Cinema Shock

How did a novel inspired by a reported case of demonic possession become one of the most influential horror films ever made? It starts with William Peter Blatty, a story that refused to leave him alone, and a filmmaker named William Friedkin who had a reputation for telling people exactly what he thought.

In part 1 of our definitive look at the making of the film, we dig into the real-life 1949 case behind THE EXORCIST, the mythology that grew around it, and Blatty’s long fight to protect his story from studio interference. We also look at the unlikely chain of events that brought Friedkin aboard—and why the director’s reputation for uncompromising honesty played such a big part in getting him the job.

At the heart of the story is an unlikely creative partnership between a writer determined to protect his vision and a director known for pushing people to their limits. Together, Blatty and Friedkin set out to bring a deeply unsettling story to the screen without losing what made it so disturbing in the first place.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

Follow Cinema Shock on Instagram: @cinema_shock

For episode archives, merch, show notes, and more, visit cinemashock.net

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THE FRENCH CONNECTION swept the Academy Awards and immediately became a cultural battleground. Pauline Kael and a generation of establishment critics condemned Popeye Doyle as a dangerous, fascist antihero — a charge that split American film culture right down the middle just as the film was breaking box office records. Part 3 of our deep dive into the William Friedkin classic covers the critical firestorm, the Oscar sweep, and a real-world epilogue that reframes the entire story in ways nobody saw coming.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Felizmon | Interzone78 | Jackson_Baker | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Phil Ellis | Princess Krishna Kali | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Part 2 of our deep dive into its production, THE FRENCH CONNECTION hits the freezing streets of New York as William Friedkin wages war against sub-zero temperatures, city traffic, and his own cast. This episode covers the shoot itself — the accidental casting decision that became one of the film's most iconic elements, the near-collapse of the production from within, and the chase sequence that changed action filmmaking forever. What Friedkin pulled off under an elevated train in Brooklyn remains one of the most dangerous things ever put on film.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Felizmon | Interzone78 | Jackson_Baker | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Phil Ellis | Princess Krishna Kali | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

By the time William Friedkin got his hands on THE FRENCH CONNECTION, he had been turned down by every major studio in Hollywood and was running out of chances. Part 1 of this production history goes back to where the story actually starts — not on a Brooklyn street, but at a nightclub in Manhattan, where two NYPD detectives followed a hunch that cracked one of the largest narcotics cases in American history. Getting that story from real life to a Fox production deal took two years, an unproven screenwriter, and some of the most unexpected casting decisions in New Hollywood history.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Felizmon | Interzone78 | Jackson_Baker | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Phil Ellis | Princess Krishna Kali | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After years of death-defying action blockbusters, Tom Cruise went and made his strangest, riskiest film since MAGNOLIA — and audiences and critics have no idea what to do with it. Alejandro G. Iñárritu is known for being formally ambitious and he doesn't make things easy for his collaborators. DIGGER is no exception — this is what happens when the world's last traditional movie star hands himself over to one of cinema's most uncompromising directors. In this bonus episode, Justin and Gary share their thoughts on the most divisive film of 2026.

This film was chosen by members of CinemaShock+. For the chance to vote on next month's new release review — plus plenty of other members-only perks — head to cinemashock.net/plus to join today.

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THE BOYS IN THE BAND (1970) capped a brutal run of four consecutive box-office failures that left thirty-four-year-old William Friedkin convinced his feature career was over. After walking away from David Wolper's death-defying TV specials, he threw himself into features — writing a Sonny and Cher vehicle on legal pads, clashing with studio veterans on a burlesque set, adapting Harold Pinter's menace for the screen. We trace how his single-room staging experiments pushed him to rock bottom, right before two narcotics cops changed his life for good.

Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Felizmon | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

THE PEOPLE VS. PAUL CRUMP (1962) is the turning point for a young William Friedkin trying to claw his way out of live local television. We follow him from Chicago's North Side, listening in on corrupt cops at his uncle's tavern, to running hectic control rooms during the chaotic heyday of live television. An obsession with CITIZEN KANE and Stravinsky set off something in him — enough to send him into Cook County Jail with a camera, using extreme interrogation tactics to get his subject on film, then editing the raw 16mm negatives himself in his apartment. The result helped spare a condemned man from the electric chair, and set Friedkin on the path to a legendary career as a founding member of New Hollywood.

Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Felizmon | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In our latest bonus episode, we're reviewing Zach Cregger's new take on RESIDENT EVIL!

Chosen by CinemaShock+ members as our September new release pick, this is the director of BARBARIAN and WEAPONS taking on one of the best-selling video game franchises of all time. He's not adapting a specific game, and he's not bringing back the characters longtime fans know. Instead, he drops a brand new guy into Raccoon City on the worst night of his life.

And if you're a CinemaShock+ member, voting for October's bonus episode is open right now: DIGGER, OTHER MOMMY, or CLAYFACE. Join at cinemashock.net/plus to cast your vote.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | KDurden | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | RockGokd | shadowcut | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

By the time BATTLEFIELD EARTH finally went into production, the disaster was already baked in. Born from cut-rate deal engineered by a former dry-cleaning mogul, unchecked artistic hubris, and an unyielding series of tilted camera angles. In Part 2 of our deep dive , we get into the making of the film itself — the studio rejections, the compromised production deal, the under-funded shoot, and the catastrophic reception that followed. Then it gets to the part that goes beyond bad moviemaking into something genuinely criminal: the fraud case that destroyed a production company and sent the whole ugly story into federal court.

Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Felizmon | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | RockGokd | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

Image: "Portrait of John Carpenter.jpg" by Kyle Cassidy, licensed under CC BY-SA 4.0. Modified from original. This derivative work is also licensed under CC BY-SA 4.0.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

BATTLEFIELD EARTH (2000) was born long before cameras rolled, rooted in decades of calculated mythology and institutional control. In Part 1 of our look behind the film, we trace L. Ron Hubbard from his pulp fiction hustle and erratic military antics to the creation of Scientology as a tax-exempt shield. Then we examine how a young John Travolta was recruited into the fold, isolated from grounded confidantes through high-stakes disciplinary crackdowns, and handed an autographed manuscript he viewed not as a cheesy sci-fi romp, but as an absolute religious duty.

Want the full story without the wait? CinemaShock+ members get extended, ad-free episodes that combine every part into one seamless listen — plus bonus content you won't hear anywhere else. Join at cinemashock.net/plus.

CINEMA SHOCK ASSOCIATE PRODUCERS:

Andy Lancaster | asotirov | Benjamin Turpin | Benjamin Yates | Capiapoa | courtland ashley | curtcake5k | Dick Jones | Elton Novara | Felizmon | Interzone78 | Jackson_Baker | JoeyP | John sweet bussy Greaney | Jvance325 | KDurden | Kristian Blilie Berg | LogLad | Lucy Lawson | MagicBloat | mcdudely | Nate Izod | Princess Krishna Kali | RockGokd | samurai_hillbilly | Tim G | triplr1478

Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy.

This episode was written, produced and edited by Gary Horne & Justin Bishop.

For episode archives, merch, show notes, and more, visit cinemashock.net

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.