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We spoke with two cultural activists who use arts and culture to educate and empower people to take action in their communities. This follows our conversation last week in which author Rivera Sun described how her novels tell the story of social transformation and educate her readers about nonviolent resistance. Bill Moyer of the Backbone Campaign teaches “Artful Activism” in his community and facilitates direct action training camps throughout the nation. He lectures in nonviolent strategy and tactics. Moyers says, “Our role, as change makers, social movement activists, organizers, and cultural workers is to change the social/political/economic variables and expand the scope of what is politically possible in tune with our principles and aspirations. Simultaneously, we must make politically toxic the world view that we oppose, lessening its appeal, reducing its claim in the territory of the politically possible.” His area of expertise is “Spectacle Actions.” Mic Crenshaw uses Hip Hop to expand the public dialogue about race and class issues in both the United States and Africa. Crenshaw says, “The music is an expression of my creativity but ultimately serves as a tool for a critique on dominant culture that limits and defines the kind of choices folks even imagine under capitalism.” He teaches social justice in Portland, OR, is Executive Director of Education Without Borders, is Political Director of Hip Hop Congress and organizes primarily around housing. He also founded Globalfam to help youth in Africa and organizes the Afrikan Hip Hop Caravan. Visit ClearingtheFOGRadio.org for more information.
By Margaret Flowers and Kevin Zeese4.9
6363 ratings
We spoke with two cultural activists who use arts and culture to educate and empower people to take action in their communities. This follows our conversation last week in which author Rivera Sun described how her novels tell the story of social transformation and educate her readers about nonviolent resistance. Bill Moyer of the Backbone Campaign teaches “Artful Activism” in his community and facilitates direct action training camps throughout the nation. He lectures in nonviolent strategy and tactics. Moyers says, “Our role, as change makers, social movement activists, organizers, and cultural workers is to change the social/political/economic variables and expand the scope of what is politically possible in tune with our principles and aspirations. Simultaneously, we must make politically toxic the world view that we oppose, lessening its appeal, reducing its claim in the territory of the politically possible.” His area of expertise is “Spectacle Actions.” Mic Crenshaw uses Hip Hop to expand the public dialogue about race and class issues in both the United States and Africa. Crenshaw says, “The music is an expression of my creativity but ultimately serves as a tool for a critique on dominant culture that limits and defines the kind of choices folks even imagine under capitalism.” He teaches social justice in Portland, OR, is Executive Director of Education Without Borders, is Political Director of Hip Hop Congress and organizes primarily around housing. He also founded Globalfam to help youth in Africa and organizes the Afrikan Hip Hop Caravan. Visit ClearingtheFOGRadio.org for more information.

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