In this episode, we hone in on lens choice, looking at different focal lengths, apertures, and depths of field, what they can bring to a scene and how they can change the relationship between its subjects.

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'Provocateur' Tyler Shields joins us to talk pissing off the president, having the Secret Service camped outside your house over a photo, doing a six-minute breath-hold for an underwater shot, nudity censorship, and dealing with backlash in the age of outrage.

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We discuss separating the good ideas from the bad, balancing frequency and quality, and learning to say no to yourself.----more----

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Photographer David Yarrow joins us to discuss his distinctive black-and-white photos of wildlife, how shooting a bobsleigh race opened him up to the possibility of 'fine art photography', almost getting snapped in half by a hippo, and resisting the urge to use a telephoto lens – instead moving in closer toward what are often very dangerous creatures.

In this episode we speak with Ted Griffin, a screenwriter best known for writing Ocean's Eleven (2001), who also co-produced The Wolf of Wall Street (2013) and executive produced Up in the Air (2009).

Drilling down into Ocean's Eleven, we discuss Ted's research for the script in Las Vegas, the intricacy of creating and interweaving the stories of eleven defined characters, and his responsibility to keep the film's complicated narrative on the rails during principal photography. We also touch on his work with, and the work of, Martin Scorsese.

Photographing someone you've never met and who is likely just going about their day is a strange thing, especially in this bizarre, often isolated modern world. In this episode, we look at how you can get better at it, the pros and cons of making yourself known, how attitudes on the street have changed over time, and working with models and actors who are strangers to you on intimate portraits and emotionally raw films.

Vietnamese photographer Tran Tuan Viet (@vietsui) joins hosts Alan Schaller and Christopher Hooton to discuss his photographic mission to show the natural beauty and life of people of his country, a place that is so often associated with war and violence in people's minds. Viet's work has been published by National Geographic, Smithsonian Magazine, the Guardian and other outlets, and he's worked for clients including Google, Samsung and Canon. 

'Fine art' is a term that helped to get photography taken seriously, but is the distinction still useful? We discuss the false dichotomy of 'art' and 'non-art', and the generally blurry genres in photography.

Ocean photographer Ray Collins talks to hosts Alan Schaller and Christopher Hooton about the anatomy of a wave, risking life and limb for 'the shot', and how a severe injury down a coal mine led to an unlikely career in photography.

Technology has blurred the lines between that which is candid and that which is created. But is one more legitimate than the other? We try and talk constructively about editing, the differences between art created in-camera and on-computer, and a future where total realism can be achieved digitally.