Larry Schemel  in conversation with David Eastaugh

One time member of the Death Valley Girls - American rock band formed in 2013 in Los Angeles, California. The band consists of vocalist and keyboardist Bonnie Bloomgarden, guitarist Larry Schemel, bassist Sammy Westervelt, and drummer Rikki Styxx. Now entering a new musical phase. 

Kill Sybil were a five piece from Seattle; three chicks and two dicks, as they liked to say. Girl-pop reverb hell on shitty equipment, powered by Schmidt beer. They started out as "Sybil", but had to change their name after their first single to avoid legal trouble from some soul singer with the same name

Iain Matthews in conversation with David Eastaugh

http://iainmatthews.nl/

Iain Matthews first gained attention as a founding member and vocalist for the innovative Fairport Convention’s first three albums, changing the voice of folk music in his country. He moved on to create Matthews’ Southern Comfort, exploring his interest in American music. They had a No 1 hit in the UK with Joni Mitchell’s ‘Woodstock’. Never one to stand still for very long Iain moved on during the 1970’s with another group, Plainsong. 

Frank Secich in conversation with David Eastaugh

https://www.highvoltagepublishing.com/product/frank-secich-not-that-way-anymore

https://www.amazon.co.uk/Not-That-Anymore-Frank-Secich/dp/0994629060

Blue Ash is an American band, formed in Ohio in the summer of 1969 by bassist Frank Secich & vocalist Jim Kendzor. Guitarist Bill Yendrek and drummer David Evans were recruited later that summer.

The band debuted at "The Freak Out", a club in Youngstown, Ohio, on October 3, 1969. They gained a loyal following playing an endless stream of one-nighters over that year. In October 1970, Bill Yendrek, was replaced by guitarist/songwriter Bill "Cupid" Bartolin.

Blue Ash continued playing 250–300 dates a year throughout Pennsylvania, New York, Ohio and West Virginia, while the songwriting team Frank Secich and Bill Bartolin accumulated an enormous amount of original material. In June 1972, Blue Ash signed a production contract with Peppermint Productions of Youngstown and started recording and sending out demos. In late 1972, they were signed to Mercury Records by A&R man Paul Nelson. Their first album No More, No Less was released in May 1973 and received rave reviews in the rock press. It is considered a power pop classic, and is regarded as highly collectible among fans of that genre

Greg Roberts in conversation with David Eastaugh

https://www.dreadzone.com/

He was a member of Big Audio Dynamite from 1984 to 1990, a band led by , former lead guitarist, and co-lead vocalist of the Clash. He went on to form Screaming Target in 1991 with ex-Big Audio Dynamite members Don Letts and Leo "E-Zee Kill" Williams, then started Dreadzone with Tim Bran, Williams and Dan Donovan, another former Big Audio Dynamite member. Dreadzone had a No. 20 hit in the with "Little Britain" in 1996.

Dreadzone are an unstoppable force who have long been, and still are, one of the best live bands around with a loyal and ever growing fanbase due in part to their storming and energetic live shows. They have been releasing albums and progressively bettering, refining and perfecting their own unique and inimitable take on dub since their inception in 1993.

Wendy Houstoun in conversation with David Eastaugh

https://www.wendyhoustoun.com/

Edgehill University Performance coming up. You can book for this show - or Manchester Lowry 14th March 8.00 pm or Soho Theatre March 20th-23rd 7.00 pm

Wendy Houstoun is a director, choreographer and performance maker who was worked  with experimental movement and theatre forms since 1980.

Her solo works Haunted Daunted and Flaunted, Happy Hour , The 48 Almost Love Lyrics  , Desert Island Dances and  50 ACTS  have all toured Europe , Australia and the US.

Works were made with long collaboraters composer John Avery, lighting designer Nigel Edwards who also act as directorial voices

Collaborative work with companies and individual artists include:

Lloyd Newson and DV8 Physical Theatre , Tim Etchells and Forced Entertainment , Charlotte Vincent and Vincent Dance Company, film-maker David Hinton, dancer Jonathan Burrows, composer Matteo Fargion, performer Nigel Charnock, dancer Rachel Krische, artist Terry O'Connor ,  performance artist Rose English, Gloria Theatre, Lumiere & Son Theatre, Ludus Dance Comapany   in theatre and site specific pieces , films and installations.

