The Room is a 2003 American drama film written, produced, executive produced, and directed by Tommy Wiseau, who stars in the film alongside Juliette Danielle and Greg Sestero. The film centers on a melodramatic love triangle between amiable banker Johnny (Wiseau), his deceptive fiancée Lisa (Danielle), and his conflicted best friend Mark (Sestero). A significant portion of the film is dedicated to a series of unrelated subplots, most of which involve at least one supporting character and are left unresolved due to the film's inconsistent narrative structure. The work was reportedly intended to be semi-autobiographical in nature; according to Wiseau, the title alludes to the potential of a room to be the site of both good and bad events. The stage play from which the film is derived was so-called due to its events taking place entirely in a single room.Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store)

Johann Heinrich Walch (1776–1855), was a German conductor, chamber musician and choral master for both the Duke of Saxe-Gotha-Altenburg as well as of the Duke of Saxe-Coburg and Gotha, in Gotha in the current German state of Thüringen. He was also the composer of many well-known marches.

Mackenna's Gold is a 1969 American Western film directed by J. Lee Thompson, starring an ensemble cast featuring Gregory Peck, Omar Sharif, Telly Savalas, Ted Cassidy, Camilla Sparv and Julie Newmar in lead roles. It was photographed in Super Panavision 70 and Technicolor by Joseph MacDonald, with original music by Quincy Jones.Purchase the music (without talk) at:McKenna's Golds (original 1969 LP) (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected]

In the late Middle Ages, a literary genre of devotional books illustrated with woodcuts flourished under the name ‘ars moriendi’. They gave instructions on how to 'die well'. The purpose of this tradition was to attune the soul to the 'art of dying' in order to save it for eternity. Music is also an ars moriendi, an exercise in the "becoming" of a note, of "being" in sound, and of "passing" into silence – or into an inner reverberation.   – Paul Giger Purchase the music (without talk) at:ars moriendi (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

“I hope that the listener to this piece can feel not just the power and the majesty of the music but also the incredible science behind the piece … we know such a small amount about our universe ... and this symphony starts to shed light on that fact” Marin AlsopHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Alceste, ou Le triomphe d'Alcide is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Euripides' Alcestis. It was first performed on 19 January 1674 at the Théâtre du Palais-Royal by the Paris Opera.Purchase the music (without talk) at:Lully: Alceste (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected]

L’Aurore is Carolin Widmann’s seventh recording for the New Series and her first solo violin disc for the label, exploring a characteristically wide arc of composition with élan and imagination. In this fascinating recital, Widmann sets out to document the expressive potential of the violin in a program that concludes with a radiant account of Johann Sebastian Bach’s Partita in D minor.Purchase the music (without talk) at:L'Aurore (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Inspired by Stravinsky’s unique rhythmic and harmonic style, The Bully’s Firebird is part-inspired, part derivative, and in a few cases, straight Stravinsky as a composition intended to tell a new story while honoring his incredible musical language.Purchase the music (without talk) at:An Homage to Stravinsky (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Chicago-based violinist Rachel Barton Pine plays 20th-century American composer Florence Price’s Violin Concerto No. 2 with the Royal Scottish National Orchestra, conducted by Jonathon Heyward, on her new Cedille Records album Violin Concertos by Black Composers Through the Centuries, available September 9, 2022.Purchase the music (without talk) at:Violin Concertos by Black Composers Through the Centuries by Rachel Barton Pine & Encore Chamber Orchestra & Daniel Hege on Amazon Music - Amazon.comYour purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

On Early Music from Luxembourg classical and contemporary pianist and composer Francesco Tristano. The record is a return to what Tristano calls his first love – early music. “I grew up listening to a lot of early music,” he says. “So it’s always been with me.”TRACKLIST:1. Toccata - Francesco Tristano2. On John Bull's Galliard In D - Francesco Tristano3. Fantasy In D – Peter Philips4. Serpentina - Francesco Tristano5. Let ons met herten reijne – John Bull6. On Girolamo Frescobaldi's Quattro correnti – Francesco Tristano7. Aria La folia – Girolamo Frescobaldi8. Ritornello – Francesco Tristano9. On Cristobal de Morales Circumdederunt – Francesco Tristano10. Pavan – Orlando Gibbons11. Air & Alman – Orlando Gibbons12. Italian Ground – Orlando Gibbons13. Ground – Orlando Gibbons14. Ciacona seconda - Francesco Tristano15. Cento partite sopra passacaglie - Giacomo Frescobaldi16. Aria for RS – Francesco TristanoPurchase the music (without talk) at:On Early Music (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) [email protected] This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).