Abigail, Twanna, and Charlie discuss the intersections between the work of Glissant and Benítez-Rojo.

A discussion of Glissant's and Benítez-Rojo's conceptions of the archipelago, chaos, and the implications for an ethic of globalized aesthetics.

A discussion of Glissant's and Walcott's work, specifically the opening pages of Poetics of Relation and the poem "The Sea is History."

Reflections on Derek Walcott's 1977 poem "The Sea is History" and the opening sections of Édouard Glissant's Poetics of Relation, with emphasis on history and identity in relation to the Middle Passage and its catastrophic loss.

Kayna, Charlie, and Christin discuss V.S. Naipaul's Middle Passage and two essays by Derek Walcott, "The Muse of History" and "The Antilles: Fragments of Epic Memory."

A discussion of V.S. Naipaul's The Middle Passage (1962) in relation to Derek Walcott's "The Muse of History" (1974) and "The Antilles" (1992), focused on how Naipaul's melancholia structures his imagination of West Indian history and how Walcott's meditations on paternity and fragmentation reconfigures that imagination.

A discussion of two essays by Sylvia Wynter: "Toward the Socigenic Principle" and "Unsettling the Coloniality of Being/Power/Truth/Freedom"

A discussion of Sylvia Wynter's work and its extension of Fanon's key insights, with particular emphasis on her essays "Toward the Sociogenic Principle" and "Unsettling the Coloniality of Being/Power/Truth/Freedom."

Lisa, Abby, and Teagan discuss the significance and meaning of Frantz Fanon's 1952 book Black Skin, White Masks.

A discussion of key themes in Frantz Fanon's 1952 text Black Skin, White Masks, with particular attention to the function of language, sociogeny, and antiblackness in conceiving the possibilities of world-making.