CLOT Magazine

We are presenting our latest auditory journey curated by Taroug for CLOT Magazine's mixtape series. Taroug is the solo project of drummer and electronic music producer Tarek Zarroug, whose unique perspective is shaped by his roots in the suburbs of the Tunisian desert and his upbringing in Germany. Following his 2020 EP "Perpetual" and a series of notable remixes for artists such as Archive, Taroug has continued to evolve and refine his musical aesthetic.

Taroug’s debut album, Darts & Kites, was released on Denovali Records. Drawing inspiration from the infinite possibilities of Penrose tiling, the album explores themes of change and transformation. This fascination is reflected in the album's nine tracks and cover art design, creating a cohesive artistic vision.

The album presents a captivating blend of genres and styles, resulting in a sonic landscape that is both haunting and beautiful while weaving together experimental and abstract soundscapes with oriental influences, collected field recordings, pulsating dark beats, and hypnotic vocals. Contributions from notable artists further enrich the album: Beate Wolff’s cello, Benedikt Koch’s saxophone, Timo Schieber’s piano, and Niklas Genschel’s vocals alongside Abdallah Abozekry’s saz.

The album artwork, a collaboration with architect and designer Marie Brosius, captures the intricate patterns and ornaments that reflect the album’s themes. It emerges as a mosaic of sound, seamlessly blending the unfamiliar with the familiar.

For this mixtape, the artist mentions he has combined tracks from his album Darts & Kites with unreleased material, sketches, hidden gems, and inspirations from the Tunisian experimental and electronic music scene.

Tracklist

1. Dove Molotov Qaas 

2. Azu Tiwaline feat. Cinna Peyghamy Magnetic Service

3. Taroug Morphagene Sketch

4. Mash Echoing

5. Taroug Jewels II 

6. Azu Tiwaline Luz Azul 

7. R.I.G II 

8. DVSN SINE LUV 

9. Taroug Cicada (work in progress)

10. Taroug Miled (work in progress)

Introducing the latest auditory journey curated by Lola de la Mata for CLOT Magazine's mixtape series. Delving into the mysterious realms of sound, the experimental composer presents a meticulously crafted selection of tracks that traverse the boundless landscapes of sonic exploration.

Lola de la Mata, a London-born French/Spanish conceptual sound artist, composer, curator, and musician (violin/voice/theremin), boasts a diverse practice spanning performance art, installation, community projects, and electroacoustic composition.

Her first release, the feminist concept album REMISE EN BOUCHE (Pan y Rosas Discos 2018), was followed by The Embalmer (Nonclassical 2021) and KOH—Klee—uh (SA Recordings 2022), laying the groundwork for her latest album, Oceans on Azimuth, set for release on May 8th.

Currently, Lola’s artistic focus centres around listening and hearing practices, tinnitus and aural diversity, and chronic illness experiences, something she focused on after experiencing a trauma episode herself. Rather than giving up music after developing severe tinnitus and vertigo, as she was told, she decided to listen with a new ear and dive deep into the world of tinnitus to cope with the isolating condition and facilitate the connection between sufferers.

For Oceans on Azimuth, she reached out to A.J. Hudspeth in New York who runs the sensory cell lab where they study the cochlea. There, she found collaborators in biophysicists who offered her the unique experience of recording her tinnitus.

Drawing inspiration from the intricate forms of the cochlea and the inner ear, Lola's compositions emerge as avant-garde sonic tapestries, woven from the rhythmic pulsations of heartbeats and the ethereal whispers of tinnitus, transmuted through an array of innovative instruments. Metal, glass, ceramic, and ice converge to birth otherworldly timbres, while field recordings and traditional string instruments intertwine with inventions like the Claravox theremin and an ear canal-shaped gong.

On the other hand, the artist's influence also extends far beyond the realm of composition. As a multifaceted artist, curator, and musician, her tireless advocacy for inclusivity and representation reverberates through her work. From collaborations with fellow artists (musicians, dancers and queer performance artists, most recently with Eve Stainton to a PhD pursuit in tinnitus research. 

