Origin III’: Is Wolverine’s untold past about to be revealed?
Official press release

Marvel’s November 2026 solicitations reveal the post -‘ Avengers: Armageddon’ era

Marvel retells Venom’s origin from the symbiote’s perspective in ‘Venom: POV’

Marvel’s free ‘Midnight Universe’ ashcan reveals creepy new details

Marvel Comics sheds light on November 2026 variant series Momo-Tone covers

Exclusive: Benjamin Percy and Raúl Fernández launch sci-fi horror series ‘Egg Hunt’

Exclusive: Brain Poison launches with three new sci-fi comics in shared universe

Garth Ennis and John McCrea get weird with psychedelic horror tale ‘The Snail’

DC Comics Solicitations for November
Our Top Books of the Week:
Dave:
Punisher Vs. Spider-Man #2 (Dan Abnett, Matteo Della Fonte)

Thor #800
Chris:
Nights #20 (Wyatt Kennedy, Luigi Formisano)

The Last Driver #1 (Sean Murphy, Simon Gough)
Standout KAPOW moment of the week:
Chris: Nights #20 (Wyatt Kennedy, Luigi Formisano)
Dave: Destination Kill #4 (Joe Palmer)
TOP BOOKS FOR NEXT WEEK
Chris: Minotaur #2 (Si Spurrier, Michael Dowling)

Dave: Batman: Bad Seeds – Sunset #1 (Matt Fraction, G. Willow Wilson, Giuseppe)
JUDGING BY THE COVER JR.
Dave: Tomb of Apocalypse #1 (Pablo Villalobos)

Chris: Next Level: One Shot #1 (Fernando Blanco Main Cover)
Interview: Midnight Universe - Ben Percy (Midnight FF) and Phillip Kennedy Johnson (Midnight Spider-Man) - Out October 7, FOC Aug 31
You’re both taking characters whose origins are among the most familiar in comics and rebuilding them through horror. What was the first thing each of you identified in the classic Fantastic Four and Spider-Man origins that could become genuinely frightening in the Midnight Universe?

Since this is horror, are you inverting who is the hero? I.e. is Spider-Man the villain and hsi rogues the bad guys, same for FF, or is that giving too much away?

Ben, the Fantastic Four have always been explorers pushing into the unknown, but here that curiosity seems potentially catastrophic. How much of Midnight Fantastic Four is about Reed Richards being unable to leave certain doors unopened, even when every instinct should tell him to stop?

Phillip, you’ve described wanting Peter Parker’s transformation to feel like something conceived by H.R. Giger and directed by David Cronenberg. Once Peter becomes this grotesque spider hybrid, how do you preserve the humanity and responsibility that make him recognizably Spider-Man?

Both books seem fascinated with science going somewhere it absolutely should not go. How differently do Reed and Peter respond to the realization that scientific progress has created something horrifying, and do you see them as cautionary reflections of each other?

The solicit for Midnight Fantastic Four #2 mentions revisiting and redefining the perils of the atomic age. Ben, what interested you about connecting the Fantastic Four to that particular period of scientific optimism, anxiety, and destruction?

Phillip, Oscorp isn't simply responsible for Peter's transformation. They're apparently using what they learn from him to create more human-animal hybrids. Does that give this version of Spider-Man a different relationship with his rogues gallery, especially characters like the Lizard and Doctor Octopus?

Kev Walker and ScieTronc have incredibly distinct visual identities. Were there moments when their designs or pages came back and actually changed your understanding of this universe, or pushed the horror further than what you'd originally scripted?

Horror can become less frightening once readers understand its rules. With both of you planning potentially very long runs, how do you keep the Midnight Universe mysterious and unsettling after readers have spent 20, 30, or even 50 issues living inside it?

I know your books haven’t launched just yet, but it’s hard not to be excited for your books to somehow connect, given Spidey and the FF are thoroughly linked in the 616. Have you dreamed up crossovers yet?

