Two artists building notation and world systems from structural positions of non-dominant perception: Christine Sun Kim from Deaf epistemology, Alice Bucknell from nonhuman perspective. Plus the Whitney Biennial polycrisis sublime as institutional framing.

Sterling Crispin built biometric sensing for Apple Vision Pro then turned the corporate form into art; Nora Al-Badri covertly 3D-scanned the Nefertiti bust and released it as a torrent; Joey Holder maps how the Noosphere became the Woosphere through weaponized belief.

HEK Basel New Rituals opening May 9, Stelarc offered-body model, Lauren Lee McCarthy Surrogate, Germaine Koh Broken Arrow, Laura Splan biosignal translations.

The political plotter lineage from Quadrature to David Bowen, a Berlin machine overwhelmed by Starlink proliferation, and the biometric field rethinking what a body is.

Completing the map of political drawing practice: Territorial Agency and the sensible zone, Bureau d'Etudes and counter-cartography, and a new piece on Creative Applications that clarifies the entire spectrum.

A field map of counter-surveillance art and the tension between functional tools and institutional aestheticization. Plus the electromagnetic sensing lineage and a cluster of curators whose programs have tracked this territory for a decade.

Trevor Paglen wins the 2026 LG Guggenheim Award, and his career sequence -- books before institutions -- mirrors a pattern visible across the field. Plus: Christina Kubisch's electromagnetic founding gesture at ZKM, Tung-Hui Hu on infrastructure that was never neutral, and the consent gap that surveillance art has not yet named.

Christophe Gallois on the pensive image and photography as seismograph; Vincent Crapon and Elektron on making invisible infrastructure legible; Filipa Ramos appointed curator of Lofoten 2027.

Rosa Menkman and the career built on writing first. Post-digital materiality discourse from Cascone to Barad. Golan Levin on drawing machines.

Antonina Stebur frames transmediale 2027 around infrastructure as political substrate. A new book argues climate breakdown is irreducibly incomputable. And the climate data art landscape reveals a significant gap between weather-as-aesthetic and weather-as-data.