Adam Harvey, Paolo Cirio, and Heather Dewey-Hagborg: three counter-surveillance artists whose works make claims that depend on the tool actually functioning.

Two approaches to machine infrastructure legibility: James Bridle names and theorizes (New Aesthetic, New Dark Age, Ways of Being); Julian Oliver builds interventions that detonate (Critical Engineering Manifesto, Newstweek, Transparency Grenade). Closing on ZKM Life After the Academy and MARS! Governance.

Metahaven and the concept of black transparency, Doris Krystof and Florian Ebner on the Steyerl retrospective traveling K21 to the Pompidou, and the politics of how dissent gets made legible.

Three curators, three answers to the same question: where does surveillance art discourse actually live? Stephanie Hankey, Elena Filipovic, and Marc Garrett and their different theories of space, authority, and audience.

Casino Luxembourg turns thirty under FORA, and Konschthal Esch has just completed its first wave of site-specific programming. Two directors, two institutional models, one field question: what does it mean to program for rawness and radicality outside the global art centers?

Vincent Crapon programs exhibitions that reveal digital infrastructure as material reality; Luciana Parisi argues in Contagious Architecture that computation transforms spatial conditions before any visible output appears. Two figures circling the same question from very different positions.

Daphne Dragona on data bodies as networked portrait, and Marie-Noelle Farcy on twenty years of stewarding the hidden collection. Two institutions of accumulation.

Christophe Gallois, Shoshana Zuboff, and Livia Nolasco-Rozsas on three theories of the invisible and the curatorial problem of making unseen forces arrive in a room.

Antonina Stebur, curator of the transmediale 2027 main exhibition "Ruins of Infrastructure," and the curatorial method she has built from Belarusian protest, exile, and a theory of infrastructure that only becomes visible at the moment it breaks down.

Three curators and theorists who built practices inside the network and had to reckon with what it became: Omar Kholeif on the arc from utopia to anxiety, Lauren Cornell on co-optation and visibility, and David Lyon on social sorting as the actual logic of surveillance.