You might think, "How could anyone finish a season of a podcast like Cocaine & Rhinestones and have questions? That guy saturates every episode with details like he's getting paid by the fact." There's always more to know. Like, how does one even go about making a podcast on such a huge subject as the history of country music? Whose "fault" is pop country, really? Is this Merle Haggard song communist? Is that Merle Haggard song racist? There had to be more men banned from country radio, right? One at a time, people. One at a time...

The legendary pedal steel guitarist, Ralph Mooney, deserves the reputation he earned on his instrument. However, he deserves a lot more than that. This episode of the podcast backtracks to Bakersfield for a deeper examination of its "sound," a closer look at some people responsible for it and the story of a man whose story isn't told nearly often enough. It would be unacceptable to end the first season of a podcast on the history of country music without dedicating an episode to Ralph Mooney. After today, you'll know why that is. This episode is recommended for fans of: honky tonk music, the Bakersfield Sound, steel guitar, Wynn Stewart, Waylon Jennings, Ray Price, The Maddox Brothers and Rose, Buck Owens, Merle Haggard, Marty Robbins, Skeets McDonald and road stories.

Rusty & Doug come from a long tradition of surviving against the odds, against a world that would just as soon see you dead as see you succeed. Starting from nothing but a houseboat in Louisiana, they fought their way through an unscrupulous industry, through honky tonk stages screened off with chicken wire, onto the biggest stages in the business, in order to create some of the greatest music ever made. Then, they battled themselves, their past and their addictions. This episode is recommend for fans of: Hardcore History, Neil Young, Johnny Cash, Bob Dylan and discovering unbelievably good music that you've never heard.

Some people think we have all these "authenticity tests" in country music. We don't. But, even if we did, Wynonna would pass them. From somehow surviving a childhood full of several types of abuse to a years-long reign over country music radio with her mother in The Judds, this path was not easy to travel and the end of it is only the beginning of another, much more treacherous road. This episode is recommended for fans of: Harlan Howard, Merle Haggard, Charley Pride, Asleep at the Wheel, Ashley Judd, guns, dysfunctional families and liars.

Words often fail to express the connection that can exist between two people. In the friendship of Don Rich and Buck Owens, our notions of reality itself may prove inadequate. With spacetime as our stage, we trip backwards for more tour shenanigans, supernatural mysteries and, as always, great music. Our narrative pays special attention to the Carnegie Hall Concert album, what Hee Haw did for country music on television and innovations that Don Rich and Buck Owens brought to country music. But don't forget what else we learned last week. There is never such a thing as a happy ending. It's going to hurt watching this one fall apart and we have to go there, too. This episode is especially recommended for fans of metaphysics, banjo, Dwight Yoakam, Emmylou Harris, Merle Haggard, Tales from the Tour Bus, Easy Rider and Forensic Files.

Behind any story worth telling, you'll always find another story. Maybe if we can get behind some of Tom T. Hall's best stories, we'll find the story about who he is and how he's able to do what he can do with the English language. Probably not but, worst case scenario, it will be an incredibly entertaining waste of time. Beginning with a condensed history of country music radio, we follow Tom T. from his early days as a young DJ into a seemingly effortless realization of his destiny to become one of country music's greatest songwriters ever. This episode is highly recommended for fans of songwriting, arguing about music, Net Neutrality, the music business, Bobby Bare, Dave Dudley, Jimmy C. Newman, Hank Cochran and songs for children.

Jeannie C. Riley's debut single sold over a million copies within ten days of being released but she never wanted to record the song. In the late '60s, Jeannie C. Riley became country music's most blatant sex symbol to date but she never wanted to wear those clothes. Small town girl with big dreams goes to the city and lets it break her in order to make her. Total cliche, right? Sure. Except Jeannie's choice to bury the story in lie after lie turns it into a mystery tale of obscured identity, infidelity and blackmail. In this episode, some truth sees the light of day, maybe for the first time ever. Recommended for fans of Johnny Paycheck, Johnny Russell, The Wilburn Brothers, Tom T. Hall, Little Darlin' Records and mystery novels.

You think all it takes to make a hit record is to find a good song and get a good performance of it? That's cute. Have a seat and let an old-school record man show you how it's done. This is Shelby Singleton. When it took driving a trunk full of records around the country to make them into hits, that's what he did. Then he became a producer. Then he became a VP at Mercury Records. Then he founded an independent musical empire in Nashville and really got to work making new enemies. This episode is recommended for fans of: marketing, publicity, controversy, rockabilly, Supermensch (the documentary on Shep Gordon), George Jones, Johnny Cash, Jerry Lee Lewis, Elvis Presley, David Allan Coe, Jeannie C. Riley, Margie Singleton and Roger Miller. Find a list of songs excerpted in this episode, as well as pictures and information/links to all sources at: https://cocaineandrhinestones.com/shelby-singleton-harper-valley-pta