Call To The Void

In this episode, Dyllan and Tung discuss the final mixes, artwork, and upcoming release date!

 

For more information, please check out: hauntinghands.com

Dyllan is a dreamweaver and Tung is amazed. In this episode, we begin to conceptualize our recent recordings.

Dyllan recorded his first guitar solo in a cabin from the Hills Have Eyes movie. Tung doesn't like melted ice cream.

 

For more information, check out hauntinghands.com

Dylan discovers that he is color blind. We plan a one-in-a-life-time performance for our record release.

 

For more information, check out hauntinghands.com

Dyllan has been analyzing music since his beginnings in the womb. Dyllan also rages on pop music so don't piss him off.

 

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Tung shares his Vietnamese perspective on music and defends his name.

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Dyllan and Tung are trying to figure out how to sample Dyllan's tears during an emotional ballad.

Dyllan kicks over microphones when he is having a bad performance. Tung ponders why people invest time into music. Our website is still down but find us on iTunes, Spotify, and wherever you listen to podcasts!

In this episode, Tung finally purchased an electric guitar and he is now searching an amp that is convenient and affordable. Later in the conversation, we hypothesis the future for Haunting Hands. Specifically, we discuss how we want to pursue this project and whether or not we want to set a timeline for upcoming goals. This conversation is inspired by the recent Childish Gambino film, Guava Island.

 

For more information, check out hauntinghands.com

We have new podcast artwork by Mr. Dyllan. When it comes to the recording of percussions, there is so much room for creativity and innovation. In this episode, we discuss how to record the drums in our upcoming project. Our influences for drums and percussion range from Joy Division to Radiohead. Towards the end of the episode, we discuss what makes a cool intro to an album and we draw inspiration from hip hop artists such as Tyler The Creator and Kendrick Lamar.