Editor-in-Chief Mike Tyrkus states that although some may see Baz Luhrmann’s Elvis as more myth creation than substantial biopic, it is a film that transcends genres and begets an impressive tapestry.

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Editor-in-Chief Mike Tyrkus reports that The Phantom of the Open is an engaging and heart-warming piece of entertainment that shines its beacon of hope over its entire running time.

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Editor-in-Chief Mike Tyrkus postulates that although it may not achieve the heights of David Cronenberg's best work, Crimes of the Future is a film well worth exploring and engaging with.

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Editor-in-Chief Mike Tyrkus reviews the film and explains that with Doctor Strange in the Multiverse of Madness, Marvel Studios has again reinvigorated the comic book film genre with its most original adventure yet.

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Editor-in-Chief Mike Tyrkus reviews the last film from director Roger Michell, entitled The Duke, starring Jim Broadbent, as one of the most enchanting and heart-warming films of the year.

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Tom Gormican’s film The Unbearable Weight of Massive Talent sets out to ensure that everyone recognizes how utterly fantastic Nicolas Cage is.

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While Robert Eggers’ film may prove too graphic, intense, or perhaps lengthy for some viewers, The Northman is still one of the best films of the year.

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Michael Bay's Ambulance turns out to be a long, boring slog of a ride instead of the edge-of-your-seat thriller it was more than likely intended to be.

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Though there may be better “boxing” and “religious” films, there aren't too many that offer the combination of both in such a rewarding package as Father Stu.

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While Morbius may not be the worst non-Marvel made Marvel movie ever to be foisted upon an unsuspecting public, it is certainly far from the best.

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