Julian Sander presents a humanist portrait of society in 619 silver gelatin portraits of 20th-century Germans photographed by his legendary great-grandfather, August Sander.

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Caroline Mauxion provides an immersive experience in her solo Paris Photo installation illuminating a Crip phenomenology through an autobiographical lens.

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Éric Antoine is a skateboarding self taught French painter and photographer exhibiting La Forme, a solo exhibition of luminous ambrotypes reflecting a decade of evolution to pare his creative practice to its purest essence.

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I was stopped in my tracks by the groundbreaking work of Evelyn Bencicova in collaboration with graphic sound innovator Samson G. Balfour Smith being exhibited at the Artemis Gallery in the Digital Sector of the fair.

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A trailblazing book chronicling the fundamental and consequential contributions of Japanese women photographers.

Mariko Takeuchi and Pauline Vermare discuss their collaborative project creating a restorative history of Japanese photography. Offering a critical and celebratory counterpoint to the invisibility of Japanese women photographers this expansive and rigorously researched book features 25 portfolios, multiple essays and an illustrated bibliography of photobooks by Japanese women photographers. This bold book embraces emotion, experimentation and provocation in myriad forms of beauty, humor, and deeply spirited connections. 

In this conversation, Mariko and Pauline discuss, among other things:

Pulling back layers of cultural understanding of being a women

Expanding vocabulary and objects of study

Womanhood, daughterhood and caregiving 

Physical involvement with the medium

Utilizing self-portraiture to reclaim agency over one's body

Making tangible that which is invisible

An outward expression of internal experience

Including the voices of photographers in the essays and text

Making and remaking meaning

Referenced in the episode:

Aperture

Rencontres d’Arles Exhibition I’m So Happy You Are Here: Japanese women Photographers From the 1950’s to Now

A World History of Women Photographers by Luce Lebart and Marie Robert

The Third Gallery Aya

PGI Gallery

Behind the Camera: Gender, Power, and Politics in the History of Japanese Photography / Created by Dr. Kelly McCormick and Carrie Cushman

What They Saw: Historical Photobooks by Women, 1843–1999 by Russet Lederman and Olga Yatskevich

Women Making Art: History, Subjectivity, Aesthetics by Marsha Meskimmon

Living a Feminist Life by Sara Ahmed

World Economic Forum, Global Gender Gap Report 2023

Self-Portraits by Yurie Nagashima

Ume-me - Todays Happening by Ume Kayo

The Memories of Others - Akihiko Okamura / Photo Museum Ireland

Linda Troeller’s self-portraits are compiled into a luscious tour de force of womanhood, identity and aging.

Troeller utilizes her relationship with the camera to understand herself and a woman’s place in the world across decades. Her history traverses that of a beauty contestant, potential lawyer, photojournalism student, model, muse, photo teacher, photographer, provocateur and activist. With conviction, insight and wisdom Troeller celebrates and generously shares her embodied strength and fragility.  

In this conversation, Lindadiscusses, among other things:

Universalizing the personal

Provocation aka myth-busting

The circular relationship of punctum

Linda-ness

Self-portraiture, performance and installation 

Exploring internal and external ageism

Sacred water explorations

Book decisions - ie: including titles

Sequencing, process and collaboration 

Ghost Ranch, Leonora Carrington, Sophie Calle and Carolee Schneeman

Referenced in the episode:

Healing Waters Film

Museum of Sex Exhibition

Chelsea Hotel

Erotic Lives of Women

Orgasm

TBW

Leica Gallery Exhibition - LA

Made of Rivers by Emory Hall

Chico Hot Springs

Neither Give Not Take Away - Sophie Calle at Arles

Two intrepid photographers and professors discuss the myriad educational strategies they activate and lead to enhance and strengthen women’s presence in photography. 

Anna Fox and Karen Knorr share how they empower visual storytellers by engaging a global network of practitioners, academics and curators who exchange resources, challenges and strategies toward achieving gender parity in photography. We hear how they conceived and built Fast Forward, their multi-pronged research organization responsible for establishing data, developing project-based teaching tools and convening worldwide themed conferences. Lastly, we wrap by learning of their 8-year-long road trip following the route established by Bernice Abbott. 