Finally, the important Midnight Universe question: if Midnight Spider-Man and the Midnight Fantastic Four were trapped together in a horror movie, who dies first, who somehow survives, and who makes the catastrophically bad decision to say, “Let’s split up”?
1 hr 24 min
August 16Jordan Morris talks ‘Amazing Venom,’ Boomerang and ‘Spider-Versity’
Jordan Morris returns to the AIPT Comics Podcast this week to talk about his increasingly packed comics slate, including the upcoming Amazing Venom. Morris digs into how Luciano Vecchio’s red-and-blue Venom design evolved into a new 616 character, why Boomerang was ultimately chosen to bond with the symbiote, and the appeal of turning one of Spider-Man’s lovable D-list scumbags into a Venom.
We also look back at Amazing Spider-Man: Spider-Versity, including Norman Osborn’s questionable motives for training the next generation of Spider-heroes, writing the different voices and quips of its large cast, and why Spider-Gwen became a particular favorite for Morris to write. Morris also talks Predator: Bloodshed, his approach to juggling multiple monthly projects, and plenty more from his busy year in comics. Also, if you liked signed comics, buy all of Amazing Venom in advance, signed by Morris, here.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
Warren Ellis returns to Image Comics with ‘Ghost Drive Station’ this November

‘Star Wars’ and Marvel collide for the first time in ‘Hope Assembles’ #1

X-Men's mystical side takes center stage in new 'X-Orcists' series this November 2026

Louise Simonson puts a Disney twist on a holiday classic in ‘Uncle Scrooge: A Christmas Carol’ #1

Marvel reveals new ‘Midnight’ variant covers ahead of October 2026 launch

Ghost Rider: Kushala #1 collects Spirit Rider Infinity Comic this November

‘Sabrina the Teenage Witch’ #1 joins Marvel’s Midnight launch with special midnight release

‘The X-Files’ returns to comics with new series from Joe Harris and Riley Brown
Our Top Books of the Week:
Dave:
Of the Earth #4 (Chris Condon, Charlie Adlard)

Absolute Batman #23 (Scott Snyder, Nick Dragotta)
Chris:
Regicide #1 (Patrick Kindlon, Ludovic Lalliat)

Yumi: 00EX #1 (Doug Wager, Hoyt Silva)
Standout KAPOW moment of the week:
Chris: Did You Hear About Mimi Green #3 (Connor Goldsmith, Josh Cornillon)
Dave: Infernal Hulk #10 (Phillip Kennedy Johnson, Adam Gorham)
TOP BOOKS FOR NEXT WEEK
Chris: Nights #20 (Wyatt Kennedy and Luigi Formisano)

Dave: Lobo #6 (Skottie Young, Riley Rossmo)
JUDGING BY THE COVER JR.
Dave: Teenage Mutant Ninja Turtles: Shredder #11 (Mateus Santolouco)

Chris: Everyone Loves a Jewel Thief #4 (Aaron Campbell Main)
Interview: Jordan Morris talks...
Speed Racer: Tales from the Road – The Rook #1 — July 29
Spider-Versity #5 — August 22
Amazing Venom #1 — September 16
Predator: Bloodshed TPB — November 24
This has to be the most weekly comics you’ve written in your career yet. How has it been juggling so many projects?

You're writing four wildly different books right now: the martial arts and horror of Predator: Bloodshed, the Spider-family training adventure of Spider-Versity, and, speedracer mixes cop drama with racing, the cosmic antihero comedy of Amazing Venom. What have you learned about your strengths as a writer from jumping between such different corners of the Marvel Universe and Speed Racer?

Predator: Bloodshed drops a Yautja into an underground fighting tournament, which feels like a premise built to deliver spectacular action. Beyond the fights, what was the biggest storytelling challenge in making readers care about the human competitors?

Bloodshed wraps up this week. Looking back on the series as a whole, was there a particular character, fight, or moment that surprised you while writing it?

Spider-Versity puts Norman Osborn in the unusual role of teacher. What makes Norman uniquely qualified to train young Spider-heroes, and what makes him the absolute worst possible choice at the same time?

Spider-Versity features a roster of younger Spider-characters who all have very different personalities and experiences. Was there one character whose voice came especially naturally to you?

Speed Racer: Tales from the Road – The Rook #1 introduces a rookie cop going undercover in the dangerous world of Formula X racing. What drew you to telling a crime story through the lens of Speed Racer, and how did you balance the undercover-cop tension with the over-the-top spectacle fans expect from this universe?

