This April, after a punishing two years apart during the pandemic, the whole art community will gather together on the magical watery isle of Venice for its periodic ritual assessment of what the world's finest artists have been thinking about and making to grapple with our changing world. They call this climactic event, the Venice Biennale and each time it has presided over by a visionary figure whose role it has been to transmute the work of all these artists into a coherent statement about our time. 

This year, that exalted figure is named Cecilia Alemani. Cecilia is a professional art curator, whose day job is curating art for New York's Highline. The Venice Biennale is just a big exhibition, but the show always has an aura of the religious about it, where we get to commune with the biggest and best ideas floating around the globe.

This time around, the globe is in rare and urgent need of big ideas with existential crises, raging all around us that need to be understood and reckoned with now. So can this year's edition of the Venice Biennale help? To find out, we welcome Cecilia Alemani to the show to talk about her big exhibition, which is beautifully titled the Milk of Dreams.