For this mix, she mentions: I treated the mix as a sonic collection of some of the artists I met and who inspired me along my project journey. With the exception of AYA and Tomoko Sauvage, whom I haven’t (yet?) had the chance to meet, some were chance meetings. Stephan Crasneanscki, founder of Soundwalk Collective and Maria Chávez at Rewire last year, for bagpipe player and composer Lise Barkas and I, it was mutual curiosity sitting by the Niki de Saint Phalle fountain outside IRCAM in Paris; while others such as Kepla are supporters of me and my work, and in Mira Calix’s case, whom this record is dedicated to, she adopted me as her mentee for two years before she passed. The other dedication on the record is to Anneka Swann - a friend who will retain part of my soul…with May 8th, the album release date marking one year since I last held her. Just as sombreness infused with respite flows through my body and left ear. The mix is imbued with grief, reflection and recalibration.

Tracklist

1. Left Ear - Lola de la Mata

2. Stereocilia - Lola de la Mata

3. Lo Becat - Lise Barkas & Lisa Käuffert 

4. Mummer Love - Soundwalk Collective with Patti Smith 

5. ASLEEP-AWAKE-EKAWA-PEELSA, Spring 2021 - Maria Chávez

6. Sinew (Mira Calix Remix) - House of Bedlam

7. Silence - Keeley Forsyth

8. A Clearing, Spectre in Autumn - Kepla

9. Whorling - Lola de la Mata

10. Icky Dream - Valentina Magaletti & Marlene Ribero 

11. Pearl Reservoir - Lola de la Mata

12. Clepsydra -Tomoko Sauvage 

13. what if i should fall asleep and slipp - AYA

14. Right Ear - Lola de la Mata

The latest mixtape instalment hails from Seoul-based Korean experimental musician Suk Hong, offering a curated selection of tracks that traverse the artist's creative journey for their upcoming project.

Suk Hong's musical style gracefully navigates between neo-classical and electronic influences. Fresh from their recent release on Unseelie, an NYC-based label, Suk Hong returns with a more introspective and expansive piece, My Day is Sold by the Hour, which debuted at the start of March on endonesia, an alternative art platform based between New York and Seoul.

Recorded amidst the misty atmosphere of the Guro district, Korea's bustling digital industrial complex, My Day is Sold by the Hour encapsulates the essence of its surroundings through sonic storytelling. While the area is blanketed in fog, its stories are evident sonically.

String instrumentations echo like distant growls, while a tapestry of field recordings collected over three years weaves a textured narrative within a granular, deconstructed framework. With electroacoustic techniques and contemporary sonic landscapes intertwined, Hong seeks to unveil the inherent extraordinariness of captured moments, carving timbres that contour the running narrative - an unforeseeable series of vignettes.

In discussing what the artist has created for this mixtape, Hong reveals ongoing work on an album delving into the modernity of Korean families, including their own: It follows the approach of My Day is Sold by the Hour, but this time, I need more than one track to present the complete picture. It's a longer project, so I need to cleanse my palette occasionally for a fresh perspective. These are the songs I turn to.

This collection of tracks offers a tantalising glimpse into Suk Hong's creative universe, teasing the imagination with its suggestive and mysterious allure.

Tracklist:

0:00 Sean McCann - Sylvan Smoke

2:25 Nuno Canavarro - Ultramarina

3:53 Autumn Fair - The Town Clock

7:32 Vanessa Rossetto - early girl

11:45 Asha Sheshadri - Whiplash

15:21 JJ+JS - Lilypad (with Izella)

18:54 Derek Baron - he Matrix

22:47 Natasha Barrett - Impossible Moments from Venice 2

25:33 William Eggleston - Improvisation

28:16 Andrew Pekler & Giuseppe Ielasi - Trebizond

30:12 TLF Trio - Suite X

31:52 crys cole - A Piece Of Work

35:30 SUSS & Andrew Tuttle - Rising

40:04 Loris S. Sarid - Yellow Lines

23:20 Tujiko Noriko - Rooftop

46:22 Suk Hong - My Day is Sold by the Hour

Next in our mixtape series, we welcome London-based musician and DJ Aventex (aka Alec Tullio) with a mixtape he has prepared ahead of his performance at our next event, Portals 02..

The Australian artist is a staple fixture of the London experimental and noise-punk scenes. He is involved in several bands (Keno, Skitter, Zek) where he drives the fast-paced rhythmic lines with his relentless and precise drumming.

One of his main current projects, Casing, was born as a solo project during the pandemic, out of existential dread and societal dismay. The project, which has received lots of positive reception and press attention, has since evolved into a full band (with Dom Stevenson, also from Keno, and Liam Cadogan of Eros Catheter) for live performances and recordings.