Robert Hecker in conversation with David Eastaugh

http://www.itsoktheband.com/

Played lead guitar and sang with Redd Kross from 1984 to 1991, and again from 2006 to the present, in addition to occasional on-stage reunions throughout the 1990s. He has also played guitar and sang with the band It's OK! since 1992. As of 2013, he no longer actively tours with Redd Kross, but continues to perform live with It's OK!

It’s OK! is/are: Robert Hecker (chameleon-voiced guitar guru, Redd Kross), Ellen Rooney (five-octave vocalist), Dennis McGarry (eight-string bass & three-piece suit), & Roy McDonald (drummer extraordinaire, The Muffs & Redd Kross). Individually, they can all stand as shred-lords, but collectively, they make a beautiful, hyper melodic (& harmonic) sound. 

Dave Hill in conversation with David Eastaugh

https://www.davehillslade.com/the-band

Without doubt one of the most exciting bands to come out of Great Britain in the past 50 years. With their unique blend of perfect pop-rock'n'roll, outrageous flamboyance and pure fun, and no less than 23 Top-20 singles of which 6 were No-1 smash hits...plus 6 smash albums, Slade have become a firm favourite in the hearts of pop fans all over the world.

SLADE'S chart career has spanned 6 decades and their enduring songs “Far Far Away”, "Cum On Feel The Noize" and "Coz I Luv You" are still featured today in TV commercials for some of the Worlds biggest companies.

SLADE first hit the road in 1966, touring throughout Great Britain and Europe and becoming a regular concert attraction. Joining forces with the former Animals bass guitarist and Jimi Hendrix Experience manager, Chas Chandler, Slade achieved their first chart hit in May 1971 with the Bobby Marchan song "Get Down And Get With It" then, released in October of the same year "Coz I Luv You" was the bands first No-1 and a huge hit across Europe.

Throughout the seventies, Slade became one of Europe's biggest bands, touring and recording continually and making regular trips to America, Japan and other parts of the world. Slade's catalogue of hits are synonymous with the era:- "Take Me Bak 'Ome", "Mama We'er All Crazee Now", "Cum On Feel The Noize", "Gudbye T' Jane", along with the many others provided a soundtrack to the Glam Generation and are still today, heavily featured on any retrospective of the time.

Desmond Child in conversation with David Eastaugh

https://desmondchild.com/

Grammy-winning and Emmy-nominated songwriter Desmond Child is one of music’s most prolific and accomplished hitmakers. He’s a film, television, theater and music producer, recording artist, performer, and author. His credits appear on more than eighty Billboard Top 40 singles spanning six decades, including “Livin’ On A Prayer,” “You Give Love A Bad Name,” “I Was Made For Lovin’ You,” “Dude Looks Like A Lady,” “How Can We Be Lovers If We Can’t Be Friends,” “I Hate Myself For Loving You,” “Livin’ La Vida Loca,” “The Cup Of Life,” “Waking Up In Vegas,” “Kings & Queens” and many more.

Elizabeth Bruce in conversation with David Eastaugh

http://www.evergreendazed.com/

https://evergreendazed.bandcamp.com/

Evergreen Dazed were formed in Leicester, England, in 1991, when Elizabeth Bruce, a US student on a year long exchange, answered a 'vocalist wanted' advert by Mark Turrell.

This was recorded at home and released in Nov 1992. It features acoustic pop in the style of The Sundays or Mazzy Star, electronic ambient pieces, and echo-laden space rock.

They played a couple of gigs in San Francisco, supporting an embryonic Richard Buckner, and bay area folk rocker Sonya Hunter. They also secured a feature article in UK psych magazine Ptolemaic Terrascope, and an entry in Chris William's book of underground bands 'Adrift In The Ether'.

The book drew the attention of Spanish indie-pop label Elefant, who wanted to release some of their music. This resulted in a 7" 3 track EP 'Ocean Beach', released in 1994, and appearances on a couple of label compilations, as well as a Felt tribute CD.

Steve Almaas in conversation with David Eastaugh

https://www.discogs.com/artist/633930-Steve-Almaas

https://www.facebook.com/salmaas

The Suicide Commandos are an American punk rock trio from Minneapolis. They formed in 1975 and released two 7-inch EPs on an indie label in 1976 and 1977 before signing with Blank Records (a subsidiary label of Mercury Records) in 1977 and releasing one album, Make a Record. Despite their short original 4-year stint together, the Suicide Commandos are considered the pioneers for jump-starting a punk rock music scene in the Twin Cities, which eventually produced bands like The Suburbs, Hüsker Dü, The Replacements and Soul Asylum