Chopping It Up

In this Prime Cuts mini-episode, we dig into the premiere of Revival, Peacock’s new supernatural horror series adapted from the Tim Seeley/Mike Norton comic. Set in small-town Wisconsin, the story follows Deputy Dana Cypress as she grapples with townsfolk mysteriously dying and returning as “revivers.” The hosts weigh in on the familiar cop-show tropes, Dana’s uneven likability, and the more compelling arc of her troubled sister Em—whose shocking reveal as a reviver adds real intrigue.

In this episode of Chopping It Up, the crew heads into the desert to tackle Wes Craven’s 1977 The Hills Have Eyes and Alexandre Aja’s 2006 remake. They swap meat cleaver ratings, with most agreeing the gritty, low-budget original nails its social commentary and unsettling atmosphere, while the remake delivers competent gore but misses the nuance. Discussion ranges from themes of American exceptionalism, patriarchy, and the blurring line between “civilized” and “savage,” to behind-the-scenes trivia like Michael Berryman’s unique casting and the production move from Nevada to Morocco. As always, cast deep dives, side-quips, and pop culture tangents keep the conversation lively, but the consensus is clear: Craven’s original still has the sharper bite.

In this episode of Chopping It Up, the boys go fully unsupervised and dive deep into the 90s slasher boom by pairing up Scream (1996) with I Know What You Did Last Summer (1997). They dissect the origins of meta-horror, trade meat cleaver ratings, bicker about runtime and sweaters in July, and spiral into an unexpected Maryland blue crab tangent. With no oversight and plenty of hot takes, it's a nostalgic, chaotic romp through teen horror and the era that birthed it.

Featuring Type O Negative's cover of Summer Breeze on outro.

This week, we’re slicing into Tales from the Hood, a cult classic where social commentary meets supernatural terror. From killer dolls to corrupt cops, this horror anthology delivers sharp scares and sharper truths. Join us as we unpack the eerie elegance of Mr. Simms’ funeral home, discuss the film’s unforgettable segments, and honor how this ’90s gem used horror to hold up a mirror to real-world horrors. Come for the chills, stay for the message—and maybe leave with a little fear of your own karma.

Outro music: Spice 1 - Born to Die

Summer is officially here—and that means it's time to kick off pool season with two aquatic horror heavyweights: Jaws and Piranha. In this supersized episode, we wade into the deep waters of Spielberg’s blockbuster classic and Joe Dante’s schlocky, subversive B-movie to ask: What really lurks beneath the surface?

From the birth of the summer blockbuster to genre-blending brilliance, we break down what makes these films endure—yes, even Piranha. We tackle legacy, trauma, salty fishermen, scream queens, and why masculinity always seems to need a boat. You'll hear our takes on the iconic Shaw/Dreyfuss dynamic, behind-the-scenes trivia, cold-water resistance, and... the swimming pig at Aquarena Springs. (Yes, that’s real.)

Grab your sunscreen and dive in—we’re celebrating beach season the only way we know how: with blood, guts, and some killer monologues.

Emma Buckle on Spotify - https://open.spotify.com/artist/7jyuIy33tMtu1RAQMFoY0d?si=qBw2ZSXeSxe8hloKqRTB_w

This week, we’re strapping on our pulse rifles and heat vision as we dive into two of sci-fi horror’s most iconic franchises: Aliens (1986) and Predator (1987). We break down what makes Ripley and Dutch the ultimate survivors, compare Xenomorph terror to Predator stealth, and ask the ultimate question—who’s the real apex hunter? It’s acid blood vs. thermal vision in a showdown for the ages.

This week on Prime Cuts, we take a trip to Summerisle for a deep dive into the sun-drenched dread of The Wicker Man (1973). From rigid righteousness to ritual sacrifice, we explore how Sergeant Howie’s doomed investigation unfolds amidst maypoles, masks, and eerily cheerful folk songs. We’re talking pagan pageantry, sexual tension in graveyards, and yes—corn rigs and barley rigs aplenty. It’s a slow burn that ends in flames, and we’re here for every chilling second of it.

This week on Chopping It Up Horror, we’re teaming up with the badass hosts of Final Girls for a deep, no-holds-barred dive into one of the most talked-about modern horror films: Barbarian.

We dissect the film’s bold structure, unpredictable twists, and subversive use of horror tropes—from Airbnb anxieties to monstrous motherhood. Alongside the Final Girls crew, we explore the film’s layered themes of gender, power, and survival, and ask the big questions: Who’s really the villain? Can Justin Long get any worse? And what makes Tess a Final Girl for the modern age?

Whether you’re a diehard horror fan or just here for the chaos in the basement, this is one collab you don’t want to miss

In this chilling double feature, we’re diving headfirst into two iconic tales of satanic suspense: The Omen (1976) and Rosemary’s Baby (1968). From creepy kids and cryptic prophecies to gaslighting husbands and sinister cults, these films set the gold standard for demonic dread.

We unpack the themes, explore the cultural fears that fueled their popularity, and ask the real questions—like who’s worse: Damien or Guy? (Spoiler: It might be the husband.) Join us for a devilishly good time full of behind-the-scenes trivia, sharp commentary, and just the right amount of snark.

Whether you're a horror purist or just here for the creepy vibes, this episode will have you side-eyeing your neighbors and checking for 666 birthmarks.

Is it horror, is it comedy… or is it just one big prank? In thisPrime Cuts episode, we dive into the cult classic April Fool’s Day, where a weekend getaway turns into a twisted game with a killer punchline. Grab your party hats and trust issues—this one’s got more fake-outs than a bad magic show. 🃏🔪