Sandeep Sinha filmed a forest guide at Satpura with no filmmaking experience at all, and the film went on to win in Los Angeles and was selected as a finalist in Berlin. Before any of this he spent twenty years in IT, five of them in the US, until a stray moment outside a mall in Bangalore changed the direction of his life. He stopped to watch some children painting, bought paints on the way home, and started. No training, no plan.
Snowed in during a winter in the US, he made a single piece with 945 paintings inside it, recognised by the Limca Book and the Asia Book of Records. Small had worked, so he tried long, and painted the longest oil painting in the world. That took him into the Guinness Book of Records, a few years after picking up a brush for the first time.
The same instinct then took him into India's forests. In this conversation he tells the story of Panna Tiger Reserve, which had forty tigers in 2005 and none three years later, with a CBI investigation that never produced an answer, and the tiger that escaped and walked 444 kilometres back towards Pench. He explains why he films the forest guides rather than the tigers, and what he says to young people whose parents will not accept art as a career.
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