Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle’s Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971).

Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006).

Credit: Howardena Pindell, 2018, Photo © Nathan Keay

White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024

Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell

MoMA https://www.moma.org/artists/4625-howardena-pindell

NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html

Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/

Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist’s memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist’s own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.  

  Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope’s work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024.

Pope’s work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL.

Artist https://www.cherylpope.net/

monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/

Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/

Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/

Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/

The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/

BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/

Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/

Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/

Ep.250 Valerie A. Francis is the Founding Director of Knowhere Art Gallery, an independent gallery based on Martha’s Vineyard dedicated to showcasing emerging and mid-career artists from diverse backgrounds. The gallery champions inclusive narratives and celebrates the cultural intersections that shape contemporary art today. With a career that bridges global technology innovation and entrepreneurial ventures in the arts, Valerie brings a rare and dynamic blend of strategy, creativity, and cultural insight to every endeavor she leads.

Originally trained as an artist, Valerie earned a BFA in Fine Arts from Hunter College CUNY and later an MBA from Rutgers University, specializing in Marketing. Her professional journey took a transformative turn when she entered the world of global healthcare technology at Sanofi, where she rose to serve as a Technology Head leading digital strategy and analytics for teams across North America, Latin America, and Asia. Immersed in a melting pot of cultures and perspectives, she thrived on the diversity and camaraderie forged across continents.

Valerie’s unwavering commitment to her artistic roots led her to co-found Knowhere Art Gallery in 2019 — a haven where creativity flourishes and artists find their voice. Since its inception, the gallery has achieved remarkable success, becoming a destination for collectors and cultural leaders alike. Under her curatorial direction, Knowhere has presented more than twenty-five exhibitions and introduced the work of over thirty artists. Signature moments include its participation in SCOPE Art Fair (2021–2023) and an acclaimed presentation during the 60th Venice Biennale in 2024 with A Common Thread That Binds Us.

As a board member of Artists for Humanity in Boston, Valerie has further committed her passion to action, supporting youth empowerment through creativity and entrepreneurship. She is also dedicated to mentoring artists, cultivating private and corporate art collections, and building institutional collaborations that elevate voices from across the art world. Valerie often describes the founding of Knowhere—conceived on Martha’s Vineyard, where she met her partner—as “the nexus of Knowhere,” a place where art, identity, and knowledge converge. Through her work, she continues to sow the seeds of cultural legacy and foster environments where art becomes a catalyst for discovery, connection, and transformation.

Website https://knowhereart.com/

1-54 2025 NYC https://www.1-54.com/new-york/exhibitor-list/knowhere-art-gallery/

artcloud https://artcloud.market/show/knowhere-art-llc-women-rising

MV Arts & Ideas https://www.mvartsandideas.com/2024/07/the-road-to-enlightenment-starts-at-knowhere/

Vineyard Gazette https://vineyardgazette.com/news/2024/05/05/knowhere-gallery-showcased-venice-biennale

Vineyard Visitor https://vineyardvisitor.com/2024/08/08/art-in-oak-bluffs/knowhere-gallery/

Martha’s Vineyard Times https://hype.co/@themarthasvineyardtimes/2z7j289w | https://www.mvtimes.com/2024/06/12/meets-eye-knowhere-art-cousen-rose-galleries/

Martha’s Vineyard Arts and Ideas https://www.mvartsandideas.com/2024/07/the-road-to-enlightenment-starts-at-knowhere/

Artsy https://www.artsy.net/partner/knowhere-art

EP.249 Onay Gutierrez is a multifaceted artist, collector, and preservationist with a rich background that spans education, ceramics, and historic preservation. Born in Veracruz, Mexico in 1977, Gutierrez began his career as an early elementary school teacher in marginalized communities in his home state. After immigrating to the United States, honed his skills as a ceramic artist.

Gutierrez has a deep connection to the Penland School of Craft in the mountains of North Carolina, where he has been a student, patron, and now serves as a board member. This connection has likely influenced his artistic growth and commitment to the craft community.

In addition to his artistic pursuits, Gutierrez is a passionate advocate for historic preservation. Alongside Jeffrey Childers PhD, he has restored three National Historic Places in Raleigh, NC. His commitment to art and social justice is further evident in their founding of the Gutierrez Collection, a contemporary art collection that explores themes of mental health, LGBTQ+ rights, Latin and Latinx identities, African and African diasporic cultures, women's art, and activism.

The Gutierrez Collection has gained significant recognition, with its first museum exhibition currently on view at the Cameron Museum of Art in Wilmington, NC, until September 7th, and set to travel to the NC Museum of Art's Winston-Salem campus this fall. Through his work, Gutierrez continues to make a lasting impact on the art world, historic preservation, and social justice initiatives.

