Classic Ghost Stories

S0209 The Maker of Gargoyles by Clark Ashton SmithClark Ashton Smith was born in 1893 in Long Valley, California and died in California in 1961. He began as a poet and wrote decadent, overblown Romantic poetry after the manner of Swinburne. He got early recognition for his work in California.Lovecraft loved him and with Robert E Howard and Howard Philips Lovecraft he was one of the big three writers of Weird Tales. Ray Bradbury was also a fan. A few months ago, I re-read Bradbury's *Something Wicked This Way Comes* , and I can see that Bradbury too was a lover of poetic, sometimes overblown language—like myself!Smith was clear that his use of language and rhetorical stylings as deliberate. He talked of trying to create a "sort of verbal black magic."He uses some obscure words, such as 'vans' for wings and 'ferine' which neither I, nor my spell-checker, had come across before. I must have heard the word before because I read all of these stories as a teenager. But I'd forgotten ferine. Turns out it's a version of feral: savage and untamed.I did enjoy the word 'troublously' and also 'lubricous'.Smith wrote poetry from the age of 11, and his first novel by the age of 14. He began to sell his stories aged 17. His influences were The Arabian Nights, and he was clearly entranced by fairy-tale realms. He is also influenced by Edgar Allen Poe and the Brothers Grimm as well as the classic Gothic novel Vathek. Interestingly, he loved the decadent poetry of Charles Baudelaire. He translated his poetry from French as Baudelaire in his turn had translated the works of Poe into French.He had a period of ill health. He was a correspondent of Lovecraft and also knew Jack London and Ambrose Bierce.Smith and Lovecraft used the strange names and ideas they conjured in mutually influenced stories. This 'open source' was Lovecraft's greatest gift to horror: he allowed other writers to build on his ideas and so the Cthulhu Mythos was created.Smith was a massively prolific author, but more or less gave up writing in the second half of his life.He then turned back to sculpting and painting. He nursed his mother and father during their final illnesses until finally is father died in 1937. Robert H Howard killed himself in 1935 and Lovecraft died of cancer in 1937. It’s thought that these events may have knocked the love of writing out of him.Smith himself had a heart attack in 1953, but he still married aged 61. He set up house with Carolyn Jones Dorman and took on her children, and they moved to Pacific Grove.He had a series of strokes in 1961, and one finally killed him.I must admit that of the 'big three' Weird Tales writers (Lovecraft, Howard and Smith), I prefer Smith. I found Howard mostly preposterous. The HP Lovecraft Literary Podcast did a reading of Robert E Howard's *Queen of the Black Coast* which had me in stitches. You need to check Chad Fifer and Chris Lackey out. They are very good.I loved Smith from my early teens and I think that the creation of the mythical Provencal region of Averoigne is fantastic. I was mesmerised by this medieval city surrounded by werewolf haunted forests. It was merely a matter of time that I managed to sneak a story in, falsely claiming it as a ghost story.It's not a ghost story, but it is a weird tale and it does contain the supernatural and a bit of murder, so I think it's okay.Smith on occasion intrudes sexual themes, and these are mostly absent from Lovecraft's work and Poe's as I can remember. Let me know if I am missing something here. I could be. It's late. I'm tired. I've been working on sales funnels rather than poetry. Pity.Coincidentally, Smith died the year I wSupport the show

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https://tonywalker.substack.com/ (Subscribe here, support The Classic Ghost Stories Podcast and obtain exclusive content.)S0208: The Empty House by Algernon BlackwoodWe did the Kit Bag by Algernon Blackwood as Episode 20, and there I said:Algernon BlackwoodAlgernon Blackwood was an English writer born in 1869 who ended up as a broadcaster on the radio and TV.His writing was very well received at this time and critics loved him. Even the great American author of weird tales HP Lovecraft cited Blackwood is one of the masters of the craft.Blackwood came from a well-to-do family and was privately educated despite that he was quite an adventurous man. He was interested in Hinduism as a young boy and his career was varied. For example, he ran a dairy farm in Canada and also hotel in the country. It became a newspaper reporter in New York City and was also a bartender and a model and also a violin teacher!All of this time, though he was always writing. He liked being outdoors and his stories often feature the outdoors. He was also interested in the occult and was a member of the hermetic order of the Golden Dawn along with such other characters is Arthur Machen and WB Yeats