In this conversation, Anna & Karen discuss, among other things:

Data on the underrepresentation of women photographers 

Addressing and critically analyzing gender inequalities in workshop formats

Impact of motherhood and caregiving roles on professional photographers 

Teaching as an adjunct to pursuing one’s photographic work

Coalition-building, nurturing collaborative efforts and creating global conferences to discover hidden stories of and by women visual storytellers

Identifying key gate openers and partnering with willing arts and educational institutions 

Network-building from exhibition practices

Ambition, Synergy and Foresight 

Reaching for inclusion with innovative strategies

Grants, grants and grants

History of their multiple road trips photographing together

Image and text dialog

Referenced in the episode

Manifesto

Report on Equity and Inclusion

Fast Forward 

Putting Ourselves in the Picture

The Other Observers by Val Williams

Impressions Gallery

University of the Arts London

Tate

MEP

Work Show Grow

National Portrait Gallery

Trolley Books

T.J. Boulting Gallery

Camera Geologica: An Elemental History of Photography by Dr. Siobhan Angus is the lens through which we explore the multi-media artwork of Rosell Meseguer and Kosisochukwu Nnebe. 

This deeply researched and resourced book contextualizes the dark side of photography, the mining and extraction of elements that make printing possible. Our conversation centers on the many intersections of image-making and resource extraction. The deep scholarship of my guest's practices makes manifest the complex relationship between photography, colonization, labor, ecological, economic and social impact. 

In this conversation, Siobhan, Rosell and Kosisochukwudiscuss, among other things:

Flipping photography on its head

Implication and possibilities of the interaction of light with metals

Extraction of rare earth elements

Process-based practices - artists thinking out loud 

Ideas, materiality & visibility

Art exploring gaps and erasure in archives

Chlorophyll printing

Colonial histories

Food policy, manufacturing and distribution

Talking about the past & the present simultaneously

Connecting science & art

Illuminating economics in our daily life choices

Art creating theory

Referenced in the episode:

Dr. Siobhan Angus

Rosell Meseguer

Kosisochukwu Nnebe

Hiền Hoàng

Women and Nature: The Roaring Inside Her by Susan Griffin

Unscripted conversations with Aldeide Delgado, co-founder and leader of Women Photographers International Archive, and recent WOPHA Research Fellow and scholar, Dr. Candice Jansen.

Each woman shares their expansive practice, leading with curiosity and utilizing inquiry to activate potentiality. As scholars, archivists, writers, curators, and collaborators - their open-ended investigations resist a singular way of seeing. They build evolutionary and community-driven paradigms based on research, and center the importance of the past to envision a more equitable future. 

In this conversation, Aldeide and Candicediscuss, among other things:

Amplifying visual stories of marginalized communities

Rewriting photographic history from a feminist perspective 

Curatorial activism 

Rhizomatic thinking 

Trial, error and play

Place as process

The audience as the protagonist 

New vocabulary and new definitions - ie. Memorist 

Photography as a medium and a whole-body experience

Establishing terms of visibility 

Prismatic perception

Referenced in the episode:

Doreen Massey

bell hooks

WT Mitchell - what if race were a medium?

The Photography Network

Regarding Muslims

Stuart Hall 1990 essay

This seminal book, a compendium of image-based projects, illuminates the subtle evolution of ideas of photographic practice over time.

This book offers a non-authoritarian systematic deconstruction of photo history to expand ways of making, seeing, and thinking about the multi-layers of relationships within photography. Five revered photographers, teachers and scholars innovated ways to visualize process and reinvestigate archives. Their collaborative project results in a prismatic view, new vocabulary and an essential teaching tool. 

In this conversation, Susan Mieselas, Wendy Ewald and Laura Wexler discuss, among other things:

Opening new relationships within the event of photography

Limits of visual vocabulary

Methodologies that favor listening, learning and unlearning

The malleability of ideas and associations

Seeing across time

Photo with the blinders off

Creating vocabulary

Seeing threads and weaving them

Discovering what is missing

Building understanding

Dynamics of visual culture

Referenced in the episode:

Susan Miesalas

Ariella Aisha Azoulay

Laura Wexler

Wendy Ewald

Leigh Raiford