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In which John Heilemann talks with the visual artists and graphic designers Cey Adams and Shepard Fairey. Heilemann, Adams, and Fairey discuss the artists' common roots in the graffiti and street art scenes of the 1980s; Cey's seminal role as founding creative director at Def Jam Recordings—where his collaborations with the Beastie Boys, Run DMC, LL Cool J, and Jay-Z defined the look and feel of hip hop in its formative stages—and his more recent work with the Smithsonian National Museum of African American History and Culture; Shepard's evolution from the breakthrough "Obey Giant" sticker campaign and the iconic HOPE poster for the 2008 Obama campaign to his grand-scale public murals around the world, three covers for Time magazine, Obey Clothing line, and recent redesign of the official logo for the city of Los Angeles; Adams's and Fairey's takes on politics, propaganda, and art; and their shared appreciation of the anti-establishment power at the nexus of music and street art. Also, unsurprisingly, Heilemann, Adams, and Fairey find common ground in their mutual worship of Public Enemy.
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By Audacy | Puck4.8
43374,337 ratings
In which John Heilemann talks with the visual artists and graphic designers Cey Adams and Shepard Fairey. Heilemann, Adams, and Fairey discuss the artists' common roots in the graffiti and street art scenes of the 1980s; Cey's seminal role as founding creative director at Def Jam Recordings—where his collaborations with the Beastie Boys, Run DMC, LL Cool J, and Jay-Z defined the look and feel of hip hop in its formative stages—and his more recent work with the Smithsonian National Museum of African American History and Culture; Shepard's evolution from the breakthrough "Obey Giant" sticker campaign and the iconic HOPE poster for the 2008 Obama campaign to his grand-scale public murals around the world, three covers for Time magazine, Obey Clothing line, and recent redesign of the official logo for the city of Los Angeles; Adams's and Fairey's takes on politics, propaganda, and art; and their shared appreciation of the anti-establishment power at the nexus of music and street art. Also, unsurprisingly, Heilemann, Adams, and Fairey find common ground in their mutual worship of Public Enemy.
Hosted on Acast. See acast.com/privacy for more information.
To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy
Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

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