Katie checks in with set designer (Broadway: Cost of Living, Pass Over, Next Fall; Lincoln Center Theater, Second Stage, Playwrights Horizons, the Public, Roundabout, and more; Lortel and Drama Desk nominations), Wilson Chin.

Katie checks in with director and theatre maker (associate on Sabbath's Theater, Invincible the Musical; The Apostle Peter and His Lover John Also an Apostle; Notes From the Basement; 2022 member of Directors’ Lab North; one of New York Jewish Week’s “36 to Watch" 2022), Molly Rose Heller.

Katie checks in with former actor and director, arts manager (Alabama Shakespeare Festival, Arts West), and author, Alan Harrison, on his new book, Scene Change: Why Today's Non-Profit Arts Organizations Have to Stop Producing Art and Start Producing Impact.

Katie checks in with actor and singer (Annie National Tour, Norwegian Cruise Lines, Burn the Floor, Walnut Street Theatre), Julia Nicole Hunter.

Katie checks in with actor (Life After, The Griswolds' Broadway Vacation) and singer/songwriter (Morninglory music), Livvy Marcus.

Katie discusses Shy: the Alarmingly Outspoken Memoirs of Mary Rodgers (available everywhere) with its co-author, and Chief Theatre Critic for The New York Times, Jesse Green.

Katie checks in with NAACP and Fred Astaire award-winning Broadway choreographer (Motown the Musical, A Night with Janis Joplin, Annie National Tour), Patti Wilcox.

Katie checks in with screenwriter and director (Francophrenia (or: Don't Kill Me, I Know Where the Baby Is), Burn Country, and Slow Machine -- Rotterdam, Viennale, and New York Film Festivals), Paul Felten.

Katie checks in with music director, pianist, orchestrator, and educator (Berkshire Theatre Group, the MUNY, Opera Memphis, the George and Ira Gershwin Critical Edition, developmental teams for Oklahoma! (2019) and Hadestown), Jacob Kerzner.

Katie checks in with actor (Les Miz National Tour and on Broadway, Phantom of the Opera National Tour, Stages St. Louis, Goodspeed Opera House, Tuacahn, Theatre Works Palo Alto, and more), Edward Juvier.