With the court date looming, Lum attempts to practice his legal vocabulary while Dick catches up on Abner's contract blunders. Facing disastrous odds after accidentally spilling their defense to Squire's lawyer, Lum makes a desperate phone call to settle out of court.

When Andy gets interested in a local dating service, Kingfish steps in to investigate—only to get caught by Sapphire. Can a timely visit from Reverend Johnson save their marriage, or will Andy's scheme tear them apart?

Lum reviews the disastrous contract Abner signed before laying out their entire defense to a visiting lawyer. There’s just one major catch: the attorney isn't theirs—he's representing Squire Skimp!

Jack Benny and the gang kick off the first-ever "Buck Benny" western sketch, celebrate Kenny Baker's first anniversary on the show, and fill time with a few leftover school-days jokes.

After getting arrested for breaking into Squire Skimp's house, Abner is eager to put the legal trouble behind him. But when Squire offers a contract to drop all charges, Abner signs without reading the fine print—handing Squire exactly what he wanted all along.

Squire Skimp threatens to take over the movie theater unless Lum and Abner hand over a partnership. When an incriminating letter surfaces, Abner and Grandpap hatch a desperate plan to break into Squire's house and steal it back.

Squire Skimp threatens Lum and Abner with a lawsuit after a theater accident, holding an incriminating letter over their heads to demand a partnership in their business.

A short episode, just the middle segment. Missing opening ads and intros. Starts with Kenny Baker’s song, With Beautiful Nearby. The cast members talk about the play. With the need…

After a tense call with Squire Skimp, Lum and Abner receive a registered letter from his lawyer officially notifying them of a lawsuit over his movie theater injury.

Jack Benny and the gang tackle talent agents, plate-juggling comedians, and a dramatic spoof of Rose of the Rio Grande. Features running gags, vocal appearances by Mary Kelly and Joe Kern, and bonus music tracks from Leah Ray, Ozzie Nelson, and Paul Whiteman.