and Alistair Crowley.At one point he was a paranormal researcher for the British Society for Psychical Research and it is said that this story was based on a case that he investigated.The Empty HouseStructurally, the story is simple: our man hears of the house, he visits the house, he explores the house, weird stuff starts to happen, the ghost is revealed to be a replaying of a tragic scene from the house’s past, the protagonist is merely an observer. If he has an arc, it is the transformation of his attitude to his aunt from seeing her as a feeble old lady to a woman who is in some respects braver than he is.Blackwood lays on the dust, the shadows, the moonlight as well as scurrying beetles and some black thing that scurries off (probably a cat, maybe a rat in the dark). He does this well. We are taken right there.Michael Kellermeyer describes the story as an exploration of fear, rather than ghosts and I think that’s a good point. In that it matches some other stories like Marghatina Laski’s The Tower and H R Wakefield’s Blind Man’s BuffThere’s a whole genre of ‘night in a haunted house’ stories.The Empty House Reminds me of a story I recently read from 1835, No. 252 Rue M. Le Prince by Ralph Adams Cram. That is much older, and more decadent. It’s worth a read though.In 252 Rue. Me Le Prince, as in this story, the person visiting the haunted house is merely a witness to past happenings. At least that was my take. Of course, that is like the Stone Tape theory of hauntings, which holds that the fabric of a building somehow records strong emotion and plays these scenes back as hauntings.It is also reminiscent of Blackwood’s own The Kit Bag, in that we have someone lurking out of sight who eventually is seen and in both cases they are the ghosts of criminals.The story also reminded me of Blind Man’s Buff by HR Wakefield, which we read recently , not to mention The Judge’s House by Bram Stoker, which we haven’t yet got round to.One bizarre incident in The Empty House is when he turns to see his aged aunt’s face is transformed into the face she had as a girl. He finds this horrific and turns from out, but I can’t see why it would be horrible and what purpose it has in this story. I had wondered whether she had been transformed into the murdered maid, but this does not seem to be the case.Blackwood with his stories of outdoor adventure and colourful employment history sounds very much like a man’s man and I am familiar with that archSupport the show

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Bruno SchulzBruno Schulz was a Polish writer. He was born in 1892 in Austrian Galicia. In those days that part of historical Poland was under the control of the Austro-Hungarian Empire. Now it is part of Ukraine. His family were well-off traders who owned a dry goods shop. I'm not wholly sure what that is, though I think I knew when I was younger.After the First World War, Austrian Galicia became part of Poland. Schulz was 26 when that happened. His home town was a drab industrial place, predominantly Jewish, at least until the Holocaust. Schulz lived there most of his life. Schulz was interested in the arts from his youth and studied design in Lviv. He then went to Vienna to study architecture for two years but returned to his home town to the school he had himself attended and became a teacher of arts and crafts. He is said not to have liked teaching much, but he entertained the pupils by telling them stories.He was Jewish, and before the Nazi partition of Poland, there was a thriving Jewish community in his hometown. He wrote in Polish but was fluent in German too. Like many writers, he was inspired to continue writing even though he received little encouragement at first. He gained success after he went to see a famous Polish novelist, who was reputedly not too keen on seeing him at first, thinking him just another wannabe writer. However, after hearing him read out the first page of his work, she asked him from the manuscript and declared she had discovered a new genius of Polish literature.His first collection of stories was published in 1934 called The Cinnamon Shops in English though it is often known as The Street of Crocodiles. Three years later he published Sanatorium Under The Sign of the Hourglass. He illustrated his own books.In 1936, he translated Franz Kafka (1883-1924)'s The Trial into Polish. Kafka who wrote in German was also Jewish and also from territory that had belonged to the Austro-Hungarian Empire.He was awarded the Polish Academy of Literature's Golden Laurel award in 1938.In 1939 the Nazis came. He was writing a novel at the time, but that is now lost. He died tragically in 1942. He was walking home through the so-called Aryan quarter of his hometown. He'd been to buy a loaf of bread when he was shot dead by a Gestapo officer. The story was that this Gestapo officer had a quarrel with an SS officer. The SS officer had