The heart and soul of Lyle, Lyle, Crocodile is so spot on, it ultimately plays as one of the more entertaining family films in recent memory.

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Apart from a better-than-this film deserves performance from Ana de Armas, there is little to recommend the chaotic behemoth of a story that is Blonde.

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While it may not be the epitome of the genre, Smile is one of those films that portends of even better things to come from the artist responsible for it.

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Don’t Worry Darling is a moody and frighteningly poignant social commentary that somehow seems like it shouldn’t play as relevant as it unfortunately is.

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While Pearl may not be lauded as being as effective as its predecessor, it succeeds in delivering an entertaining look at the origin of its titular character.

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Matt Sobel’s remake of Goodnight Mommy, starring Naomi Watts falls very much in the column of why bother.

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The lovingly crafted and expertly told story of Hallelujah: Leonard Cohen, A Journey, A Song adds to the legacy of the song, by bringing it to life.

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Jordan Peele’s Nope proves to be yet another wildly entertaining piece from one of the more gifted filmmakers currently in the business of making movies.

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Mrs. Harris Goes to Paris somehow manages to outshine even its effervescent lead to produce a heart-warming and emotionally rewarding drama.

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Editor-in-chief Mike Tyrkus says that although it proves wildly entertaining and engaging for most of its running time, Thor: Love and Thunder ends up a bit too light on the story side of the ledger.

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