Listen in on influential US poet Chelsey Minnis, author of Poemland, Zirconia, Foxina, Bad Bad and the just-published Baby, I Don’t Care, in a highly entertaining interview with Poetry Review editor Emily Berry. Their conversation ranges across Chelsey’s obsession with Turner Classic Movies TV channel, the usefulness of screenplay structures, being influenced and being an influencer, reading and rereading Plath, Whitman, Chekhov’s plays and Patricia Highsmith’s novels, and the relationships between poetry, play and money.

Chelsey Minnis talks to Emily Berry

The Poetry Society was founded in 1909 to promote "a more general recognition and appreciation of poetry". Since then, it has grown into one of Britain's most dynamic arts organisations, representing British poetry both nationally and internationally. Today it has more than 4000 members worldwide and publishes the leading poetry magazine, The Poetry Review.

With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, the Poetry Society champions poetry for all ages. 

"The Poetry Society is the heart and hands of poetry in the UK – a centre which pours out energy to all parts of the poetry-body, and a dexterous set of operations which arrange and organise poetry's various manifestations. It has a long distinguished history, and has never been so vital, or so vitalizing as it is now." Sir Andrew Motion

Arts

The Poetry Society was founded in 1909 to promote "a more general recognition and appreciation of poetry". Since then, it has grown into one of Britain's most dynamic arts organisations, representing British poetry both nationally and internationally. Today it has more than 4000 members worldwide and publishes the leading poetry magazine, The Poetry Review. With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, the Poetry Society champions poetry for all ages. "The Poetry Society is the heart and hands of poetry in the UK – a centre which pours out energy to all parts of the poetry-body, and a dexterous set of operations which arrange and organise poetry's various manifestations. It has a long distinguished history, and has never been so vital, or so vitalizing as it is now." Sir Andrew Motion

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Chelsey Minnis talks to Emily Berry

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