Colin Bradley Art Cast

In this episode we talk about Colin's new shadow picture and how it's a different composition to his other work. This leads us onto talking about how he would go about mounting (or matting) the picture as it is a custom size. Colin talks us through how he would have done this when he was a framer and the equipment he used. We also talk about another 4 pan pastel pictures that complete the initial collection of classes coming soon to the school.

In this episode Colin tells us how he got on with using PanPastels for the first time. We talk about the impressionistic style and how he feels it will develop in future. We also discuss sharpening creatcolor pencils and problems you might face taping your paper to your drawing boards.

In this episode we talk about Colin's newest artwork and his plans for PanPastels. We discuss how he totally made up the background and foreground to a hound landscape and how he combined two pictures photos to create a stunning landscape on UART paper. We also answer students questions about UART, tracing on dark paper without tracedown and about a new online course we're working on for artists wanting to do commissions.

In this episode Colin talks us through a new Snow Leopard picture - his first one using UART Paper. We talk about the differences the UART paper made and how achieved such amazing contrast and realism whilst still making it "impressionistic". Colin breaks down each section and how he deliberately left the picture at times to avoid over doing it. We also talk about our referral programme that we have just launched and our new Elephant in Shadow Class.

In this episode Colin talks about his experiments with the UART paper and how his latest project is going on the sand colour. We talk about the differences between this and PastelMat and which one Colin prefers. We also discuss the free Evelyn Nesbit class that's been added to the website and YouTube and why he found it more challenging compared to the other shadow pictures.

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In this episode we talk about drafting film and compare this with some of the other papers Colin uses. We also discuss UART and what experiments he's planning using this paper. We talk about his latest shadow picture being a slightly different subject and how he got the final effects you see on the paper.

In this episode we answer a few questions from our students which prompts us to offer some advice for those wanting to learn how to draw free-hand. We offer an easy introduction to learning perspective, proportions and drawing accurately. Colin also talks about 2 new 4 pencil shadow pictures he has completed recently - a Portrait and a Dog. Both of which are classes coming to the website in the New Year.

In this episode Colin recalls the first Christmas running his gallery in the early 80s. We talk about the busy periods and what he did to diversify and explore making money in the early days. He offers advice for other artists in the same position and how they can find success too.

In this episode Colin shares his experience of teaching and doing commission work at the beginning of his artists' journey. We discuss how after how many years he would have become more comfortable with commission work and whether he has ever faced artists' block. We also talk about how going down the avenue of becoming a teacher made him a better artist.

In this episode we compare how much dust is produced from soft pastels, chalk pastels and pastel pencils and how this has affected students and people writing into us. If you've had a problem with pastel dust we would be interested to hear your experiences. Colin also talks about a new portrait he has completed and tips for building up the delicate skin tones.