Chopping It Up

n this Prime Cuts episode, the crew heads back to Derry, Maine to slice into Welcome to Derry, the newest dip into Stephen King’s ever-expanding IT universe—minus Jesse, who we’re told was “busy,” but we assume was avoiding homework and timelines.

The gang breaks down how the show smartly uses Derry’s long history of trauma, structuring the story around past atrocities while keeping the “every 27 years” cycle intact. Highlights include some genuinely gnarly set pieces (that car scene, the theater, and a few images you won’t shake anytime soon), plus praise for Bill Skarsgård, who continues to prove that Pennywise works best when he’s unsettling, playful, and barely on screen.

There’s also plenty of King-verse nerdery—connections to The Shining, Dark Tower lore, “thin places,” and why Stranger Things may have crossed the line from homage into full-on borrowing. The episode wraps with speculation about future seasons, historical eras, and whether this thing knows when to quit (a rare but powerful skill).

Short, sharp, and delightfully obsessive—welcome back to Derry. 🎈

This week on Prime Cuts, we tackle Blood Beat—a holiday-adjacent regional horror oddity that defies explanation. Featuring telekinetic samurai armor, psychic trauma, wooden performances, and vibes that feel more manifested than written, this film exists in a category entirely its own.

We break down what Blood Beat is (and definitely isn’t), why it barely functions as a slasher, and how its surreal earnestness somehow makes it unforgettable. If you enjoy confusing, slow-burn cult horror that commits fully to its nonsense, this one’s for you.

In this episode, the CIU crew plunges into the dark, deliciously deranged imagination of Clive Barker as we pair two of his most iconic cult classics: Hellraiser and Nightbreed. We break down Barker’s singular ability to fuse beauty with brutality, the way his creatures blur the line between monster and misunderstood outcast, and why his worlds feel like nightmares you want to keep dreaming.

From Pinhead’s coldly philosophical sadism to the neon-soaked underworld of Midian, we dig into themes of desire, identity, transgression, queerness, and the horror of being truly seen. We talk practical effects, Barker’s myth-making, the franchise fallout, and how both films reshaped horror aesthetics in ways still felt today. It’s a wild ride through leather, labyrinths, monsters, and myth — exactly how Clive intended.

Whether you’re a longtime Cenobite devotee or just discovering Barker’s beautifully bonkers universe, this episode delivers a juicy, schlock-loving deep dive into two genre staples that continue to carve their hooks into horror history.

On this Prime Cuts mini-episode, the Chopping It Up crew dives beak-first into Robert Eggers’s 2015 Puritan-nightmare masterpiece, The VVitch. The team revisits the bleak New England homestead, unpacking the film’s slow-burn tension, its suffocating dread, and the brutal unraveling of a family exiled for being too devout for the Puritans themselves.

From baby-paste broomstick lore and “wet” witchcraft sequences to Calvinist paranoia, apple-laden symbolism, and that infamous goat with a taste for evil bargains, the episode explores how Eggers builds terror through atmosphere, sound, and historical detail. The hosts reflect on how the film weaponizes isolation, faith, and patriarchal control—and whether Thomasin’s final choice is a tragedy, liberation, or both.

With comparisons to The Shining, discussions of folklore accuracy, and the crew’s typical blend of humor and horror-nerdery, this Prime Cuts installment celebrates The VVitch as a near-flawless piece of folk horror that only gets richer on rewatch.

We’re back with a full episode and a double dose of rage. This time, it’s Danny Boyle’s 28 Days Later and the long-awaited 28 Years Later. From fast zombies to slow burns, we dig into the fear, the filmmaking, and the very British end of the world.

This Halloween, the Chopping It Up Horror crew—Jesse, Jeannie, Joel, Jay, and Sledd—dives pitchfork-first into Hack-O-Lantern (1988), the gloriously incoherent satanic slasher from Jag Mundra. Part hair-metal fever dream, part small-town cult drama, this movie has everything: incest, flannel-robed devil worshippers, a mid-movie stand-up routine no one asked for, and High Pike giving the most unhinged performance since Dolemite.

The gang unpacks every ridiculous plot turn—from Grandpa’s pumpkin deliveries and questionable parenting to the infamous poolside murder and the porn star cameo that leads to a deep dive into the AVN Hall of Fame. Expect detours into satanic symbolism, family dysfunction, and why the blood in this movie looks suspiciously like Sriracha.

In the final installment of our Chopping It Up: Prime Cuts schlock horror series, we tackle Claudio Fragasso’s 1990 insanity Night Killer. From Freddy Krueger knockoff masks and Spirit Halloween props to fried-chicken-fueled assaults, amnesia plots, and one of the wildest twist endings ever, we break down why this movie is equal parts trash, treasure, and total fever dream.

In this Prime Cuts installment of Chopping It Up, we wade into Dick Maas’s 1988 Dutch cult classic Amsterdamned. Join us as we follow Detective Eric Visser on the trail of a scuba-diving serial killer terrorizing Amsterdam’s canals. From outrageous chase scenes and giallo vibes to Members Only jackets, killer stunts, and a banger of a theme song, we dive deep into one of the most stylishly bonkers action-horror hybrids of the ’80s.

Outro Music: Loïs Lane - Amsterdamned 

https://www.youtube.com/watch?v=SKXeLnjvUNY

In this episode of Prime Cuts, the crew dives into Roger Corman’s 1980 cult oddity Humanoids from the Deep. From fish-monster mayhem and behind-the-scenes studio meddling to ventriloquist seductions, exploding boats, and themes of exploitation, we unpack the messy legacy of this notorious creature feature. Part film history, part irreverent commentary—this one’s equal parts laughs and disbelief.

In this Prime Cuts marathon kickoff, the crew dives into Juan Piquer Simón’s Slugs (1988)—a schlocky eco-horror gem where toxic-waste-mutated slugs terrorize a small town. From wooden acting and bizarre subplots to surprisingly gnarly practical effects (yes, exploding heads and slug salad), the team slices through the absurdity, environmental themes, and unintentional comedy that make this cult classic so watchable.