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This week I'm joined by Tanya Zuñiga, author of Threads of Her Braid and The Reckoning of Leonora Guerrero. Tanya is a first-gen Latina from San Diego, a high school Spanish teacher at the same school she graduated from, and one of the most thoughtful indie authors on my shelves.
We talk about her two very different books. Threads of Her Braid holds up a mirror for readers. Leonora asks you to question what you believe and why you believe it. We also get into the culture shock of going from a 99% Latino high school to university, and being told your accent is a flaw when it really means you speak two languages.
Tanya talks about having to prove herself on both sides of the border (ni de aquí, ni de allá) and about the criticism that sometimes comes from inside our own community. She explains why she never wanted a Big Five deal. In her words, she'd rather be picked up by the readers she writes for. Plus: why cover art is the one place you should never cut corners (or use AI), and why buying from indie bookshops comes back around to your community.
Pull up a chair. This one's a good one.
Chapters
00:00 Welcome
01:00 Meet Tanya: author, teacher, first-gen San Diegan
03:00 San Diego on the page, and that bridge in Leonora's opening
06:30 Threads of Her Braid: Aurora, Pilar, Fer, and Mexican history
10:30 Championing our own community first
14:30 Feeling seen vs. questioning yourself: two very different books
18:30 Indie doesn't mean low quality: editors, artists, and cover art
24:00 Accents, academia, and ni de aquí ni de allá
33:30 Survival mode and the criticism that comes from home
39:00 Latinas with master's degrees and why representation matters
43:00 No Big Five dreams: "picked up by the readers"
48:30 Where academic rigor meets lyrical writing
52:00 What to expect from The Reckoning of Leonora Guerrero (spoiler-free)
55:30 Where to buy and why indie bookshops matter
58:30 What's next for Tanya
1:01:00 Where to find Tanya + sign-off
Books mentioned
Connect with Tanya
Indie bookshop owners: Tanya said on the episode that if you want to carry her books, she's happy to send signed merch for free. Reach out through her website.
Also mentioned
Shop Casa Luna Books
This episode is about language as a gatekeeper in publishing. I sit down with Nicole Sánchez Castillo, a Colombian writer and linguist from Cartagena de Indias. She's 25, has published six books, and her newest, The Wolf, the Lamb, and the Butcher, is her English-language debut. It's a collection of horror, magical realism, and literary fiction stories that she translated herself from two of her Spanish-language books.
We talk about writing in her own Cartagena dialect, even though people look down on it; what gets lost in translation (and why some of her stories will never be translated); and the less than 1% of the US market that's translated fiction. We also get into how traditional publishing works differently in Latin America, the BookTok "fast fashion" problem, AI-written books, and the Amazon dilemma every indie author faces. Plus, Nicole tells us what she's reading: the dark, pre-Brothers Grimm fairy tales of Giambattista Basile.
In this episode
Get Nicole's books
Buy direct from Nicole on Buscalibre.
Coming soon: Una deuda siniestra, Nicole's first horror novel, comes out in Spanish this October. The English translation, A Dark Debt, is planned for next year.
Follow Nicole
Mentioned in this episode
Follow Casa Luna Unshelved
Find us at casalunabooks.com and @casalunabooks on all social media platforms!
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We talk a lot on this show about what to read — but what happens after a book exists? Once it's written, published, and real, how does anyone actually find out about it?
This week I'm pulling back a curtain I didn't fully understand myself until recently: the world of book publicity. I sat down with Johanna (@nana.burgos) and Carla (@karla_is_reading), the duo behind Amor & Páginas PR — a Latine-owned PR company that started as a buddy read and grew into one of the most trusted names in Latinx romance advocacy.
We get into how their friendship (and business) started with a DM slide, why Latinx literature keeps getting treated as "one elective" instead of a whole world, what ARC teams and street teams actually are (and why saying yes to one is a bigger responsibility than most new readers realize), how they vet the authors they work with, and why they believe community is supposed to be inconvenient. We close out with book recs, including a sapphic Latine release you'll want to preorder before this episode even airs.
In this episode:
Books mentioned:
Find Amor & Páginas:
Instagram & TikTok: @amorandpaginaspr
Johanna: @nana.burgos | Carla: @karla_is_reading
Find Casa Luna Books: casalunabooks.com
Are you an indie author or do you know one on IngramSpark? Send Melly a message — she's always adding new titles to the shop.
Thanks for hanging out under the moon. Stay curious, stay in the know, and keep the light on for the stories that need it most.
Guest: Scarlett Chase
Scarlett Chase writes contemporary spicy romance across what she calls the Scarlett Chase Universe — RomComs, darker-themed stories, and everything in between, built around BIPOC leads, interracial relationships, and zero apology for the heat.
In this episode, we talk about growing up in a strict Catholic household, the silence around bodies and sex in Latine and BIPOC families, and what it means to write pleasure and joy as its own form of representation.
Her debut, Between Pages and Sheets, first published in 2021, was reissued in 2024 with bonus scenes and a new cover. Her most recent release, Anything You Want, is a Domme-and-two-roommates RomCom available everywhere except Amazon.
Find Scarlett:
Between Pages and Sheets
Anything You Want
Send us Fan Mail
If you enjoyed this episode, consider sharing it with a friend or tag us on social media @casalunabooks across all platforms!
Be sure to follow the podcast and keep the conversation going!
Representation and change happen with small, intentional actions!
Last episode, we laid out the numbers — only 5% of widely read novels published between 1950 and 2018 were by BIPOC authors. So this episode picks up the harder question: if these stories aren't coming through traditional publishing, where do we actually find them?