shot the Gestapo officer's Jewish slave, so in return, the Gestapo officer shot Schulz, who had been employed by the SS officer to paint murals.Sanatorium Under the Sign of the HourglassReminiscent of the weirdness of Kafka and the bizarreness of Gustav Meyrink (1868-1932) (The Green Face, The Golem), there must have been something in the water in the Austro-Hungarian Empire that these three were born in. All three wrote stories which were oneiric. That's a right word, meaning dreamlike.I just feel like I've watched the third season of Twin Peaks, because like Lynch's work the story, though ostensibly happening in the real world, is dreamlike from the outset. It seems full of symbols, some of which I struggle to decipher. For example, what's with all these cakes and pastries?The guard dog and its kennel, the dog that morphs later into a man, and his Father and his mother (Father gets a capital in the story) are more apparent symbols. They could be Freudian or Jungian, and again we must remember that Freud was a child of Austria-Hungary and also Jewish. In the early part of the 20th Century, there were also the movements of Dadaism and Surrealism, that definitely turned their back on realism. Weirdness was in the air.Most of the story is mysterious tSupport the show

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This is a subscriber only episode, so come on and sign up at tonywalker.substack.comJohn Buchan: John Buchan, officially 1st Baron Tweedsmuir was born in 1875 in Perth, Scotland and died in 1940 aged only 64 in Montreal, Canada. He was Governor General of Canada until he died in office. His father was a minister of the Church of Scotland. Many of our ghost story writers are children of clergymen. He studied Classics at the University of Glasgow and then moved to Oxford University. After that he went to South Africa where he was private secretary to the High Commissioner of South Africa. Like Kipling, who we read last week, Buchan was a conservative son of the British Empire. He was a bit of a softie for a conservative though because later when MP for Peebles just south of Edinburgh, he supported votes for women, national health insurance for the poor and curtailing the power of the House of Lords.Though a Scot, he was not a Scottish Nationalist, and in common with many Scots of his class and time, he though Scotland was best off within the British Empire.When he returned from South Africa, he was called to the English Bar as a barrister (an advocate in Scotland). He was also editor of the still existing conservative magazine: The Spectator.In 1916, Buchan went to the Western Front, attached to the Intelligence Corps. Just before this he had just published his famous spy story The 39 Steps. In 1935, Buchan went as Governor General to Canada. He had always liked Canada, written about it as a journalist and fought alongside Canadian troops in the First World War. He encouraged a distinct Canadian identity and nationality. He hosted King George VI on the king's tour of Canada. He suffered a stroke at Rideau Hall and then a head injury as he fell. He was treated by the famous neurologist Wilder Penfield. A Journey of Little Profit was published in 1896 in The Yellow Book, so he was just twenty-one at the time. It's a well-regarded story about a bargain with the Devil.Because of its Scottish setting it has echoes with James Hogg's The Private Memoirs and Confessions of a Justified Sinner, and of course with the Faust Legend.The great use of dialogue and language with lots of Scottish dialect words sets this story apart but also the fact that Duncan Stewart becomes fond of the Devil and escapes with his soul. We see him first the older wiser man, now regretful of his wild youth.It's a great story, I hope you enjoyed it too.Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the show

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The Fall of The House of Usher- Classic Ghost Stories Podcast has done a Poe story before: [https://player.captivate.fm/episode/08a6766c-18ad-4ec7-9c1c-a6918e7306a6 (The Tell-Tale Heart (Episode 12))] and that was fine, but the Fall of the House of Usher is, in my humble opinion, finer.Poe was an American writer born in 1809 in Boston who died aged only forty in Baltimore in 1849. He is one of the best-known American writers of his generation and famed all over the world for his Gothic and macabre tales. It was long overdue that we did another of his storiesThe Fall of the House of Usher was published in 1839, when grave-robbing was still a thing. He makes a play on the word 'house' which can mean both a lineage and a building. This is a rhetorical usage known as a syllepsis.The story is a fine Gothic thing. We have dismal setting with the rotting trees and the stagnant tarn (which is a small lake) the gloomy castle, the sickly and neurotic hero, the storm and generally dreadful weather, the mysterious