Cloud Poetry

In nomine Patris, et Filii, et Spiritus Sancti. Amen

PATER NOSTER, qui es in caelis, sanctificetur nomen tuum. Adveniat regnum tuum. Fiat voluntas tua, sicut in caelo et in terra. Panem nostrum quotidianum da nobis hodie, et dimitte nobis debita nostra sicut et nos dimittimus debitoribus nostris. Et ne nos inducas in tentationem, sed libera nos a malo. Amen.

AVE MARIA, gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus. Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae. Amen.

GLORIA PATRI, et Filio, et Spiritui Sancto. Sicut erat in principio, et nunc, et semper, et in saecula saeculorum. Amen. Credo in Deum Patrem omnipotentem, Creatorem caeli et terrae. Et in Iesum Christum, Filium eius unicum, Dominum nostrum, qui conceptus est de Spiritu Sancto, natus ex Maria Virgine, passus sub Pontio Pilato, crucifixus, mortuus, et sepultus, descendit ad infernos, tertia die resurrexit a mortuis, ascendit ad caelos, sedet ad dexteram Dei Patris omnipotentis, inde venturus est iudicare vivos et mortuos. Credo in Spiritum Sanctum, sanctam Ecclesiam catholicam, sanctorum communionem, remissionem peccatorum, carnis resurrectionem, vitam aeternam. Amen.

Segments from “Brunelleschi’s Dome” by Ross King about the conception and building of Firenze’s Duomo cupola.

Sign of the Cross

In nomine Patris, et Filii, et Spiritus Sancti. Amen

The Lord’s Prayer

PATER NOSTER, qui es in caelis, sanctificetur nomen tuum. Adveniat regnum tuum. Fiat voluntas tua, sicut in caelo et in terra. Panem nostrum quotidianum da nobis hodie, et dimitte nobis debita nostra sicut et nos dimittimus debitoribus nostris. Et ne nos inducas in tentationem, sed libera nos a malo. Amen.

The Hail Mary

AVE MARIA, gratia plena, Dominus tecum. Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus. Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc, et in hora mortis nostrae. Amen.

Glory Be

GLORIA PATRI, et Filio, et Spiritui Sancto. Sicut

Readings of poems by William Blake, Du Fu, Basho. 10 haiku in the wabi sabi style by Basho (1644). 4 short poems by William Blake (1789). Two poems by world-weary drunkard Du Fu (766)

An introduction to Diogenes the Cynic and William Blake’s “The Proverbs of Hell”

Dante, Alighieri: A Divina Comédia. Inferno. Canto I.

Halfway through his life, the poet Dante finds himself wandering alone in a dark forest, having lost his way on the “true path” (I.10). He says that he does not remember how he lost his way, but he has wandered into a fearful place, a dark and tangled valley. Above, he sees a great hill that seems to offer protection from the shadowed glen. The sun shines down from this hilltop, and Dante attempts to climb toward the light. As he climbs, however, he encounters three angry beasts in succession—a leopard, a lion, and a she-wolf—which force him to turn back.

Returning in despair to the dark valley, Dante sees a human form in the woods, which soon reveals itself to be the spirit, or shade, of the great Roman poet Virgil. Thrilled to meet the poet that he most admires, Dante tells Virgil about the beasts that blocked his path. Virgil replies that the she-wolf kills all who approach her but that, someday, a magnificent hound will come to chase the she-wolf back to Hell, where she originated. He adds that the she-wolf’s presence necessitates the use of a different path to ascend the hill; he offers to serve as Dante’s guide. He warns Dante, however, that before they can climb the hill they must first pass through the place of eternal punishment (Hell) and then a place of lesser punishment (Purgatory); only then can they reach God’s city (Heaven). Encouraged by Virgil’s assurances, Dante sets forth with his guide.

Sacred poems and songs from G. Van der Leeuw’s “Religion in Essence and Manifestation”

Segments from G. Van der Leeuw’s “Religion in Essence and Manifestation”, 1938

Segments from Erich Fromm’s “The Art of Loving”

Segment from “The Melancholy of Race”, where the exoticized vs traditional beauty of Asian Americans is enacted in Hollywood’s only Asian musical, “Flower Drum Song”