Patterns of Deterioration, Casing's first EP, was described as a six-song dive into depravity, nihilism, and desperation. It was praised as one of the most exciting newcomer voices in noise-punk. Over a year of live shows, Casing developed into another beast entirely and the finishing touches are being made to a new album showcasing this new fusion of sludge, grind and power electronics they now exist in as a unit.

With his DJ moniker, Aventex began his quest for musical exploration and investigation around the same time as becoming a resident at Threads Radio at the station’s inception. The shows can often focus in-depth on a particular genre or be a trademark, unrestrained concoction of whatever would be interesting pieced together unconventionally. He tells us his DJ sets will follow in the same vein but will have a meticulous selection to suit the specificity of the event. Ranging from all-out driving techno to challenging noise and experimental, EBM, Acid, or ambient, there is not much that isn’t on the cards. In a nutshell, music for the fresh and/or fried brain.

For the mix he has prepared for us, he mentions that he has relished the opportunity to gather some more of the oddball and experimental stuff that’s at some further reaches of digging: playing some genres I wouldn’t normally include in a mix and trying to work them where the outcome is very all over the place, which is my favourite approach. An hour techno mix can be fun and has its place, but absurd gems and challenging genre pairings are where it’s at, in my opinion. Enjoy!"

Tracklist:

Omen - Not Suitable For Work

Vanessa Bedoret - Transition

Trystero - La Lingua Rosso (Original)

Organizatsiya - Die Idee Der Toleranz

Jimmy Smack - Death Is Certain

Dark Star - Trip

Maoupa Mazzocchetti - Why’re You Talking About

Henry Hektik - Hong Kong Wedding Night

De-Bons-en-Pierre - Le Râle du Mâle Alpha

Geier Aus Stahl - Unterland

Further Reductions - Aural Equivalent

Roly - My Century

Further Reductions - Central System

Job Sifre - Zeno Dicho

KΣITO - Magnet

Eric Toornend - Scum Grief

Egg Meat - Georgel

Bancal - Entresol

Bataille - Echo Drift Part 1

Lord Crucifix - Sacrificial Altar

PÖ - Fuck Jungle

Orphx - Eating The Young

Tot Onyx - Propaganda Machine

Pontiac Streator - Angelus Spit (feat. Mister Water Wet)

The next mixtape is by Greek/UK-based artist Viki Steiri, who has recently released her debut album on our beloved Alien Jams. The mix is a recollection of sounds that inspired her for her album production.

'Balm' is a powerful album anchored by ritualistic, monolithic cello layers. Steiri combines eerie soundscapes with electronic dance rhythms, synth-tinged folk songs from Istanbul, and reworked cello and santur improvisations.

The album encapsulates a hauntingly poignant journey through melancholic soundscapes punctuated by electronic rhythms. Recorded intermittently between Athens and London over six years from 2017 to 2023, the collection of tracks serves as a deeply personal documentation of the artist's experiences and emotions. Steiri's compositions for this album navigate themes of rootlessness, loss, and identity changes, reflecting the tumultuous nature of existence. However, amidst all, there is a profound exploration of humanness, delving into the realms of imagination and introspection.

Steiri mentions she had a lot of fun making this mixtape and while preparing it, it made her realize what her inspirations for the album had been: "I hadn’t given it too much thought before. This is music that has informed the album, either directly or indirectly, plus a couple of my own tracks. There’s no particular cohesion, but to me, these are all musicians who have transcended conditioning, and I feel their music is very free and individual."

With this mixtape selection as well as through her music, Steiri uncovers moments of beauty and intensity while offering listeners a transformative and immersive sonic experience.

Tracklist:

0:00-1:34 - Rap Street Palestine – Otsha

1:35-4:22 - Tigran Mansuryan – Extracts from ‘The colour of the pomegranates’ soundtrack

4:13-8:25 - Viki Steiri - Procession

8:22-11:55 - Kesarbai Kerkar - Lalat -Ghatan Lagi Rain

11:55-14:31 – Safiye Ayla – Aksaray’dan geçer iken

14:31-17:43 - Masahiro Ikumi - ‘Virtual Mima’ [Voice version]- (‘Perfect Blue’ soundtrack) 17:41-21:05 - Chrisman - Lupupu

21:06-22:51 - Mica Levi - Death

22:50-29:41 - Viki Steiri - Brink

29:31-32:54 - Ryuichi Sakamoto - Composition 0919

32:55-37:18 - Tzusing - Gait

37:18-43:33 - Ectopia - Sauna

43:27-46:46 - Avel Mismo - Habibi

46:46-49:36 – Senyawa - Tanggalkan Di Dunia (Undo The World)

49:09-53:12 - Iannis Xenakis – Charisma (for clarinet and cello)

53:13-60:34 - Viki Steiri- Balm

Next on our mixtape series is Bersarin Quartett, the solo project of German electronic musician Thomas Bücker, with a delicate selection ranging from film scores, to gaming, and ambient tracks.

