Caribbean Radio Show Crs Radio Network

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

Yo it's about that time

To bring forth the rhythm and the rhyme

I'm a get mine so get yours

I wanna see sweat comin' out your pores

On the house tip is how I'm swinging this

Strictly hip hop boy I ain't singing this

Bringing this to the entire nation

Black, white, red, brown

Feel the vibration

Come on come on

Feel it feel it

Feel the vibration

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

The vibrations good like Sunkist

Many wanna know who done this

Marky Mark and I'm here to move you

Rhymes will groove you

And I'm here to prove to you

That we can party on the positive side

And pump positive vibes

So come along for the ride

Making you feel the rhythm is my occupation

So feel the vibration

Come on come on

Feel it feel it

Feel the vibration

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

Drug free so put the crack up

No need for speed

I'm anti d-r-u-g-g-i-e.. my

Body is healthy.

Marky Mark - Good Vibrations Lyrics

Let the Music Play

Barry White

One ticket, please

Lord have mercy, everybody's there

Hey, what's goin' on man, yeah

She's at home, yeah, she's at home

Yeah, she's at home

Let the music play

I just want to dance the night away

Here, right here, right here is where I'm gonna stay

All night long, ooh, ooh, ooh, ooh, ooh, wee

Let the music play on

Just until I feel this misery is gone

Movin', kickin', groovin', keep the music strong

On and on and on and on and on and on and on

And on and on and on and on and on and on and on

I'm out here dancin' and still, huh

I can't erase the things I feel

The tender love we used to share

Nyabinghi is the oldest of the Mansions of Rastafari. These Rastafari are the strictest out of the six or so major groups. They pledge "love to all human beings", and do not believe in violence, because they believe that only Jah has the right to destroy. They make this pledge because of the power of words, believing that only when all of Jah's children make the pledge together, the oppressors will be destroyed. In addition, they are often non-violent or follow the just war theory.The Nyabinghi resistance inspired a number of Jamaican Rastas, who incorporated what are known as Nyabinghi chants (binghi) into their celebrations (grounations).[citation needed] The rhythms of these chants were an influence on popular ska, rocksteady and reggae music. Three kinds of drums are used in Nyabinghi music: bass, funde and keteh. The keteh plays an improvised syncopation rooted in Ashanti dance and drumming,[2] the funde plays a regular one-two beat and the bass drum strikes loudly on the first beat, and softly on the third (of fourth) beat. Count Ossie was the first to record nyabinghi and helped to establish and maintain Rasta culture

Let the Music Play

Barry White

One ticket, please

Lord have mercy, everybody's there

Hey, what's goin' on man, yeah

She's at home, yeah, she's at home

Yeah, she's at home

Let the music play

I just want to dance the night away

Here, right here, right here is where I'm gonna stay

All night long, ooh, ooh, ooh, ooh, ooh, wee

Let the music play on

Just until I feel this misery is gone

Movin', kickin', groovin', keep the music strong

On and on and on and on and on and on and on

And on and on and on and on and on and on and on

I'm out here dancin' and still, huh

I can't erase the things I feel

The tender love we used to share

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

Yo it's about that time

To bring forth the rhythm and the rhyme

I'm a get mine so get yours

I wanna see sweat comin' out your pores

On the house tip is how I'm swinging this

Strictly hip hop boy I ain't singing this

Bringing this to the entire nation

Black, white, red, brown

Feel the vibration

Come on come on

Feel it feel it

Feel the vibration

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

The vibrations good like Sunkist

Many wanna know who done this

Marky Mark and I'm here to move you

Rhymes will groove you

And I'm here to prove to you

That we can party on the positive side

And pump positive vibes

So come along for the ride

Making you feel the rhythm is my occupation

So feel the vibration

Come on come on

Feel it feel it

Feel the vibration

It's such a good vibration

It's such a sweet sensation

It's such a good vibration

It's such a sweet sensation

Drug free so put the crack up

No need for speed

I'm anti d-r-u-g-g-i-e.. my

Body is healthy.

