CLEMOVISION - Where Eurovision Meets History

Toutes mes sources ici :

- https://www.irishtimes.com/life-and-style/people/why-my-douze-points-never-went-to-dana-1.1404404?utm_source=chatgpt.com

- https://www.persee.fr/doc/irlan_0183-973x_1997_act_22_1_1350#irlan_0183-973X_1997_act_22_1_T1_0176_0000

- https://jpinyu.com/2025/05/07/27-years-after-the-troubles-northern-ireland-remains-at-the-intersection-of-religion-and-politics

- https://www.youtube.com/watch?v=rOMQ_NgK2rA

- https://youtu.be/sZ8W9oOgjM4?si=cWHRJuKyQmqFONU5

Say Nothing

Me suivre sur Instagram : @clemovision

Ce dont je parle :

• Article du NY Times https://www.nytimes.com/2026/05/11/world/europe/eurovision-israel-gaza-netanyahu.html
• Interview de Martin Green https://www.instagram.com/reels/DX7E2sSv0hC/
• Les travaux de Dean Vuletic https://www.bloomsbury.com/uk/postwar-europe-and-the-eurovision-song-contest-9781350530546/

Chère audience,

Aujourd'hui, on se retrouve exceptionnellement pour un épisode en français. On aborde le vote de l'UER de vendredi dernier, et on se pose la question de si c'est la fin (ou non) de l'Eurovision...

Hi guys! This episode is about a controversial topic...Eurovision and its links to politics. I'm curious to hear from you, and your thoughts about the episode. Please be respectful in the comments, I know it's not an easy topic but I believe we can debate while remaining polite :) Enjoy!

What a joy it is to be back for season 2 of the podcast! And today, I’m welcoming my first guest, my dear friend Iveta Rusinova (Ivie), a journalist and film critic from Bulgaria. Together, we’ll be delving into the background of Bulgaria’s involvement in and return to the Eurovision Song Contest. Hope you'll like it!

To follow me : @clemovision (Instagram and TikTok)

To follow Ivie : @ivie_kiwi01 (Instagram) and to read her writing https://anfacollective.com/tag/iveta-rusinova/

The Eurovision 2025 season came to an end last night — the perfect moment to look back at the highlights of this edition, somewhere between celebration and reflection.

Instagram and TikTok : @clemovision

In this bonus episode, I chat about all things Eurovision 2025—first rehearsals, my favourites, surprises, and a few concerns! There’s no real theme this time, just a fun and casual catch-up between fellow Eurofans. Plus, I share some of my favourite Eurovision content creators and an exciting project I took part in. Grab a cup of tea (or something stronger!) and let’s dive in!

What I talk about in this episode :

• @itsMaxevision
• I'm sorry zero points (Spotify, Apple Podcasts, Amazon)
• ESC101 (Spotify, Apple Podcasts, Amazon)
• PodJury's video : https://www.youtube.com/watch?v=h0rM6YF_PPc&t=10s

With Eurovision 2025 just around the corner (seriously, it’s in less than ten days!), it’s time for my long-awaited, highly subjective, and possibly controversial top 10 of the year! Hope you enjoy the episode — and if you don’t, just pretend you did and follow me anyway on Instagram and TikTok @clemovision 😄

Disclaimer: I don’t own the rights to the songs

PS : BELGIUM TO THE FINAL BRUSSELS 2026

Hey everyone, and welcome to the 5th episode of Clemovision!
Today we’re diving into Spain’s win at Eurovision in 1968 and the controversy around it...
Hope you enjoy it!

Find me on Insta and TikTok: @clemovision

Music credits:
Gjon's Tears – Pure
Kaj – Bara Bada Bastu
Massiel – La, la, la
Cliff Richard – Congratulations
Isabelle Aubret – Un premier amour

Songs are used just for illustration – I don’t own the rights

Hello everyone, and welcome to this 4th episode of Clemovision! Today, I'm talking to you about the origins of the Eurovision Song Contest, which date back much further than you might imagine... Don't hesitate to subscribe and leave some stars on Spotify and Apple Podcasts!

The book I mention: Dean Vuletic - Postwar Europe and the Eurovision Song Contest

Music credits:

• ABBA - Waterloo

• Lys Assia - Refrain

• Michèle Arnaud - Ne crois pas

• Jetty Paerl - De vogels van Holland

I do not own the rights to these songs; they are used for illustrative purposes only.