and sinister chatelaine, Madeline. It is quasi-Medieval also, though not set in Medieval times, it might as well be and at the end they read from some Arthurian legend to make even more Medieval.The remoteness of the house, the lack of modern communications (even for the 1830s), the terrible weather and the vague dream time of no specific location and no specific time trap us in the legend. The house haunts the characters as much as their wraith-like dream forms haunt its halls. Roderick never leaves the house and I doubt Madeline of Usher was much of a gad-about either.Poe never says anything clearly in a few words when he can draw it out over several obscure sentences with multiple clauses and hints rather than statements. We love him for it, indeed that's why we read him.Old Roderick decides to entomb Madeline in the deep dungeon, because it is hinted that the medical men would seek to dig her up and use her for research, given the obscurity of her illness. This was a thing in Poe's days or just before.The hint of the blush on dead Madeline's face is suggestive that she may be a vampire, and Poe, I think was encouraging this, but it is in fact, as it later transpires in a nice twist (nice?) that poor Madeline was not in fact dead, and furthermore, her brother suspected this.Poe's stories are populated by the deeply neurotic and this, for me, is his masterpiece. I love the Gothic prolixity of it, I love the funereal sombreness and I am struck how much influence Poe had on Lovecraft in his vocabulary. Now, it may be an American usage, but, outside these two, I've never come across the word "litten" for "lit" as in red-litten, for red-lit, and my autocorrect dislikes it also. Also reminiscent of Lovecraft, is the long list of obscure books, mostly not in English; a favourite device of the Cthulhu Mythos.What Poe does wonderfully in this story, I think, is identify the building with the family themselves and make the house a living thing. The fortunes of the House of Usher, as he says, is reflected in both the fabric of the ancient castle and the health of the living line. When the people die, the house dies also.Shirley Jackson does this in her story, https://player.captivate.fm/episode/902d0d32-2fe8-4951-a7e4-dbbf2f8a89d8 (The Visit (Episode 52))The co-mingling of story and actuality happens in the reading of the Arthurian legend where the breaking in of Ethelred, has its counterpart in the breaking out of the dying Madeline. In a sense this also mirrors the identity of the living Ushers with the symbol of the ancient building.The purpose of the narrator is merely to give us a window into thSupport the show

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https://tonywalker.substack.com/ (Subscribe here, support The Classic Ghost Stories Podcast and obtain exclusive content.)The Twisted WoodWell, it's the anniversary of the Podcast! The first episode The Yellow Wallpaper went up a year ago, and what a year it has been. The Podcast has succeeded far more than I ever thought. When I started I just wanted to read the stories I enjoyed. It seems that others enjoy them too.We have also done some stories by living writers, so here's another. It's mine! This is the first story I've ever put up on the Podcast, and I'm doing it because it's the Podcast's first birthday. Happy Birthday, my friend!The Twisted Wood is in my new collection https://amzn.to/2RknlgY (Horror Stories for Halloween) Originally, it was going to be a story about the Mothman, but though it contains moths it got rather twisted and turned into a dark fairytale about a conceited community arts manager who is tempted to do a little stealing. We all know you shouldn't steal from the fairies, and we know even better than you must never ever take anything from fairyland. It ends with a bit of cannibalism, and I am struck that a number of the stories in Horror Stories for Halloween have a cannibalistic turn. What does that say about me?The setting is drawn o n an actual wood and the floods are those floods which hit my home area over the past decade and flooded me out of house and home not once but twice. I was once flooded out in Wales, so that's three times. And the third time is the charm, as they say.I was fired by a community arts manager when I was struggling to feed my small children on the basis I didn't "think like we do" which I swear was the reason they fired me. They know who they are. That's over fifteen years ago now, but I've paid him back in a story.This is one of my favourite stories. I allowed myself to go overboard with ornate language because I thought someone as pompous as his would use overblown language. The truth is I like it too. I've just read a Ray Russell story for the Podcast after all.So, if you liked my dark fairytale of someone getting their come uppence, check out my Newcastle Fairies which is somewhere around.I hope you liked my story. I enjoyed writing it, and reading it out!See you next week.Music by https://theheartwoodinstitute.bandcamp.com/music (The Heartwood Institute!) They rock.Download Charles Dickens The Signalman Free Mp3 https://bit.ly/dickenssignalman (Subscribe to our list and keep in touch with the podcast. Learn of new episodes and bonus Content. )Support our work PLUS you get a free story right now!