Photo credit: Courtesy of the artist

Cameron Art Museum https://cameronartmuseum.org/exhibition/we-belong-here-the-gutierrez-collection/

The Endowment https://theendowment.org/event/cameron-art-museum-cam-after-dark-conversation-with-the-collectors-onay-gutierrez-and-jeffrey-childers/

ArtSuite https://artsuite.com/blogs/community/onay-gutierrez?srsltid=AfmBOopGnj0zCHXUCInnV8PELmUsyhmVUyW0VCdcYlMRTou3JVRDdagM

Issuu https://issuu.com/ncartmuseum/docs/spring_24_preview_web

North Carolina Museum of Art https://ncartmuseum.org/collection/museum-collection/new-acquisitions/

Penland School of Craft https://www.givecampus.com/schools/PenlandSchoolofCraft

Ep. 248 Adrienne L. Childs is an independent scholar, art historian, and curator. She is Senior Consulting Curator at The Phillips Collection. Her current book is an exploration of Black figures in European decorative arts entitled Ornamental Blackness: The Black Figure in European Decorative Arts, published by Yale University Press. She is currently co-curator of Vivian Browne: My Kind of Protest for The Phillips Collection. She recently co-curated The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture at The Henry Moore Institute in Leeds, England. She was the guest curator of Riffs and Relations: African American Artists and the European Modernist Tradition at The Phillips Collection in Washington DC, 2020.

In April 2022 The High Museum of Art awarded Childs the 2022 Driskell Prize in recognition of her contribution to African American art and art history.

Childs co-curated The Black Figure in the European Imaginary at The Cornell Fine Arts Museum at Rollins College in 2017. She is co-editor of the volume essays Blacks and Blackness in European Art of the Long Nineteenth Century, Routledge. She also contributed an essay on art and activism to Volume V, part II of The Image of the Black in Western Art edited by Henry Louis Gates, Jr. and David Bindman.

As former curator at the David C. Driskell Center at the University of Maryland she curated many exhibitions including Her Story: Lithographs by Margo Humphrey; Arabesque: The Art of Stephanie Pogue; Creative Spirit: The Art of David C. Driskell and Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art.

Childs holds a BA from Georgetown University, an MBA from Howard University and a PhD in the History of Art from the University of Maryland. Photocredit: Rodrigo Salido Moulinié 

Website https://www.adriennelchilds.com/

Phillips Collection  Vivian Browne: My Kind of Protest |The Phillips Collection

https://www.phillipscollection.org/sites/default/files/2025-04/phillips-collection-presents-vivian-browne-my-kind-of-protest-press-release.pdf 

https://www.phillipscollection.org/press/phillips-collection-presents-multiplicity-blackness-contemporary-american-collage

https://www.phillipscollection.org/event/2020-02-28-riffs-and-relations-african-american-artists-and-european-modernist-tradition

Ornamental Blackness https://www.ornamentalblackness.com/

The Driskell Center https://driskellcenter.umd.edu/news/former-driskell-center-curator-adrienne-childs-phd-wins-2022-driskell-prize

High Museum https://high.org/driskell-prize/adrienne-l-childs/

The Clark https://www.clarkart.edu/fellow/detail/adrienne-childs-(1)

Courtauld https://courtauld.ac.uk/whats-on/reconsidering-riffs-and-relations/

Columbia University https://abolitionism.universityseminars.columbia.edu/people/adrienne-l-childs

The Wadsworth https://www.thewadsworth.org/event/public-lecture-pearl-drops-and-blackamoors-the-black-body-and-pearlescent-adornment-in-european-art-with-adrienne-l-childs/

ARTnews https://www.artnews.com/art-news/news/adrienne-l-childs-david-c-driskell-prize-high-museum-1234620561/

Culture Type https://www.culturetype.com/tag/adrienne-l-childs/Enfilade  https://enfilade18thc.com/2024/09/20/lecture-adrienne-childs-on-pearl-drops-and-blackamoors/

MontclairArt Museum https://www.montclairartmuseum.org/press/press-room/montclair-art-museum-presents-landmark-exhibition-century-100-years-black-art-mam

Portland Museum https://www.portlandmuseum.org/eventscalendar/2021-bernard-osher-lecture

Journal Panorama https://journalpanorama.org/article/riffs-and-relations/

AHNCA https://ahnca.org/event/the-colour-of-anxiety-race-sexuality-and-disorder-in-victorian-sculpture/

Ep.247 Jas was born in Hartford CT. His talent for drawing was recognized at an early age. He sold his first painting at age seven and had his first one-man show at the age of eight. He went on to receive numerous awards and later went to study at The University of the Arts in Philadelphia. Jas currently lives and works in Brooklyn, NYC.

