Cinema Supercollider

Treat Williams and Joe Piscopo star in this buddy cop mystery comedy zombie picture

Mid before mid was mid, this film is mildly enjoyable despite its goofball premise.

In this classic episode, we take a look at two movies featuring sports of the future... Rollerball (1975) and the Blood of Heroes (1989)! Sportsball gets a little dangerous when dystopian governments and apocalyptic events come to play.

Once again we've stumbled on another head scratcher of a WTF movie, this time by schlock-sploitation legend Ted V. Mikels.

A woman gets text messages from her deceased fiancé and proceeds to get sucked into a whirlpool of nonsense featuring a seance, a costume museum, Liberace's old piano, a cursed dress, community theater actors, a haunted house and a couple of odd spirit guides. Will she withstand the extreme paranormality of it all? Will we care?

It's about a talking boat named "Thunder" that's bigger on the inside than it is on the outside, Hulk Hogan who's bigger on the outside than on the inside, and Chris Lemmon, a nepo baby who's smaller than his father, talent-wise.

In TIP 2, the Hulkster and Bru (Lemmon) have to save supermodel, and owner of the beach bar Carol Alt from some Moroccan shotgun wedding.

TIP 3 is about a drug kingpin's #1 henchman holding a bunch of kids hostage in an arts based elementary school.

In both "movies" Thunder the talking boat saves the day by spinning donuts on the Epcot Center's water pond while explosions and gunfire threaten the lives of everyone.

Eric and Megan are befuddled by this exquisitely painful summertime monster-on-the-beach picture, mostly because EVERYBODY IS NAKED ALL THE TIME.

You might think people would be shot from the waist up, or be holding props like surfboards or frisbees strategically placed. You'd be wrong. You might think our pregnant protagonist would wrap a towel around herself when she goes exploring a dark, spooky cave. NOPE. You might think we'd just get used to it after 20 minutes or so. Well you thought wrong. Everybody, men and women of all ages and body types, tall and short, hairy and smooth, all shot full head to toe, full frontal nudity THE WHOLE MOVIE.

There's a lot of story going on about demons, mutants, witchcraft, toxic waste, hallucinations, giant mai-tais stabbing monsters to death with a hairbrush handle, a treehouse disaster, trauma, death, decapitations, and even some naked folk guitar, but it's all very confusing and silly.

Look out for a breakout performance from Lucy Diamonte, the only "real" actor in this picture.

Kind of brilliant in a torture-your-friends-by-forcing-them-to-watch way, but be prepared to squirm in your seat for 90+ minutes!

In this classic episode, we take a look at the pivotal cyberpunk anime, Akira! Hailed by audiences and critics alike as a masterpiece, this film is regarded as a landmark in Japanese animation, and one of the most influential and iconic anime films ever made.

Celebrating summer, Megan and Eric discuss the classic teen beach movie from 1965.

Frankie Avalon and Annette Funicello and a cast of many guest stars (Paul Lynde, Don Rickles, Buster Keaton, and introducing Linda Evans) experience hard G-rated fun on the beach when a recording star show up with a pair of skydivers. A dumb guy falls in love with a mermaid. A motorcycle gang haplessly tries to kidnap Linda Evans. A love triangle is easily resolved. Men feed each other hot dogs cooked in a fireplace. A psycho killer kidnaps the already kidnapped Linda Evans and ties her to a log in the sawmill. Frankie and Anette go skydiving against a front-projection screen...

Everything happens, yet, nothing happens. They don't even play bingo except during the opening credits.

In this classic episode, we take a look at the supernatural horror film based on the video game series of the same name, Silent Hill! Does this one check the boxes for fans of the original material or is this treatment too far of a departure from what made the games so good?

In this classic episode, we take a look at two post-apocalyptic movies, A Boy and His Dog (1975) and Hell Comes to Frogtown (1988)! Which is the bleaker future: anything Harlan Ellison comes up with, or the one in which exaggerated frog penis is both a threat and a concern?

What happens when so-called "star-slutch" lands in small town America and starts phagocytosing the local humans? Why Steve McQueen (1958), or Kevin Dillon (1988) and their girlfriends have to rally the townspeople to prevent The Blob, aka The Red Menace from taking over America herself! Bullets cant stop it, fire can't stop it, 10,000 volts can't stop it! What will they do?