(The Story Link is in the Thank You Email)Show Your Support With A Coffee!https://ko-fi.com/tonywalker (Buy the thirsty podcaster a coffee...)Final Request: The SurveyI want to know what you want. If you have three minutes, I'd be grateful to know what you think of The Classic Ghost Stories Podcast.https://my.captivate.fm/Click%20here%20to%20go%20to%20the%20Survey (Click here to go to the Survey)Support the show

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Branch Line to Benceston by Sir Andrew CaldecottBranch Line to Benceston was published in the collection Not Exactly Ghosts in 1947. He turned to writing after retirement from the Malaysian Civil Service, again like many of our ghost story writers, he had a career in the Colonial Civil Service of the British Empire. Sadly, he didn’t live long after retirement and died aged 65.Sir Andrew Caldecott (1884–1951) was born in Kent. He was educated at Uppingham School and at Exeter College, Oxford, where he became an Honorary Fellow in 1948. His father was a clergyman. Spooky. how this happens so much.He had a very distinguished career in the Colonial Service and was Governor of Ceylon (now Sri Lanka) from 1937 until 1944 (so during the Second World War), and before that Governor of Hong Kong (1935–1937). He also worked in Malaya and Singapore and there is a station named after him in Singapore.He had a lifelong interest in the supernatural and, as is evident from his two volumes of supernatural tales, he was an accomplished writer, but it wasn’t until after his retirement in 1944 that he published his first volume of ghost stories. Not Exactly Ghosts was published in 1947 by Edward Arnold & Co. It contains twelve tales. Interestingly, features of Caldecott’s own interests, such as playing the piano, crop up in his stories and I suppose that is true for most writers, hence my frequent mentions of Hawkwind.In ‘Branch Line to Benceston’, Adrian Frent, a railway enthusiast and herbalist, is the first tenant of ‘Brentside’, the newly-built house next to the narrator’s own house in Brensham. Frent is a partner in a firm of music publishers, but he hates the other partner with a vengeance, feeling that the man has messed up his life stence since they were boys. He wishes his partner dead, and then when he does die, things turn weird. But the story is not exactly a ghost story. C aldecott does a couple of things wonderfully. Firstly; this story is a portrait of Metroland, the area outside London that was developed in the first half of the twentieth century with the benefit of faster rail connections to allow the middle classes, to have the benefits of living in a suburbia that appeared and was sold as being the English countryside, while still able to travel easily into London to their day jobs. Vast swathes of the Home Counties were gobbled up and railways proliferated. John Betjeman, the English poet laureate captured all of this in his film entitled: Metroland and much of his poetry is set in this half-and-half land bathed in the sunlight of the English dream.The second thing I think Caldecott does well is the set up of the story. The death of the Dachshunds and the herbalism and poison seems to be a red-herring. Though giving his great enemy Paul Saxon one of the tinctures he makes reminds Frent of his wish to kill Paul, and thus his sin, he does not actually poison the man. This is a misdirection, I think: a red herring.However, the real set-up is the trap-door. We have already been told how Frent tends to go off half-cocked, but after a brief mention of this trap-door, Caldecott leaves it. This is subtle and I didn’t get that until the end. Caldecott is a great wit and his comment about the coroner’s view that these houses are death-traps being ignored as normal with coroner’s comments reflects his own professional experience, I am sure, and is a bit of a joke because we are going to ignore this clue too, at least I did. Caldecott even flags this clue up saying he has recorded it for a reason that will become clear later. This to me is a great example of burying the obvious, and doing it well.The pSupport the show