You've described Fred Myers (Web of Venom #1) as one of your favorite Marvel antiheroes. What is it about Boomerang that keeps drawing you back to the character?

Amazing Venom pairs Fred with Passenger, who seems like the perfect source of both chaos and comedy. How did you approach building that relationship, and what makes them a fun duo to write?

Fun question: Of all your current leads and villains—Boomerang, Passenger, Norman Osborn, Carnage, and a Predator—who would be the absolute worst roommate, and who somehow ends up being the best?
1 hr 38 min
August 02Christian Ward on 'Forever Home' and the biggest SDCC 2026 reveals
San Diego Comic-Con delivered one of the biggest news weekends of the year, and we're digging into all of it on this week's AIPT Comics Podcast. We break down DC's latest Next Level announcements, including new ongoing series for Vixen, Static, Batman, The Demon, and Jonah Hex, react to Marvel's Predator vs. Punisher, unpack Christian Ward's newly announced Pandemonium, and even talk about Ryan Gosling's surprising Ghost Rider reveal. If it made headlines at SDCC, we're giving it the full AIPT treatment.
After that, David sits down with Christian Ward to discuss Forever Home, his ambitious new Oni Press series with Sami Kivelä. Ward explains how the story grew from a simple yet unforgettable premise: a house that survives climate collapse by falling outside of time, where every 20 minutes inside equals a year in the outside world. The conversation explores the book's emotional family drama, its retro-futuristic design, climate anxiety, billionaire bunkers, and why Kivelä's storytelling elevates every page. Ward also reflects on balancing writing and art, teases what's next in his career, and shares why Forever Home is one of his most personal creator-owned projects to date.
Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!
NEWS
SDCC post-event review
Christian Ward concludes his ‘Event Horizon’ trilogy with ‘Pandemonium’ this December

DC unveils new ongoing series for Vixen, Static, and Batman in latest Next Level wave

DC announces ‘Batman of Two Worlds’ #1 for Batman Day 2026

James Harren unleashes a terrifying new era for ‘The Demon’ in DC’s Next Level line

Michael Walsh brings horror to the frontier in ‘Jonah Hex and the Shadow of Death’

‘Predator vs. Punisher’ pits Frank Castle against the galaxy’s deadliest hunter this November

Marvel unveils three original WEBTOON series at SDCC, including Tony Stark romance and X-Men Korea

Ryan Gosling is Ghost Rider

Corin Howell’s hit horror series returns with ‘Lilith: Blood & Burlesque’ #1 this October

'Lost Fantasy' and 'Fireborn' collide in first-ever crossover 'SHOWDOWN'

'Wytches' returns this fall with expanded Pledged Edition ahead of TV adaptation

Deadpool and Punisher's 'Big Guns' crossover expands with Bullseye, Black Hole, and new preview pages
Our Top Books of the Week:
Dave:
Doomquest #3 (Ryan North, Francesco Mobili)

Queen in Black #1 (Al Ewing, Iban Coelo)
Alex:
Is Ted Ok? #6 (Dave Chisholm)

The Patron #1 (Christian Ward, John J. Pearson)
Standout KAPOW moment of the week:
Alex: Horror of Godzilla #1 (Ethan Parker, Griffin Sheridan, Tristan Jones)
Dave: Queen in Black: Hela (Al Ewing, Carlos Magno)
TOP BOOKS FOR NEXT WEEK
Alex: The Omega Book #1 (James Patrick, Pauli Junquera)

Dave: Fort Psycho #1 (Matt Kindt, Brian Hurtt)
JUDGING BY THE COVER JR.
Dave: The Deadman #3 - Cover D Tyler Boss

Alex: Uncanny X-Men #33 Alexander Lozano '80s Storm Variant AND Batgirl #22 Cover B KyuYong Eom Variant
Interview: Christian Ward - The Forever Home (out Sept 9, FOC Aug 3rd) with Sami Kivelä
- Patron #1 (July 29) art by John Pearson
1 hr 23 min
July 25Matthew Rosenberg talks his upcoming TMNT run
One of the biggest comics announcements of San Diego Comic-Con was the reveal that Matthew Rosenberg will become the next ongoing writer of Teenage Mutant Ninja Turtles, and this week he's here for his first in-depth interview about the series. Rosenberg opens up about initially turning down the job before IDW came calling a second time, why his run is inspired by the raw energy of the original Mirage comics, and how he plans to put the turtles through a relentless fight across New York City. We also discuss his love of Eastman and Laird's work, collaborating with artist Juann Cabal, bringing forgotten characters back into the spotlight, and why this story will embrace every corner of TMNT history while carving out its own identity.
NEWS
Marvel Comics solicitations October 2026
José Andrés joins Earth's Mightiest Heroes in 'Meals to Astonish: Avengers' #1 this October

