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Chick Corea- Now He Sings, Now He Sobs (Solid State Records)
Released December 1968
Now He Sings, Now He Sobs captures Chick Corea, Miroslav Vitouš, and Roy Haynes in a rare moment of complete musical connection and creative freedom. Although somewhat ignored upon release, the album has since become one of the defining piano trio recordings in modern jazz history. Corea’s compositions balance angular post-bop lines, open improvisation, rhythmic experimentation, and abstract textures, while Vitouš brings the fearless intensity of a young bass virtuoso and Haynes supplies his legendary snap-crackle rhythmic imagination. Tracks such as “Steps – What Was,” “Matrix,” and the title tune reveal a trio functioning as a single organism rather than a pianist backed by rhythm section players. The music channels the adventurous spirit of Miles Davis’ Second Great Quintet and the Bill Evans Trio while pushing the piano trio format into more exploratory territory. This is not casual background jazz or music aimed at mass appeal. It demands attention, openness, and patience. For listeners willing to engage with its intensity and complexity, the album remains one of the true masterpieces of late-1960s modern jazz. (S5-EP 19)
By Jay Sweet5
77 ratings
Chick Corea- Now He Sings, Now He Sobs (Solid State Records)
Released December 1968
Now He Sings, Now He Sobs captures Chick Corea, Miroslav Vitouš, and Roy Haynes in a rare moment of complete musical connection and creative freedom. Although somewhat ignored upon release, the album has since become one of the defining piano trio recordings in modern jazz history. Corea’s compositions balance angular post-bop lines, open improvisation, rhythmic experimentation, and abstract textures, while Vitouš brings the fearless intensity of a young bass virtuoso and Haynes supplies his legendary snap-crackle rhythmic imagination. Tracks such as “Steps – What Was,” “Matrix,” and the title tune reveal a trio functioning as a single organism rather than a pianist backed by rhythm section players. The music channels the adventurous spirit of Miles Davis’ Second Great Quintet and the Bill Evans Trio while pushing the piano trio format into more exploratory territory. This is not casual background jazz or music aimed at mass appeal. It demands attention, openness, and patience. For listeners willing to engage with its intensity and complexity, the album remains one of the true masterpieces of late-1960s modern jazz. (S5-EP 19)

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