In this Conversation, we discuss Mike's films Travel Stop (2017), Slow Volumes (2019), and The World of Facts (2018).

Mike Gibisser is a filmmaker and artist interested in navigating the indefinite lines between essay, narrative, experimental, and documentary work. Over the past decade, he has completed two narrative features (Finally, Lillian and Dan and World of Facts), a feature film essay (The Day of Two Noons), as well as several experimental and non-fiction shorts. He has presented work at numerous cinemas and festivals around the world, including the Toronto International Film Festival, the International Oberhausen Film Festival, the Harvard Film Archive, the AFI Film Festival, the Images Film Festival, the European Media Arts Festival, and the New York Film Festival. His work has been featured in Artforum, Variety, and Cinemascope, amongst other publications.

mikegibisser.com

A discussion of competition and conflict in the experimental community, power dynamics and class struggle in the film festival landscape, celluloid purists (pro and con), and much more!

Scott Fitzpatrick is a visual artist (Libra) from Winnipeg whose film and video work has screened at underground festivals and marginalized venues worldwide. He obtained his bachelor's degree in Film Studies at the University of Manitoba and began conducting lo-fi moving image experiments in 2010.

https://vimeo.com/artbarbarian

Scott Fitzpatrick is a Winnipeg-based artist who works with super-8 and 16mm, video, expanded cinema and performance. We discuss the community of artists in Winnipeg, competitiveness in art, status, sustainability, and film festival politics!

Experimental filmmaker Carl Elsaesser, currently based in Maine and Minnesota, discusses his recent work, including Itinerary of Surfaces, The Misbehaving Image, and Exercises in Resistance.

http://carlelsaesser.com/

You can find examples of Hannah's work here: https://vimeo.com/hpb

Adroitly choreographed and cleverly edited, Hannah Piper Burns’ videos are brainy but for the body. Reflecting and refracting the spells and charms of popular culture, her work is seductive and unrelenting. Fluent in the languages of pop music, dance and reality television, the works are crisp and communicative, political in their poetics and personal in their polemics. Their tautness and rhythm uphold what music videos promise and all too rarely deliver: a multisensory re-envisioning of the bodily and intellectual experience of music.

Writing by HPB: https://www.hannahpiperburns.com/copy-and-content

More about Cellular Cinema: http://www.cellularcinema.org

Kelly Sears on Vimeo

In this conversation, we discuss The Drift, Once It Started It Could Not End Otherwise, and Pattern for Survival.

Kelly Sears uses experimental animation techniques to create hybrid works that draw on fiction and documentary storytelling, recasting American archetypes and institutions to reimagine our own social and political legacies.

She transforms an extensive trove of source materials, such as first aid handbooks, chronicles of space exploration, presidential and military newsreels, 35 millimeter photography manuals, aerobic and yoga guides, archival films, high school yearbooks, and disaster survival guidebooks, into new instructional and advisory texts that may lead the viewer astray and disoriented. Through these animations, we glean bits of history that are recognizable but unsteady.

Lori Felker on Vimeo

In this conversation, we discuss Lori's films "Spontaneous," "Not You," and "Future Language: The Dimensions of VON LMO."

Lori Felker is a filmmaker/artist, teacher, programmer, and performer. Her moving image work focuses on the ways in which we process, share and disseminate information, via screens, dreams, gestures, games, and dialogue. By employing and pushing these structures, she attempts to study the ineloquent, oppositional, delusional, frustrating, and chaotic qualities of human interaction.

John Akre on Vimeo

John Akre is an animator, experimental filmmaker and documentarian who has been an integral part of the community art community of Minneapolis for decades. We discuss his films "Charlotte's Photographs," the "Hats of the New American Cinema Series: Scor3pio Rising" and his ongoing Art-A-Whirl and Open Streets projects.

Sabine Gruffat's Website

During this discussion, we talk about the short, experimental documentary "Take it Down" and the feature-length 16mm documentary "I Have Always Been a Dreamer."

Sabine Gruffat is a French-American artist who was born in Bangkok, Thailand. After living many years in Saudi Arabia and Hong Kong, She immigrated to the United States.

Sabine Gruffat is an artist who works with experimental video and animation, media-enhanced performance, participatory public art, and immersive installation. In this work, machines, interfaces, and systems constitute the language by which she codes the world. The creation of new ideas means inventing new tools, crossing analog and digital signals, or repurposing old machines to patch into new ones. By actively disrupting both current and outmoded technology, Gruffat questions standardized ways of understanding the world around us.

Roger Beebe's Website

During this conversation, we discuss Beebe's films "Amazonia," "Strip Mall Trilogy," and "Lineage (for Norman McLaren)."

Roger Beebe is a filmmaker whose work since 2006 consists primarily of multiple projector performances that explore the world of found images and the "found" landscapes of late capitalism. He has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues.

Beebe is also a film programmer: he ran Flicker, a festival of small-gauge film in Chapel Hill, NC, from 1997-2000 and was the founder and Artistic Director of FLEX, the Florida Experimental Film Festival from 2004-2014. He is currently a Professor in the Department of Art at the Ohio State University where he helped launch the new Moving-Image Production major in Autumn 2017.