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Blind Man's Buff by Herbert Russell WakefieldH R Wakefield was born in 1888 in Sandgate, Kent, England and died 1964. He was the son of the Bishop of Birmingham. He was educated at the prestigious Marlborough College and then went to Oxford University where he studied history and played cricket, golf, hockey and football. He was secretary to Viscount Northcliffe and served with the Royal Scots Fusiliers when the First World War broke out and was promoted to Captain. After 1920 he settled in London and worked as chief editor in a publishing house. His wife was American, Barbara Standish Waldo, and he met her when she was in London as her family were wealthy and took a house in London each year for the season. He divorced her in 1936 and married again in 1946. Older now, during the Second World War he served as an air-raid warden.H R's brother Gilbert was a successful playwright.Wakefield was famous for his ghost stories during his life. He published seven volumes of ghost stories during his life. His work was appreciated by August Derleth, H P Lovecraft's disciple and some of his stories were published in Weird Tales. His main influences were M R James and Algernon Blackwood (both of whom we have featured on the podcast.)The poet laureate John Betjeman considered Wakefield in the second rank of ghost story writers after M R James, which was praise indeed. However, M R James wasn't as fond of Wakefield's work. H P Lovecraft on the other hand showered Wakefield in praise and said he reached the heights of horror.Wakefield strongly believed in the paranormal, and it is perhaps because of this he was drawn to write in this field. He claimed to have had personal experiences of supernatural phenomena. This story, Blind Man's Buff, plays on the primal fear of the dark and what might lurk within. In that play on phobia it struck me that it was similar to Marghatina Laski's The Tower, which we read as https://player.captivate.fm/episode/6682b629-19d6-4cff-ab73-24a1ed629ab8 (Episode 13)Tony's Ghost Story BooksMy latest book, London Horror Stories is available on https://amzn.to/2YSSHPb (Amazon UK) and https://amzn.to/2NgZHQu (Amazon US). Ghost and horror stories with a sense of place. It's available free for Patrons.It's doing moderately well and the audiobook will be coming in stream soon through Author's Republic, which you'll be able to get on Audible.If you've read it and like it, could you please leave a review on Amazon?All purchases, recommendations and support of London Horror Stories is massively helpful to me.Support Tony on Ko-fi!The show is only possible through the support of appreciative listeners. If you'd like to show your appreciation for the podcast, why not nip over to Tony's Ko-Fi page and buy him a coffee? There are also some free tracks there for download, and others to buy.Go https://ko-fi.com/tonywalker (here) to visit Tony's Ko-Fi page.For Hardcore Lovers of The Podcast: Pledge via PatreonThe regular support of patrons via Patreon ensures that podcast hosting gets paid every month. If you feel you'd like to be a committed supporter, please sign up at the https://www.patreon.com/barcud (Patreon page).Music by The Heartwood InstituteYou can listen to the album from which this is taken https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (here). Please support hauntological music!Start Your Own Podcast!I am very happy with the wonderful responsive support and constant innovation of my podcast host, Captivate FM. If you want to start a podcast, you will be supported by them all the way.If you use https://www.captivate.fm/signup?ref=tonywalker (this affiliate link) to Support the show

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Elias And The DraugI got this tale from https://amzn.to/31BmIUU (Roald Dahls' Book of Ghost Stories)which is a very well-curated collection. Often, ghost stories collections are just a rehash of the same old tired stories, but Roald Dahl put some goodies in this one. Of course, Dahl was of Norwegian descent, so it is perhaps natural he should include a Norwegian writer.This story Elias And The Draug was published in 1870. Of course, the 19th Century was a time of a revival in traditional folk stories, often Germanic such as Hans Andersen and the Brothers Grimm, and often very grim. This story is a horror story, absolutely, and a ghost story in that it features a supernatural creature, a resident of faerie, the draug. And in its style, it is definitely akin to fairytales which are one of the sources of the ghost story form.Jonas Lie was born at Hokksund in Norway in 1833, and he died in 1905. he is considered to be one of the four greats of Norwegian literature. His father was appointed sheriff of Tromsø which is a very northern part of Norway with chunks of the region within the Arctic circle. This area has a rich Sámi heritage, and we note the reference to the Lapp girl in the story whom the surviving child Brendt marries and settles down, never going to sea again.Lie wanted to go in the navy, but his eyesight was so weak he never succeeded in going to sea professionally. Instead, he became a lawyer, which was probably more lucrative. He went to University in Christiania and got to know the Norwegian playwright Henrik Ibsen and Bjornsterne Bjornson, another