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Amber and Scott tackle Supergirl, diving into the messy, grief-stricken reality of Kara Zor-El’s life as a displaced alien struggling to find purpose on Earth. The hosts trade barbs over the movie’s questionable tonal shifts, specifically questioning the necessity of gratuitous profanity and the dark, unsettling subplots involving child abduction in what is otherwise a superhero spectacle. Their back-and-forth captures the frustration of watching a potentially family-friendly action film veer into unnecessarily edgy territory, all while Scott tries to reconcile his confusion over the film's specific Kryptonian lore.
Some What Would You Dos from the episode:
The conversation hits a peak of hilarity when the hosts debate the finer points of vengeance, with Scott insisting that he wouldn't just settle for a defeat—he would want the villain's head on a spike as a souvenir. Amber remains skeptical of his dark creative vision, leaving the episode on a ridiculous note about how many heads a bad guy actually has.
Amber and Scott dive into the bizarre world of the film Couture, a fashion-themed horror movie that somehow manages to combine high-end couture with a muddy forest setting. The pair dissects the film’s disjointed narrative, including the confusing intersection of a breast cancer diagnosis, a secret pharmacy school student, and a struggling writer. They also engage in a spirited debate over why models command such massive paychecks and whether the prestige of a famous face is truly worth the exorbitant price tag.
Some What Would You Dos from the episode:
The conversation inevitably spirals into the logistics of orgies, leaving Scott and Amber to debate the specific number of participants required to categorize one as "mid-sized." It serves as the perfect, ridiculous bookend to their deep dive into the high-stakes world of Parisian fashion.
Amber and Scott turn their critical lens toward the grim, blood-soaked reimagining of the classic outlaw tale in The Death of Robin Hood. They grapple with the jarring transition from childhood memories of animated foxes to a story defined by gore, maces, and a protagonist who has long since traded his noble cause for pure, unadulterated malice. The duo finds themselves deep in a debate over the ethics of generational revenge and whether or not a lifelong villain can ever truly find redemption on his deathbed.
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The conversation takes a hilariously dark turn as the hosts struggle to reconcile the film's gritty violence with the absurdity of Robin Hood’s final, precise instructions to his young charge. Scott and Amber ultimately agree that they might never be able to look at the classic Disney version of the story the same way again without shouting at the screen.
In this episode, Amber and Scott dive into the supernatural thriller Leviticus, a film that manages to blend high-stakes religious tension with the absolute absurdity of a "gay-away" curse. The hosts share a genuine laugh over the movie’s bizarre premise, where a simple crush turns into a life-or-death battle against an invisible, vengeful apparition. Between dissecting the questionable parenting of a mother who actively curses her own child and mocking the logistical nightmare of dating while being haunted, they explore the darker—and often more ridiculous—sides of teenage infatuation.
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Ultimately, the conversation hits a hilarious peak when the hosts try to solve the film's existential dread with a simple, modern fix: just start a group chat. It turns out that when you are being hunted by an invisible demon, a reliable cell phone plan and a consistent lighter-check ritual are far more effective than any exorcism.
Amber and Scott break down the family comedy The Breadwinner, diving into why this film defies its low critical score to provide genuine, laugh-out-loud entertainment. They explore the comedic brilliance behind the movie's chaotic depiction of parenting, dissecting everything from the "instinctive" nature of household management to the bizarrely over-the-top physical comedy of a horse destroying a home. It is a refreshing look at how a film can succeed by simply knowing exactly what it is and leaning into its own absurdity.
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The conversation hits its peak when the hosts debate the sheer lunacy of Nate’s "system" for managing his daughters, which includes buying a horse to bribe a child into stopping bad behavior. Watching Nate try to treat his domestic life like a car dealership while his home literally falls apart around him is easily the most ridiculous and entertaining part of the film.
In this episode, the hosts attempt to dissect the chaotic, spoof-heavy landscape of the *Scary Movie* franchise, though the conversation quickly devolves into a masterclass in technical incompetence and verbal stumbles. Between struggling to operate their own recording software and questioning why they even bothered to sit down for this recording, they manage to touch upon the Wayans family’s legendary history of pushing boundaries and the sheer absurdity of trying to find a "What Would You Do?" scenario in a film that thrives on disjointed nonsense. It’s an irreverent, slightly unhinged look at a movie that perhaps shouldn't have been discussed at all.
Also Scott swears he knows the difference between I Know What You Dìd Last Summer and Scream. He was referring to how IKWYDLS didn’t number their sequel so this movie did not either.
And yes, was a very bad spoof on how we record our podcasts, plus the wonders that DoneCast.com does for podcasters.
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In this episode, Amber and Scott dive into the high-stakes history of the film Pressure, which explores the harrowing meteorological decisions leading up to the D-Day invasion. They discuss the fascinating use of inflatable tanks and dummy parachuters as psychological warfare, highlighting how the Allies masterfully tricked the German forces about the actual location of the attack. Amber and Scott also share a laugh over the random trivia that Chris Messina, who plays meteorologist Irving Crick, is actually credited with creating the hashtag.
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The duo concludes by reflecting on the absurdity of 1940s forecasting methods, specifically the reliance on analog maps—which amounted to checking if the weather was nice on that same date in 1912. It’s hilariously terrifying to realize that the fate of the free world essentially hinged on a meteorologist’s version of confirmation bias.
In this episode of Cinema IRL, Amber and Scott untangle the chaotic, puzzle-like narrative of Disclosure Day, a film that leaves them questioning everything from government cover-ups to the ethics of alien experimentation. They dive into the surreal experience of the protagonist, Margaret, whose sudden ability to speak foreign languages and tap into the intimate lives of strangers turns her world—and the broadcast booth—upside down. The duo shares a spirited debate over whether this cinematic journey is a profound piece of art or just a confusing, over-extended blockbuster that leaves the audience hanging on a cryptic final word.
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Amber and Scott finish the episode by fixating on the absurdity of the movie's final act, specifically the introduction of a mysterious, Wilt Chamberlain-sized alien in a wheelchair. It is hard to take the fate of the universe seriously when the extraterrestrial life forms range from pocket-sized creatures to a giant that makes the entire climax feel like a surreal, cosmic comedy.
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