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We're celebrating Hitch's birthday with Hitchcock remakes that actually work, including one in which he remakes his own movie. Join us for this chat about The Man Who Knew Too Much (1956), Throw Momma from the Train (1987) and The 'Burbs (1989).
The Dames talk older films set in the future...that is now the past! It makes sense when you hear it. This week we cover the iconic 2001: A Space Odyssey, the neon-tinted recent past of Back to the Future Part II, and dire environmental predictions in Soylent Green.
The Dames go into a (spoiler-y) discussion of Greta Gerwig's 2023 feminist polemic Barbie! Topics include why we love Allan and The Speech that America Ferrera gives. Everyone can listen now, because Barbie is for everyone!
The Dames are back with an all new episode. This week we're talking artificial intelligence in movies. Dating back to as early as Metropolis in 1927, A.I. is an oft explored theme in movies. We discuss the cautionary tales of machines run amok (Demon Seed, 1977), corporate greed and exploitation (Johnny Mnemonic, 1995), and the quest to understand humanity (After Yang, 2022).
In celebration of the release of Indiana Jones and the Dial of Destiny, we discuss the only other three Indiana Jones films ever made! Plus: our thoughts on Warner Brothers and the gutting of Turner Classic Movies.
This week! Join us for a chat about Marilyn Monroe and three very different films from her career: Don't Bother to Knock (1952), Gentlemen Prefer Blondes (1953), and The Misfits (1961).
Happy Pride! This episode, we're talking about movies that are, like, really gay. Our discussion encompasses the brilliant comedy The Birdcage, Jamie Babbitt's satire of conversion therapy But I'm a Cheerleader, and Fire Island, Andrew Ahn's joyfully gay adaptation of Pride and Prejudice.
The thread on Shelley Duvall is here: https://twitter.com/shelleyduvallxo/status/1666645856928268289
For this week's episode, we're commemorating the release of The Boogeyman with a chat about Stephen King adaptations. Specifically, Carrie (1976) and The Shining (1980), with a healthy dose of both versions of IT, and why is Christine (1983) so dumb?
We have many things to say about birthday boy Vincent Price, including discussions of his life, career, amazing voice, and a few of our favorite horror movie performances.
Plus! We chat about Are You There, God? It's Me, Margaret and women getting to tell their own coming-of-age stories.
This week we're talking all about the incredible Anna May Wong, and we specifically dive into two of her notable films: Piccadilly (1929) and Shanghai Express (1932).
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