Citizen Dame

This week the Dames dive into Criterion's Interdimensional Romance collection with a look at A Matter of Life and Death (1946), Starman (1984), and we break some hearts with our thoughts about Eternal Sunshine of the Spotless Mind (2004).

We're back, and we have a special guest! Karen returns from the Sundance Film Festival with Cortland Jacoby of Punch Drunk Critics in tow. Join us for a discussion of the best parts of the festival this year, why Netflix is snapping up all the films, and how Lauren shouldn't be left alone for so long...

You can read all of Karen's Sundance reviews here: https://citizendamepod.com/

And Cortland's here: https://punchdrunkcritics.com/category/reviews/cortland/

Did you the Sundance Film Festival is celebrating it's 40th anniversary? The festival kicks off this week in Park City, Utah, the Criterion Channel has a selection of festival faves, and we are joining the fun with a chat about a few of our own. This week, the Dames discuss Donna Deitch's Desert Hearts (1985), Mira Nair's Mississippi Masala (1991), and Kelly Reichardt's Old Joy (2006).

We're back to discuss some of our favorite films (new and old) of 2023, including Barbie, Killers of the Flower Moon, and, uh, Love Birds? 

Happy New Year! We're looking forward to bringing you a lot more fun stuff in 2024!

For our last episode of 2023, we chat about some holiday rom-coms (or not-quite-rom-coms) that give us all the feels: The Shop Around the Corner, The Holiday, and the unfairly maligned Last Christmas.

Happy holidays and we'll see you all in 2024!

This week, the Dames welcome our very special guest, Shannon McGrew of Creepy Kingdom to chat about holiday horror — or more specifically, movies about the darker side of Christmas magic. Join us as we discuss Rare Exports: A Christmas Tale (2010), Krampus (2015), and Violent Night (2022).

This week, the Dames welcome the holiday season with a look at three holiday noir films: The Thin Man (1934), Repeat Performance (1947), and They Live By Night (1948).

Just us for the last Noirvember episode of the year! The Dames are talking all things Billy Wilder this week, focusing on Double Indemnity, Sunset Boulevard, and Witness for the Prosecution. Just promise not to tell anyone the ending. 

This week, the Dames take a look at three noirs directed by women: Ida Lupino's The Hitch-Hiker (1953), Muriel Box's Eyewitness (1956), and Elaine May's Mikey and Nicky (1976). 

The Dames kick off Noirvember by discussing fast-talking, fast-living dame Barbara Stanwyck in three iconic roles: Baby Face, The Strange Love of Martha Ivers, and Sorry, Wrong Number. No man stands a chance.