Alan Rider - Stress, Dance Naked & Attrition - in conversation with David Eastaugh

Alan Rider is a musician and editor of iconic 1980s Coventry post-punk fanzine Adventures in Reality.  He also co-edited 1980s Coventry Agit-Zine Not The Jobhunter, produced one off Coventry fanzines Certain Substances, Sticky Fingers, and Negative Response as well as contributing regularly to national music publications including Spiral Scratch and NME.  Alan and Adventures in Reality were featured in the 1983 Channel 4 documentary ‘Enough is Enough’.  He also ran the 1980s Adventures in Reality Recordings independent record label, releasing albums by a wide range of underground acts internationally, including Coventry bands such as Attrition, Furious Apples, and his own electronic band Stress. Stress went on to record and release four albums and numerous compilation album appearances on labels across the world.  His other band Dance Naked, released albums in the UK and Germany.

Robert Courtney - Skin Patrol & One Million Fuzztone - in conversation with David Eastaugh

Skin Patrol became One Million Fuzztone Guitars in 1981 and released two singles “Heaven / Annuese” and “Men’s Hearts / Creepy Crawl” and an LP “26″ all now remastered and re-released on Cherry Red Records. Rock Section was remixed by Julian Cope And Andrew Weatherall in 2014 as Dayglo Maradona. One Million Fuzztone Guitars/Skin Patrol continue to record and release new material on TuneCore/BMI.

Lolly Hayes (Lorraine Hayward) - Johnny Boy & Sister Lover - in conversation with David Eastaugh 

Formed in 2002, Johnny Boy took their name from Robert De Niro’s character in Martin Scorsese's film, Mean Streets. Their debut single, "Johnny Boy Theme" featured Scorsese's opening voice-over from the film.

Their single "You Are The Generation That Bought More Shoes And You Get What You Deserve" was produced by James Dean Bradfield (of Manic Street Preachers) and achieved critical acclaim.

Bradfield also co-produced their debut album, Johnny Boy, which received mixed reviews.

Philip Drucker - 17 Pygmies, Savage Republic, Them Rhythm Ants - in conversation with David Eastaugh

John Buck  - The Polecats - in conversation with David Eastaugh

The band were first signed by the fledgling British rockabilly record label Nervous Records, and recorded their first single "Rockabilly Guy" at guitarist Alan Warner's "Lane Studios" in 1979. Formerly with the "Foundations" band, Warner toured and recorded with the Polecats for about a year.

In 1980, the band signed to Mercury Records, and released their most successful LP, Polecats Are Go! They had UK chart success with a David Bowie cover, "John, I'm Only Dancing", a reworking of "Rockabilly Guy", and another cover version of the T-Rex (Marc Bolan) song "Jeepster".[2] In 1983, they hit the charts in the United States with their song, "Make a Circuit with Me".John Buck replaced Neil Rooney in 1982 playing drums.

Claire Hamill in conversation with David Eastaugh

www.clairehamill.co.uk

Active in the music business since age 17. In 1971, she was launched as one of Britain's first female singer-songwriters. Shortly following the release of her debut album, One House Left Standing, Hamill went on her first UK tour, supporting John Martyn. She performed at the Concert 10 festival in the United States July 1972 before a crowd of 200,000. By 1973, she had toured the United States with Procol Harum and Jethro Tull, and returned to Britain to record her next album, October, at Manor Studio in Oxfordshire. She next toured with King Crimson.

In 1973, she met Ray Davies of the Kinks, who signed her to his Konk label for her third album Stage Door Johnnies. She toured America for the second time that year and went on another UK tour supporting Gilbert O'Sullivan. In addition, she recorded what would be her final album of the '70s and the second one for Konk, Abracadabra.

In 1979, she provided vocals on the song "Look Over Your Shoulder" on The Steve Howe Album. In the early 1980s she worked with Wishbone Ash, appearing as a guest performer on their albums Just Testing (1980) and Number the Brave (1981) and joining the group for their 1981/82 tour. She returned as a guest on Bare Bones in 1999.

Tony Sales - Iggy Pop and David Bowie/Tin Machine - in conversation with David Eastaugh

Son of 1950s/'60s TV comedian Soupy Sales and younger brother, Hunt Sales 

Tony and Hunt went on to work with Chequered Past, David Bowie, Iggy Pop, Todd Rundgren, Bob Welch, Andy Fraser of Free, Harry Dean Stanton and The Cheap Dates, The Hunt Sales Memorial, Tin Machine (with Bowie), and others from 1989 to 1994.

Provided the rhythm section for Pop's album Lust for Life (1977), which was produced by David Bowie, who also played keyboards The brothers joined Pop on his subsequent tour, recorded as TV Eye Live 1977 and released in 1978.

Medicine - Brad Laner - in conversation with David Eastaugh

Medicine was formed by ex-Savage Republic drummer Brad Laner, based on some 4-track recordings Laner was working on in 1990. After playing the tapes for music industry representatives, he was told that if he formed a band that sounded like the tapes, he could get a record deal. Laner then assembled a band of musicians from the Los Angeles music scene. Medicine's early lineup included Laner, drummer Jim Goodall (Severed Head in a Bag, Jon Wayne, Lopez Beatles), guitarist Jim Putnam, bassist Eddie Ruscha and singer Annette Zilinskas (an original member of the Bangles). Zilinskas left before any official releases and was replaced by former Fourwaycross singer Beth Thompson. 

Jerome Alexandre - The Deadcuts, Andi Sex Gang, Black Bordello - in conversation with David Eastaugh

Deadcuts are an English post punk group formed in 2012 by former Senseless Things front man, Mark Keds (vocals/guitar) and Jerome Alexandre (guitar/backing vocals. 

Currently playing with the Andi Sex Gang and Black Bordello

Andi Sex Gang in conversation with David Eastaugh

Sex Gang Children are an early gothic rock and post-punk band that formed in early 1982 in Brixton in London, England. Although the original group only released one official studio album, their singles and various other tracks have been packaged into numerous collections, and they remain one of the more well-known bands of the early Batcave scene and have reformed for new albums and touring at various times since the early 1990s.