Working within the realms of modern classical and ambient music, Bücker has garnered acclaim for his contributions as Bersarin Quartett (which he has been running for over 15 years), notably through his publications with Denovali Records. Bersarin Quartett's sonic landscapes are distinguished by a fusion of atmospheric textures, electronic nuances, and classical instrumentation, crafting a singular and emotive auditory journey. Bücker's oeuvre has earned widespread praise for its unique stylistic approach, captivating both ambient and experimental music audiences alike.

A heavy sense of melancholy runs through the Bersarin Quartett sonic core, which Bücker confirms is indeed a big part of the project. The Quartett's most recent release, Systeme, also released on Denovali, marks its fifth release. It is described as probably the artist’s most intimate and focused sonic narrative. 

In this album, melancholy mixed with a sense of distorted alienation or strangeness is described as something that, while it still sounds popularly symphonic here and there, many soundscapes have an observing, almost unmasking effect. Microtonal shifts, polyrhythmic structures, tempo fluctuations, and sound aesthetics torn out of context create a fragile, unpredictable foundation.

The mix he has prepared for us, he mentions, combines many film scores, gaming, and ambient tracks that really impressed and inspired him: First, I sorted the individual tracks by key so they could be mixed together appropriately. Here and there, this even creates completely new soundscapes beyond the original. To present my current album a little more closely, I have interwoven four new Bersarin Quartett tracks!

Tracklist:

00:00 Ambience (Taken from "Elden Ring")

00:21 Michael Giacchino · Mayoral Ducting (Taken from "The Batman")

01:08 Spoken Words (Taken from "Women Talking")

02:09 Volker Bertelmann · No End (Taken from "All Quiet On The Western Front")

04:54 Imprints · Blood Moon

08:38 Bersarin Quartett · Firmamente

11:58 Rob Simonson · Rigging (Taken from "The Whale")

13:30 Lusine · Faceless

15:50 Bersarin Quartett · Gespenster

18:27 Loscil & Lawrence English · Grey

22:04 Rob Simonsen · Life Boat (Taken from "The Whale")

23:47 Bersarin Quartett · Für und Wider

26:17 Alix Perez & Headland · Mirage, Pt. II

29:03 Leif · Pteridium (Alternate Version)

30:53 Alva Noto · Sehnsucht

36:37 Hildur Guðnadóttir · Speak Up + Leaving (Taken from "Women Talking")

38:30 Tim Hecker · The Arrest (Taken from "Infinity Pool")

39:59 Aleph · Gradient

43:12 Bersarin Quartett · Illusionen

46:15 Hania Rani · In Between

48:02 Jeremy Soule · Kyne's Peace (Taken from "Skyrim")

50:40 KMRU · Guise

54:00 SSIEGE · Veyl

56:24 Louis Cole · Let It Happen

59:23 Michael Giacchina · Mayoral Ducting (Taken from "The Batman")

We kick off the year with a mixtape from Six Missing, the ambient music project from Austin-based TJ Dumser, with which he wants to take us on a journey with pieces that transcend the illusion of time - transporting you into a timeless, formless, galactic-jell-o.

The artist, who is also a sound designer and composer, began releasing music under the name Six Missing in 2017, a moniker that he took after experiencing a supernatural experience while recording in a studio near the site of the Revolutionary War’s Battle of Brandywine, in Pennsylvania, in which six participants remain unaccounted for.

For Dumser, Six Missing is a way of experiencing music that is meant for inner journeying, calming sensations, and finding peace.

The project started by experimenting with ambient and modular systems, and several albums down the line, Six Missing released his latest album in December last year. Titled Here For Now, the album deals with themes around being in the present moment - especially during uncertain times. For TJ, this was during a time of displacement for him and his wife as a way to cope with the uncertainty. Here For Now is comprised of what Dumser refers to as “musical compost” — a concept that isn’t nearly as derogatorily gesturing towards the material as it sounds. “It’s a bunch of work that I’d previously done that I’d set out to release in its form,

but something didn’t feel totally right.