Photo Credit: Damian Griffiths ~ Fugue 21,2022-2023 Oil on linen 183 x 228.7cm

Artist https://www.jasknightfineart.com/

White Hot Magazine https://whitehotmagazine.com/articles/solitary-figures-paintings-jas-knight/3231

Entrée to Black Paris https://www.entreetoblackparis.com/blog/josephine-baker-portrait-unveiled-at-u-s-ambassadors-residence

Studio Museum in Harlem https://www.studiomuseum.org/artists/jas-knight

Metropolitan Museum https://www.metmuseum.org/art/collection/search/898079 | https://www.metmuseum.org/perspectives/copyist-jas-knightJas Knight books https://www.jasknightfineart.com/trichromatic-book| https://www.jasknightfineart.com/the-art-of-the-master-copy

Smithsonian Institute https://menofchange.si.edu/exhibit/artist-pairings/jas-knight/

ArtRabbit https://www.artrabbit.com/events/jas-knight-terrain

YRB Mag https://yrbmag.com/tag/jas-knight/

MFA Boston https://www.mfa.org/press-release/fashioned-by-sargent

Long Gallery Harlem https://www.long.gallery/

Art Facts https://artfacts.net/artist/jas-knight/538698

Ep.246 Kelly Sinnapah Mary (b. 1981, Saint-François, Guadeloupe) creates paintings, sculptures, and installations that draw upon the complex interrelationships between folklore, literature, inheritance, history, and the natural world. Sinnapah Mary’s work is rooted both materially and narratively in the artist’s immediate environment of the Caribbean archipelago of Guadeloupe, a French overseas department, and her own evolving understanding of her ancestral origins. Her work has been shown both in Guadeloupe and internationally at institutions including Kunstinstituut Melly, Rotterdam, Netherlands; Peréz Art Museum Miami, Miami, FL; Kiran Nadar Museum of Art, New Delhi, India; and the Osage Foundation, Hong Kong.

Photo © Kelly Sinnapah Mary, 2025. Image courtesy of the artist and James Cohan, New York. Photo by Studio Zaigo

Artist https://kellysinnapahmary.wixsite.com/kelly-sinnapah-mary

James Cohan https://www.jamescohan.com/artists/kelly-sinnapah-mary

Kadist https://kadist.org/program/the-plantation-plot/

Hyperallergic https://hyperallergic.com/997002/the-shapeshifting-paintings-of-kelly-sinnapah-mary/

Aicon https://www.aicon.art/exhibitions/kelly-sinnapah-mary

Cultured Mag https://www.culturedmag.com/article/2025/03/06/artist-kelly-sinnapah-mary-painting

ICI https://curatorsintl.org/about/collaborators/23413-kelly-sinnapah-mary

Artnet News https://news.artnet.com/art-world/rising-artist-kelly-sinnapah-marys-spellbinding-works-take-center-stage-2616158

Foyer https://readfoyer.com/article/india-guadeloupe

Ep.245 Natia Lemay (b. 1985 in Toronto, Ontario) was raised in Winnipeg, Manitoba, Canada, and is based in Toronto, Ontario, Canada. Her Interdisciplinary autoethnographic practice reflects her lived experience. Through personal stories, she interrogates the intersections between the mind, the body, and space to understand how these experiences relate to a broader cultural context.

Natia Lemay has exhibited widely throughout North America. The artist was selected for the 2024 Fountainhead residency in Miami and the 2022 Royal Drawing School Residency in Dumfries, Scotland. She was awarded the National Trust Prize at Expo Chicago 2024, with her work acquired by High Museum in Atlanta in addition to being collected by the Art Gallery of Ontario, The Minneapolis Institute of Art, The Minnesota Museum of American Art, The North Dakota Museum of Art and The Montclair Museum of Art. She received her BFA from Ontario College of Art and Design in 2021 with a minor in Social Sciences and her MFA from Yale School of Art in 2023.

Photo Credit is Gesi Schilling: Fountainhead Artist Residency

Artist https://www.natialemay.com/

Whitehot Magazine https://whitehotmagazine.com/articles/her-first-nyc-solo-show/5792

Fountainhead Arts https://www.fountainheadarts.org/fhtv/artists/natia-lemay

Juxatpoz https://www.juxtapoz.com/news/magazine/features/natia-lemay-the-act-of-being-seen/

Perrotin https://www.perrotin.com/artists/natia_lemay/1335#biography

Galerie Nicolas Robert https://www.gallerynicolasrobert.com/natia-lemay

Hyperallergic https://hyperallergic.com/851029/miami-fountainhead-residency-2024-selected-artists/

