Colin shares his story of where Art acted as Therapy for him in his life. On a different subject, Colin offers his advice for drawing feathers and creating contrast with various base colours.

How do you draw male portraits? Colin offers up his tips for tackling a different skin complexion, blemishes, beards and harmony. You can now learn to draw AND paint on Colin Bradley Art. Visit our website for more details: http://www.colinbradleyart.co.uk/home/sign-up

Trees, Water, Sky, Distance, Perspective, Harmony… This week Colin discusses what he thinks are sort of “rules” of painting landscapes. We talk about finding reference photos, copying other people’s work and much more. Submit your questions: http://www.colinbradleyart.co.uk/home/contact-us/

This week Colin offers his advice for drawing light and dark fur on a Tabby Cat. He also describes how best to draws and where to start. We also discuss filling the tooth of the pastel paper and what effect this has on your pictures. Lastly Colin describes using your artistic license when approaching Animal paintings.

This week Colin explains the origins of being discovered by Schwan Stabilo. We also discuss various experiences with commission work. We talk whether drawing experience is required to start using pastel pencils and finally how to store and carry your pencils.

This week we discuss tracing using carbons and the various methods, pencils and techniques you can use. We mention “Giclee Prints” and Colin tells us some interesting stories about exhibitions he has been too. Buy Tracedown Graphite Carbons here: http://colinbradleyartstore.co.uk/shop/tracedown-a4-pack-5-graphite-carbons/

This week Colin gives advice to those being asked to demonstrate for their local art group. We also talk about the new subject Colin has done and how he created the colour harmony with the picture.

This week we discuss mixing colours and joining different colours with similar tones. How to do you keep the harmony between colours. We also discuss how to draw snow on roof tops.

This week we discuss how to best compose your animal portraits. Colin explains how he generally adjusts his composition and offers up his advice on commission work.

How do you make a picture tell a story? Colin discusses how he creates a story in his landscapes packed with characters and scenarios. We also discuss learning to draw using your computer or iPad and what’s the best angle to work from? What does Colin use for free-hand drawing? What colours can you lay down as a base colour for grey tone and sepia pictures?