We're pulling back the curtain on how indie authors get discovered (and sometimes don't) — the print-on-demand system behind online bookshops like Casa Luna, the hidden costs authors eat when a book gets returned, and why the consignment model that works for brick-and-mortar shops can't scale the same way online. Plus, real, no-purchase-required ways you can start supporting these stories today.
And because talk is only half the show, I'm sharing five books currently on my shelves — from authors I found the exact same way you might: through TikTok, through community, through paying attention. Meet Tanya Zuniga, Betty Feregrino, Nicole Sanchez Castillo, Rios De La Luz, and Millie Perez, plus a bonus recommendation from Esa Seegulam.
Use code Unshelved for 10% off every title mentioned at https://casa-luna-books.myshopify.com/
Itza: Rios de la Luz
Daughter of Rot: Rios de la Luz
https://interstellarbruja.bigcartel.com/
https://casa-luna-books.myshopify.com/products/itza-rios-de-la-luz
TikTok & IG: @riosdelaluz
My Books Escape: Chapters of a Chicana: A memoir
https://casa-luna-books.myshopify.com/products/my-book-escape-chapters-of-a-chicana-by-betty-feregrino
TikTok & IG: bettyferegrino.author
Threads of Her Braid: Tanya Zuñiga
https://www.tanyazuniga.com/
https://casa-luna-books.myshopify.com/products/threads-of-her-braid-tanya-zuniga
TikTok & IG: @tanya.Zuniga.writes
The Wolf, The Lamb and The Butcher: Nicole Sanchez Castillo
https://linktr.ee/nicole.san.c
https://casa-luna-books.myshopify.com/products/the-wolf-the-lamb-and-the-butcher-other-short-stories-nicole-sanchez-castillo?_pos=2&_sid=d654fbb60&_ss=r
TikTok & IG: @nicole.san.c and @authornicole.sc
The Philosophy of Schmutz : M. E. Seegulam, PHD
https://www.myschmutz.com/
https://casa-luna-books.myshopify.com/products/the-philosophy-of-schmutz-what-a-one-eyed-cat-taught-me-about-love-presence-and-letting-go-seegulam-m-e?_pos=1&_sid=6d4fbd180&_ss=r
TikTok & IG : @my_schmutz
Millie Perez - Latino Contemporary Romance Collection
https://millieperezauthor.com/
https://casa-luna-books.myshopify.com/search?q=millie+perez&options%5Bprefix%5D=last
TikTok & IG: @millieperezauthor
Send us Fan Mail
If you enjoyed this episode, consider sharing it with a friend or tag us on social media @casalunabooks across all platforms!
Be sure to follow the podcast and keep the conversation going!
Representation and change happen with small, intentional actions!
Did you know that only 5% of widely read novels from major publishers between 1950 and 2018 were written by BIPOC authors?
Grab your cafecito and sit down for this one, because in this week's episode, we explore what it truly looks like for BIPOC authors in the publishing industry, how Indie Bookstores support them, and how you can make a difference in these statistics with minimal effort and more conscientious choices.
What are you willing to give up in the name of representation?
Additional Show Notes: Reflect sources for factual data presented in this episode.
**Primary source:** Richard Jean So & Gus Wezerek, *"Just How White Is the Book Industry?"* — *The New York Times*, Dec. 11, 2020. Based on a dataset of ~8,000 fiction books by ~4,100 authors published by major U.S. houses between 1950–2018.
- The study found **95% of these books were by white authors**, meaning BIPOC authors accounted for the remaining ~5%.
- Independently confirmed by PEN America's *"Reading Between the Lines"* report, which cites the same 95%/5% figure.
- Penguin Random House released internal survey data showing **23.5% of authors published 2019–2021 identified as people of color.**
- Hachette Book Group's 2022 diversity update reported **34% of 2021 book acquisitions were with self-identified BIPOC authors/illustrators**, up from 29% (2020) and 22% (2019). Source: Hachette Book Group, *"An Update on HBG's Diversity, Equity and Inclusion Efforts,"* March 2022.
- PEN America's report confirms that, as of August 2022, the other three of the Big Five had not made comparable author diversity data public.
Cristina Rivera Garza — awards named in the episode
- **Sor Juana Inés de la Cruz Prize** — won twice (one of only two authors to do so).
- **MacArthur Fellowship** — awarded 2020.
- Confirmed via Wikipedia, University of Houston faculty page, and multiple news outlets (Houston Chronicle, Houston Public Media, CultureMap Houston).
- Rivera Garza also won the **2024 Pulitzer Prize for Memoir or Autobiography** for *Liliana's Invincible Summer*
Send us Fan Mail
If you enjoyed this episode, consider sharing it with a friend or tag us on social media @casalunabooks across all platforms!
Be sure to follow the podcast and keep the conversation going!
Representation and change happen with small, intentional actions!
Episode 0: Welcome to the Shelf
Before we dive into books, guests, and everything in between, take five minutes to hear what is behind Casa Luna Unshelved. In this quick intro, I share why representation in literature matters so much, what pushed me to open Casa Luna Books, and what to expect from the show going forward. Welcome to the shelf — glad you're here. Hope you stay.
Send us Fan Mail
If you enjoyed this episode, consider sharing it with a friend or tag us on social media @casalunabooks across all platforms!
Be sure to follow the podcast and keep the conversation going!
Representation and change happen with small, intentional actions!
From the publisher's feed
Casa Luna Unshelved is the podcast companion to Casa Luna Books — a home for the stories, voices, and fights that don't always make it to the front table. Each episode, we dig into the world of…
You'll hear honest reviews and recommendations, chats with indie authors, and spotlights on the small bookish businesses keeping community-first storytelling alive — all from someone who reads (and sells) this stuff for a living.
Pull up a chair under the moon. Let's talk about what we're reading, why it matters, and who's being left out of the conversation.