Ocula https://ocula.com/art-galleries/wilding-cran-gallery/artworks/natia-lemay/these-strange-girls-will-radiate-in-our-darkness/

Culture Type https://www.culturetype.com/tag/natia-lemay/

New American Paintings https://www.newamericanpaintings.com/artists/natia-lemay

Tomokazu Matsuyama. Born in 1976 in Gifu, Japan, Matsuyama is currently based in Brooklyn, New York. His work spans painting, sculpture, and installation, organically blending and reimagining diverse elements–such as ancient and modern, figurative and abstract, Eastern and Western. His art reflects both his cross-cultural experiences and the evolving nature of contemporary society in our information-driven world. Major public art projects include the Bowery Mural (New York, USA, 2019), Hanao (JR Shinjuku Station East Square, Tokyo, 2020), and Wheels of Fortune (Meiji Shrine, Tokyo, 2020, part of the Jingu Gaien Art Festival). Recent notable exhibitions include Mythologiques (Venice Biennale, 2024), MATSUYAMA Tomokazu: Fictional Landscape (Hirosaki Museum of Contemporary Art, 2023), and MATSUYAMA Tomokazu: Fictional Landscape (Shanghai Powerlong Museum, 2023). His work was also featured in Pop Forever. Tom Wesselmann &… at Fondation Louis Vuitton in Paris (2024–2025).

Please visit cerebralwomen.com for his expanded bio.

Photo credit: Fumihiko Sugino

Artist https://matzu.net/

Pen Magazine Taiwan https://www.matzu.net/media/press/pen-4/

GQ https://www.matzu.net/media/press/gq/

FT https://www.matzu.net/media/press/financial-times/

Bazaar https://www.matzu.net/media/press/harpers-bazaar/

Legend https://www.matzu.net/media/press/legend/

Hypebeast https://www.matzu.net/media/press/hypebeast-4/

Hypeart https://www.matzu.net/media/press/hypeart/

Juxtapoz https://www.matzu.net/media/press/juxtapoz/

Galerie https://www.matzu.net/media/press/galerie-magazine/

Artforum https://www.matzu.net/media/press/artforum/

Kinari https://www.matzu.net/media/press/kinari/

Takashimaya-salon https://www.matzu.net/media/press/takashimaya-salon/

Mythologiques https://www.matzu.net/media/tomokazu-matsuyama-mythologiques/

Almine Rech https://www.alminerech.com/artists/7720-tomokazu-matsuyama

Kavi Gupta https://kavigupta.com/artists/95-tomokazu-matsuyama/

First Last https://www.tomokazu-matsuyama-firstlast.jp/english/

Wynwood Walls https://thewynwoodwalls.com/artists/tomokazu-matsuyama/

Kotaro Nukaga https://kotaronukaga.com/en/artist/tomokazu_matsuyama/

Avante Arte https://avantarte.com/artists/tomokazu-matsuyama

Hidden Champion https://www.matzu.net/media/press/hidden-champion/

BKMag https://www.bkmag.com/2024/08/06/the-art-of-tomokazu-matsuyama-from-the-streets-of-nyc-to-big-shows-in-paris-and-venice/

Jose Duran (b. 1979, Moca, Dominican Republic) is a painter, designer, and sculptor creating fantastical worlds of cosmopolitan opulence and sumptuous, even dangerous foliage. Duran’s practice is anchored in extensive research of practices of survival, celebration, vengeance, sabotage, and aspirational desires in Black communities. He draws from baroque and rococo interiors to create scenes of architectural lavishness and femininity, producing complex compositions anchored in whimsy and play.

Duran centers Black feminine figures as a reclamation of their contributions to European markers of taste, and as retribution for their forced labor under colonial rule. Duran’s fantasies retrospectively place Black women at the center of his lavish interiors, where they reap the fruits of their labor. His practice is an ode to the dreams and aspirations of his late mother, who, between the Bronx and the Dominican Republic, would imbue in the artist a taste for cosmopolitanism and beauty.

Photo credit: Nelson Castillo

Artist https://joseduran.studio/

Hannah Traore Gallery https://hannahtraoregallery.com/exhibition/aleluya/

James Fuentes https://jamesfuentes.com/exhibitions/elena

NY Times https://www.nytimes.com/2024/05/10/style/roze-traore-hannah-traore-gallery.html

Art Speak https://www.artspeak.nyc/home/2024/2/13/jose-duran

Island Origins Magazine https://islandoriginsmag.com/dominican-artist-jose-duran-aleluya/

Arthap https://arthap.com/hap/opening-jose-duran-aleluya/

Idiom Studio https://idiomastudio.com/jose-duran-caught-between-fantasy-reality/