Marvel's Trick-Or-Read program returns with 'Infernal Hulk' and 'Spidey and His Amazing Friends'

Punisher battles Black Widow, Wolverine, and Winter Soldier in new Marvel one-shot series

Marvel and Williams Racing team up for 'Iron Man: Racing Towards Doom' #1 this October

Captain Britain gets 50th anniversary special

Rob Liefeld relaunches 'Avengelyne' with artist Daniel Mainé at Image Comics this November

Lance Briggs, Kyle Higgins, and Danilo Beyruth announce sci-fi sports graphic novel 'The Trap'

Exclusive: Dan Watters and Brian Level launch sci-fi horror series 'Mad Science Division' at Ignition Press

Red Sonja and Barbarella unite for first-ever crossover series this November

Archie celebrates 85 years with oversized anniversary special featuring comics all-stars
Our Top Books of the Week:
Dave:
Godzilla Conquers The Multiverse #1 (Gerry Duggan, Javier Garron)

Terminal #1 (Robert Kirkman, Joe Casey, Andy Kubert)
Alex:
Uncanny X-Men (Gail Simone, Jim Towe, Roge Antonio, Federica Mancin)

Sicko #1 (Tini Howard, Amilcar Pinna)
Standout KAPOW moment of the week:
Alex: x
Dave: Superman #40 (Joshua Williamson, Dan Mora)
TOP BOOKS FOR NEXT WEEK
Alex: Is Ted Ok? #6 (Dave Chisholm)

Dave: The Horror of Godzilla #1 (Tristan Jones, Ethan S. Parker, Griffin Sherida)
JUDGING BY THE COVER JR.
Dave: Rocket Raccoon: Rocket Rewind #1 (Mike Mignola Cover)

Alex: X-Men 34 Alexander Lozano '80s Colossus Variant
Interview: Matthew Rosenberg talks taking over TMNT
You described your run as "The Warriors meets Daredevil: Born Again" with plenty of action and humor mixed in. Those are some massive touchstones. What qualities from those stories became your creative north star for this new era of TMNT?

Your story begins immediately after Gene Luen Yang’s "The City That Never Dies" storyline, which sounds like it leaves the city fundamentally changed. How did Gene Luen Yang's finale create opportunities that wouldn't have existed otherwise?

One of the biggest hooks is that the Turtles are being hunted over the course of a single night. What made that compressed timeline appealing, and how does it change the pacing compared to a more traditional TMNT story?

You said the team hunting the Turtles is assembled specifically for this mission. Without spoiling who's involved, what makes this group uniquely equipped to challenge all four brothers at once?

10:59

Juann Cabal has shown he can handle kinetic action and expressive character work across Marvel and DC. What is it about his storytelling you’re excited to see in TMNT?

You've mentioned your love for Kevin Eastman and Peter Laird's Mirage Studios era. Were there specific themes or storytelling techniques from those early comics that you wanted to bring back for modern readers?

Your comics often balance brutal action with sharp humor and strong character voices. How do you approach writing the Turtles so each brother feels distinct, especially when they're under constant pressure?

You've written everything from street-level crime stories to huge superhero events. Where does TMNT fit creatively for you, and does it scratch a different storytelling itch than books like What's the Furthest Place From Here? or your Marvel work?

You're taking over with issue #25, which already feels like a milestone. Looking ahead, what do you hope readers say about your TMNT run after they've finished that first story arc?
If Destruction Be Our Lot #4 - Aug 19, 2026
King Spawn #58 - Aug 26th, 2026
Spawn #378 - Aug 26th, 2026
1 hr 15 min

About AIPT Comics

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An exploration of the comic book art form via weekly insights, news, and creator interviews. Covering it all from Marvel Comics and DC Comics to indies publishers and creators too.