For the mixtape he has prepared for us, Dumser says that he wanted to find tracks that were on the longer side, with a quiet confidence in their sparseness or even the guts to make production decisions that he admires. For him, Music algorithms these days are giving preference to shorter, more consumable, bite-sized pieces of music, and it makes complete sense to me. However, as a listener, he wants to really spend some *time* with an artist and allow myself to sink into their work.

The last instalment of the year arrives from the hands of Furtherset, the musical project of artist and musician Tommaso Pandolfi, with a mix especially suited for the melancholic nights of December.

With Furtherset, the artist has defined his personal sound, mainly composed of layers of timbre-modulated sounds and dense rhythmic geometric passages converging towards a single harmonic plane. His music touches on ambient, modern classical and rave, building on his approach to composition with shifting modulations, synthetic clusters and sampling alongside rhythmic and embracing harmonies.

Furthersetmentions that the project, which began in 2011, is envisaged as formal research that follows a path towards saturation and layering but is always capable of generating voids in which the listener can take their place and fill them according to their own focus.

Furtherset has released several EPs and two albums with the record label OUS, with whom he’s signed with. His most recent one, The Infinite Hour, released in October, puts together all the artist's compositional interests over the years. Six compositions resemble the laboured breathing of one who mourns a disappearance and fears oblivion. The album was created between 2020 and 2022, in a slow process of writing and continuous refinement parallel to the previous EP, Auras. The compositions found their final form during the mixing process carried out together with Bienoise. They were later named based on references to authors who influenced and are dear to Furtherset: Amelia Rosselli, Vladimir Chlebnikov, Hubert Damisch, Dante Alighieri.

Furtherset mentions that when preparing mixes, he tries to create listening environments with moments of extreme stillness or sudden changes, but always having the latter have their own general organicity: I also fixate on certain artists, such as Simon Fisher Turner, whom I now propose in every mix. In this case, I added Michèle Bokanowski to my fixations. I found pleasant similarities between Moritz Von Oswald's latest work and Ligeti's. Everything then begins and ends with two voices: with Patti Smith's words and Glenn Gould's whispers over Bach. I look for emotion in the music I listen to.

Tracklist:

Patti Smith & Kevin Shields - The Coral Sea, pt. 1

Kevin Shields & Brian Eno - Only Once Away My Son

Michèle Bokanowski - Tabou

Moritz Von Oswald - Luminoso

György Ligeti - Clocks & Clouds

Michèle Bokanowski - Vers Syracuse

Michèle Bokanowski - L’indomptable

Marta De Pascalis - Harmonices Infinity

Brunhild Ferrari & Jim O’Rourke - Tranquille Impatiences

Michèle Bokanowski - Pour Un Pianiste

Francis Dhomont - Chambre d’enfants

Geinoh Yamashirogumi - Omae Wa Nan No Hana

Simon Fisher Turner - The Invisible Frame, a film by Cynthia Beatt

Lucy Railton - Rib Cage

Jules Reidy - Trances III

Ben Vida, Nina Dante & Yarn Wire - Who’s Haunting Who Here

Luc Ferrari - Cycle Des Souvenirs II

Johann Sebastian Bach - Concerto in D minor after Alessandro Marcello, BWV 974- II. Adagio (Glenn Gould)

The next mixtape instalment is by experimental musician Colin Andrew Sheffield. Born in El Paso and now based in Austin, Sheffield took his passion from being a self-taught drummer in Texas to a total transition to electronic music. For this mix, he’s compiled a captivating selection of experimental electronic music.

Since the mid-90s, Sheffield’s work has consistently focused on the use of samples:

deconstructed loops of hidden melodies and textures found in his collection of physical media. Through the re-contextualization of other commercially available recordings, like an alchemist of audio collage, he aims to distil the essential qualities of these works and convert them into new recordings.

Sheffield’s music is full of atmospheric soundscapes, which shift and unfold, offering subtle waves and suspended stillness. From earlier work like First Thus (2005) to the most recent Images (2023), Sheffield's solo projects showcase his ability to explore diverse sonic ranges. One of our favourite records this year, Images, was entirely constructed from heavily edited and manipulated samples from jazz records and represents a true distillation of Sheffield's interests as both a composer and an obsessive listener.

In 1998, Sheffield founded the Elevator Bath recording label, which has been releasing experimental works from a variety of artists from the US and abroad, featuring names such as Merzbow, Francisco López, Susane Drone, and himself.