famous Norwegian author less known outside Norway than Ibsen.He published his first novel in 1870, Den Fremsynte, which like much of his work focuses on Norwegian life, the traditions and folklore and the constant encounter with the sea. My Money Making SchemesBelow I list various things you can do to show your appreciation for my work producing the podcast. These range from buying my books, to starting your own podcast to shopping at Amazon.Tony's Ghost Story BooksMy latest book, London Horror Stories is available on https://amzn.to/2YSSHPb (Amazon UK) and https://amzn.to/2NgZHQu (Amazon US). Ghost and horror stories with a sense of place. It's available free for Patrons.It's doing moderately well and the audiobook will be coming in stream soon through Author's Republic, which you'll be able to get on Audible.If you've read it and like it, could you please leave a review on Amazon?All purchases, recommendations and support of London Horror Stories is massively helpful to me.Support Tony on Ko-fi!The show is only possible through the support of appreciative listeners. If you'd like to show your appreciation for the podcast, why not nip over to Tony's Ko-Fi page and buy him a coffee? There are also some free tracks there for download, and others to buy.Go https://ko-fi.com/tonywalker (here) to visit Tony's Ko-Fi page.Pledge via PatreonThe regular support of patrons via Patreon ensures that podcast hosting gets paid every month. If you feel you'd like to be a committed supporter, please sign up at the https://www.patreon.com/barcud (Patreon page).Music by The Heartwood InstituteYou can listen to the album from which this is taken https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (here). Please support hauntological music!Start Your Own Podcast!I am very happy with the wonderful responsive support and constant innovation of my podcast host, Captivate FM. If you want to start a podcast, you will be supported by them all the way.If you use https://www.captivate.fm/signup?ref=tonywalker (this affiliate link) to join Captivate,Support the show

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Snake in The Attic by Garrett JohnsonGarrett is an English professor in Houston Texas who is married with two boys, and has recently moved house. You now know why.We discussed whether I should do the story in a British or an American accent and we decided that I could do it in my native tones because I could after all have moved to the USA to teach English. It struck me that the supernatural element in the story, of whether the snake is real or a ghost, is secondary. What the story is, is an exploration of fear. Garret confirms this in the interview.In the story we explore various phobias We have the fear of rats, of snakes, of the dark, of finding your child harmed in the night. We talked a little about the deep anxiety that comes from being a parent of young children, or in fact children of any age, as mine are grown up and I still worry about them.In the Snake in the Attic there are also some slice of life elements. The story of the Gandalf type guy wandering around bookshops and sleeping under parks, strikes me as likely to be true observation rather than a figment of writerly imagination.Also, the story of the addiction and the whole exterminator men seems very realistic, but Garret confirms that this episode is made up. I'm still not sure whether the snake was real. He has these physical sensations which don't seem to possibly be from the snake crawling over him, so that leads me to believe, like the exterminators ,that the snake was a figment of his imagination. The musings about whether the snake can follow him, or staying living of black air and dust. And the final sentence, wondering about the new occupier of the house and whether the snake will trouble her seems to suggest the snake is a metaphor for deeper disquiets, something that was hinted at earlier on, that the true haunting arises from within our narrator.Garret Johnson LinksGarret's story can be found at http://www.theghoststory.com/snake-in-the-attic (The Ghost Story) website. As he says, there are lots of class stories on this website. Garret particularly mentioned the author Rowan Bowman and his story set in nearby (to me) Northumberland is http://www.theghoststory.com/?s=rowan+bowman (here).Garret mentions the work of https://twitter.com/andypaciorekart (Andy Paciorek) coming out through https://folkhorrorrevival.com/wyrd-harvest-press/ (Wyrd Harvest Press). They have some pretty fantastic publications if you like this kind of thing, which you do, or you wouldn't be reading this!https://tonywalker.substack.com/about (Subscribe For All Episodes!)Music by The Heartwood InstituteYou can listen to the album from which this is taken https://theheartwoodinstitute.bandcamp.com/album/witch-phase-four (here)Support the show

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