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My guest this week is Kevin Allardice, the author of short stories and five novels, of which I have no read three. His most recent is Weft, and it’s a full-length work like his debut novel, Any Resemblance to Actual Persons. I’m also a big fan of his shorter works, closer to novellas but no less rich in voice, wit, fabulist or absurdist themes, each a celebration of association, word choice, digression and totally entertaining immersion in character and place. These are totally engaging romps, fast-paced, and wildly imaginative. He discusses all his books, his writing career, and especially to talk about and read from Weft, a kind of horror novel meets critique of late-stage capitalism, take-apart of the long con, and an examination of the collapse of a self-constructed identity. Wicked fun, thoughtful play, and both an embrace and elevation of the form. Here’s his website: https://kevinallardice.com/
The views expressed in this program are those of its presenter and guests, and do not necessarily reflect the values of the Community of Writers or its Board of Directors.
My guest this week is Suzanne Greenberg, a much-published short story writer whose novel Lesson Plans was a Library Journal Editor’s pick. Her previous short story collection Speed-Walk and Other Stories won a Drue Heinze Literature Prize. Now Suzanne Greenberg is out with Shopping for Dad and Other Stories, its title, from one of the defining stories, a helpful nod to the wry, funny, sad engagement with irony, sincerity, loss and unlikely insights offered in these sixteen stories, many centered on missing children, estranged spouses, and disappeared domestic objects. Deadpan tragedy meets necessary if qualified hope, with plenty of attention to the everyday quantification of emotional transaction. Shopping for Dad is out now from Arroyo Seco Press. Suzanne Greenberg teaches creative writing at Cal State University Long Beach
The views expressed in this program are those of its presenter and guests, and do not necessarily reflect the values of the Community of Writers or its Board of Directors.
To kick off the next season of Bibliocracy Radio on Community of Writers Podcasts, we are presenting a very special episode.
A Journal of the Plague Years, a compendium of work which developed out of the excellent online journal founded by writer Susan Zakin.
The views expressed in this program are those of its presenter and guests, and do not necessarily reflect the values of the Community of Writers or its Board of Directors.
Gail Tsukiyama delivers the closing talk to round out the fifty-fourth year of the Community of Writers summer workshops. Introduced by Karen Joy Fowler.
Gail Tsukiyama is the author of nine novels, including Women of the Silk, The Samurai’s Garden, The Color of Air, and her latest novel, The Brightest Star. She has been the recipient of the Academy of American Poets Award, the PEN/Oakland Josephine Miles Award for Literary Excellence, and the Asia Pacific Leadership Award from the Center of the Pacific Rim and the Ricci Institute. One of fifty authors chosen by the Library of Congress to participate in the first National Book Festival in Washington D.C., she has taught at San Francisco State University, University of California, Berkeley, and Mills College.
Alex Espinoza, Monica West, Andrew Nicholls & Janet Fitch. Moderated by Lisa Alvarez.
Dana Johnson, Karen Joy Fowler, Susanne Pari, Amy Tan & Monica West discuss Voice & Dialogue in this panel.
Rachel Howard delivers a craft talk on Improvisation in writing.
Rachel Howard is the author of a novel, The Risk of Us, and a memoir, The Lost Night. Her stories and essays have appeared in StoryQuarterly, ZYZZYVA, the New York Times Magazine, the Los Angeles Review of Books, and other venues. She served as Joan Beebe Teaching Fellow and Interim Director of Undergraduate Creative Writing at Warren Wilson College and teaches nonfiction and novel writing at Stanford Continuing Studies. For more than 20 years she has written dance criticism for the San Francisco Chronicle.
Ingrid Rojas Contreras, Sands Hall, Michelle Latiolais, Keenan Norris, and David Ulin discuss genre.
Katy Hays, Alex Espinoza, Tyler Diltz, Stacy Spruill, and Martin J. Smith discuss plot in fiction. Moderated by Andrew Tonkovich.
Tom Barbash presents an exploration into "Foster" by Claire Keegan, and "Switzerland" by Nicole Krauss.
Tom Barbash is the author of four books as well as reviews, essays, and articles for publications such as McSweeney’s, Tin House, the Believer, Narrative Magazine, ZYZZYVA, and the New York Times. His short story collection Stay Up With Me was nominated for the Folio Prize and picked as a Best Book of the Year by the Independent of London, NPR, the San Francisco Chronicle, and the San Jose Mercury News. His novel The Last Good Chance was awarded The California Book Award and was a Publishers Weekly and Anniston Star Best Book of the Year. His nonfiction book On Top of the World, about the fate of the bond firm Cantor Fitzgerald on 9/11, was a New York Times Bestseller. A well-regarded speaker, panelist, and interviewer, Barbash teaches the novel, short fiction, and nonfiction at California College of the Arts. His most recent book, the novel The Dakota Winters, was a National Bestseller, and named as an Editors Choice by The New York Times Book Review, Oprah Magazine, Rolling Stone and People.
From the publisher's feed
Stay abreast of our summer workshops in Fiction, Nonfiction and Memoir by following to hear panels, and craft talks from esteemed agents and editors. Later in the year we will be adding selected…

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