The mixtape he’s prepared for us, he says, was a lot of fun to compile. I limited myself to selections that are all quite recent or at least no more than a few years old. I tried to represent my tastes in various forms of experimental music and throw in a liberal dose of work from some good friends. There are a couple of brand new tracks in there from forthcoming releases too, so it's a bit of a taster of things to come. Hopefully, it flows well enough and has something for just about everyone. Thanks for giving me the impetus to create this mix!

Tracklist:

Andrew Anderson + Colin Andrew Sheffield Clarioned - Elegies

Valerio Tricoli Mimosa - Hostilis

Concepción Huerta - Trepidation

Adam Pacione - Pos. Neg.

Jana Winderen - The Art of Listening: Under Water

Roméo Poirier - Les grandes lignes

Matt Shoemaker - Pasar Gede

Marta Zapparoli - The resonant sky of Krems

Merzbow - Hat 1046

Susana López - Drones to Zazeela

Richard Ramirez - Protective Custody 2

Telesurgient - Lifeline

Sequences - Illuminated and Translucent

TIBSLC - Hypertranslucent (2)

Werner Dafeldecker - Neural

Pendant - Dream Song Of The Woman

Electric Capablanca - Capablanca Spin

Felicity Mangan - Digging The Pedospheric Vibes III

Jim Haynes - Variant, number four

Colin Andrew Sheffield - Embers

Kate Rissiek - Floating In Darkness

Jake Muir - Cauldron

Koray Kantarcıoğlu - Agat 01

Rick Reed - Leave a Light on for Tony

Our new mixtape comes from Copenhagen-based experimental R’n’B artist Karen Juhl. Her influences span from the likes of Laurie Anderson and Holly Herndon to Solange. Juhl is interested in exploring different approaches to songwriting in the 21st century, her style ranging from experimental electronics and contemplative poetry to antithetical rap.

Her debut album Mother Tongue, released on the 22nd of September, is a dynamic manifestation of her self-written poems and diary entries. The album explores ideas of fragility within a hyper-globalised world, shifting in dynamics from intensely noisy and emotive to calm and reflective. When explaining her process of making the album, Juhl stated that ‘I brought diary notes and prose poems with me into the studio and worked on vocals in a stream-of-consciousness kind of way.’

The album was released on the London-based art platform Inklingroom and worked on with fellow collaborator Johan Feierskov. Using mainly YouTube samples, MIDI instruments and vocals, the album feels incredibly fresh and immersive. The dysphoric and euphoric elements that occur between the music and the voice reflect the contrast and overlap in topics; from personal in relation to politics and gender in relation to time, the songs travel between childhood scenes, psychiatric wards and internet rooms. Alongside the album, an artbook is also set to be released in collaboration with graphic designer Paw Poulsen, that displays digital collages based on Juhl’s lyrics for the album. The artbook aims to create an external layer to the album outside of the digital realm, seeking a space of intertwining narratives.

The mixtape that Karen Juhl has created for us, entitled Threads, is described by herself as ‘a mix of moods, ideas, sounds, songs, and states. It’s full of life, cuz it unfolds in the same way life does, forward and through unforeseen terrains. I wanted to honour sounds on the verge of becoming. My compositions "Face Wash" and "Home" were composed and recorded in this somewhat improvised manner. I delved further into my personal playlists, but I also asked my two close colleagues and friends Laust and Johan to share some of their magical memos with me.’

Juhl presents her mixtape as ‘a gentle framework that holds something beautifully frayed—loose threads that just barely come together to form a picture.’

Tracklist:

Dienne – Mio Signore

Hoy La – Ecotone

Laust Moltesen – Meditation #1 (memo)

Maria BC – The Only Thing

Karen Juhl – Face Wash

TLF Trio – Trio A

Jonas Albrecht – LEIB

Laust Moltesen – Meditation #2 (memo)

Johan Feierskov – zoom (memo)

Karen Juhl – Home

Jeph Vanger – CA Study

Marina Herlop – miu

Johan Feierskov – into (memo)

Valeria Miracapillo – Fiction

Crush String Collective – Intermezzo II (Fetus)

ill – íra ii

Laust Moltesen – Meditation #3 (memo)

Johan Feierskov – Chalk (unreleased)

Pankisi ensemble - Asete ghame

Abdullah Miniawy X HVAD – Notice a tiny scratch for the blue behind