Marky Mark - Good Vibrations Lyrics

Nyabinghi is the oldest of the Mansions of Rastafari. These Rastafari are the strictest out of the six or so major groups. They pledge "love to all human beings", and do not believe in violence, because they believe that only Jah has the right to destroy. They make this pledge because of the power of words, believing that only when all of Jah's children make the pledge together, the oppressors will be destroyed. In addition, they are often non-violent or follow the just war theory.The Nyabinghi resistance inspired a number of Jamaican Rastas, who incorporated what are known as Nyabinghi chants (binghi) into their celebrations (grounations).[citation needed] The rhythms of these chants were an influence on popular ska, rocksteady and reggae music. Three kinds of drums are used in Nyabinghi music: bass, funde and keteh. The keteh plays an improvised syncopation rooted in Ashanti dance and drumming,[2] the funde plays a regular one-two beat and the bass drum strikes loudly on the first beat, and softly on the third (of fourth) beat. Count Ossie was the first to record nyabinghi and helped to establish and maintain Rasta culture

A member of the classic first wave of Jamaican ska artists, Derrick Morgan was among the genre's founding fathers, emerging alongside pioneers including the Skatalites, Laurel Aitken, Prince Buster, and Desmond Dekker. Born in March, 1940, Morgan was raised in the Kingston area, exposed to a variety of musical sources spanning from New Orleans R&B to the choral music of the nearby church where his father served as deacon. At the age of 17, he took top honors at the annual Vere John's Opportunity talent show, delivering blistering renditions of Little Richard's "Long Tall Sally" and "Jenny Jenny," and in 1959 teamed with producer Duke Reid to record his debut single "Lover Boy." Morgan's follow-up, "Fat Man," was a smash throughout Jamaica, and he later scored with recordings of "Leave Earth" and "Wigger Wee Shuffle," both cut with the legendary Clement "Coxsone" Dodd.1960, Morgan was the unrivaled King of Ska -- at the peak of his popularity, he was the first and only Jamaican artist to date to hold down the top seven slots on the national pop singles chart during the same week, generating a string of smashes including "Be Still," "In My Heart," "Don't Call Me Daddy," "Moon Hop," and "Meekly Wait and Murmur Not." In 1961, he recorded his biggest hit ever,

A member of the classic first wave of Jamaican ska artists, Derrick Morgan was among the genre's founding fathers, emerging alongside pioneers including the Skatalites, Laurel Aitken, Prince Buster, and Desmond Dekker. Born in March, 1940, Morgan was raised in the Kingston area, exposed to a variety of musical sources spanning from New Orleans R&B to the choral music of the nearby church where his father served as deacon. At the age of 17, he took top honors at the annual Vere John's Opportunity talent show, delivering blistering renditions of Little Richard's "Long Tall Sally" and "Jenny Jenny," and in 1959 teamed with producer Duke Reid to record his debut single "Lover Boy." Morgan's follow-up, "Fat Man," was a smash throughout Jamaica, and he later scored with recordings of "Leave Earth" and "Wigger Wee Shuffle," both cut with the legendary Clement "Coxsone" Dodd.1960, Morgan was the unrivaled King of Ska -- at the peak of his popularity, he was the first and only Jamaican artist to date to hold down the top seven slots on the national pop singles chart during the same week, generating a string of smashes including "Be Still," "In My Heart," "Don't Call Me Daddy," "Moon Hop," and "Meekly Wait and Murmur Not." In 1961, he recorded his biggest hit ever,

Step in to the studio with reggae pioneer and cultural ambassador Hopeton Brown. Log on to discuss the message behind the music. Music is divine, universal and a tool to empower the youths.

Wednesdays - 9 - 12 Midnite EST Dial in (661) 467-2407

Tonite we play- Conscious Music in the Dancehall

Step in to the studio with reggae pioneer and cultural ambassador Hopeton Brown. Log on to discuss the message behind the music. Music is divine, universal and a tool to empower the youths.

Wednesdays - 9 - 12 Midnite EST Dial in (661) 467-2407

Tonite we play- Conscious Music in the Dancehall