Colin Bradley Art Cast

We discuss using slightly different tones to create a vintage look in landscapes. We also talk about how to create a feeling behind your artwork, giving it personality and character. Somehow we compare Shakespeare to Painting as well as answer more of your questions!

What’s the difference between Soft Pastels and Pastel Pencils? One of our questions this week promotes a good discussion on the two mediums and using them both together. We also discuss using white and how to use contrasting colours to make the white appear brighter.

Colin discusses various backgrounds that you can apply to animal pictures and how to stop them looking like they’re ‘floating’. We discuss restricting tones from being too rich to achieve a more realistic colour. Colin talks about using grey as a base colour and as a cushion for stronger colours.

Colin shares his story of where Art acted as Therapy for him in his life. On a different subject, Colin offers his advice for drawing feathers and creating contrast with various base colours.

How do you draw male portraits? Colin offers up his tips for tackling a different skin complexion, blemishes, beards and harmony. You can now learn to draw AND paint on Colin Bradley Art. Visit our website for more details: http://www.colinbradleyart.co.uk/home/sign-up

Trees, Water, Sky, Distance, Perspective, Harmony… This week Colin discusses what he thinks are sort of “rules” of painting landscapes. We talk about finding reference photos, copying other people’s work and much more. Submit your questions: http://www.colinbradleyart.co.uk/home/contact-us/

This week Colin offers his advice for drawing light and dark fur on a Tabby Cat. He also describes how best to draws and where to start. We also discuss filling the tooth of the pastel paper and what effect this has on your pictures. Lastly Colin describes using your artistic license when approaching Animal paintings.

This week Colin explains the origins of being discovered by Schwan Stabilo. We also discuss various experiences with commission work. We talk whether drawing experience is required to start using pastel pencils and finally how to store and carry your pencils.

This week we discuss tracing using carbons and the various methods, pencils and techniques you can use. We mention “Giclee Prints” and Colin tells us some interesting stories about exhibitions he has been too. Buy Tracedown Graphite Carbons here: http://colinbradleyartstore.co.uk/shop/tracedown-a4-pack-5-graphite-carbons/

This week Colin gives advice to those being asked to demonstrate for their local art group. We also talk about the new subject Colin has done and how he created the colour harmony with the picture.