conscient podcast

i’ve always been comforted and relaxed by sounds that gradually slow down

TRANSCRIPTION OF EPISODE

(bell and breath)

Slowing down sounds slow me down

(layering of slowing down soundscape compositions from my simplesoundscapes podcast (2016-2019: 

e06 cycles (from first generation, not published) 

e42 fidget - ah, let us pay attention for a minute or two to the spinning

e42fidget - red, yellow and blue

e109 lake - slow slower stop

e11 arrival - the modulation of propeller as metaphor)

Do slowing down sounds slow you down? 

CREDITS

This episode really does help me slow down. I hope it has a similar effect for you. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to the Stop Ecocide International.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

I improvised a story during a power outage at the cottage about sound without electricity

TRANSCRIPTION OF EPISODE

(bell and breath)

It's Wednesday, July 12th, 2023. Yesterday, at 4.53 pm, the power went out at my cottage and I wanted to make this episode about our dependence on electricity.

So here I am in an analog world, normally, with electricity, but without power, of course, there are no lights.

In the cabin there's no pump to draw water, though there is a bit of water left in the tank, so I can use a little bit, but it will run out. Of course, there's a lake out front, so that's not a problem. 

My phone doesn't work either. It's now out of power. 

Importantly, food is being kept cold in the fridge, but of course it's not being refrigerated and in particular, the ice box is slowly getting warm. Without electricity, it does not work and there's no backup to refrigeration other than ice, which is the way that it used to be done. 

And there are other things that change, of course : lights in the cabin and the ability to charge batteries and all of that but there are other ways of living. There's lots of wood here and so I built a fire for lunch and it's still burning. Might still be good for dinner. 

My point is to take advantage of this opportunity of not having electricity, to think about the things that we might take for granted and that we perhaps don't need. 

Do I really need to charge my batteries all the time so that my phone works at my convenience?  Are there other things that I could do with less of or not at all.

I invite you to think about that and to listen to the sounds around you without electricity… 

I'm enjoying this moment of non-electricity, which changes my perception of time. I do have battery powered clocks, but I can't check my phone. I can't have the radio on to tell me about what's going on in the world so there's this sense of disconnection from that world, but it's also an opportunity to connect to this world. 

Of course, the electricity could go back on at any moment. It's almost been 24 hours now and it is very serious for those whose lives depend on the electricity in hospitals, but they have backups. 

I guess the ultimate backup is how we used to live so many years ago without electricity :  living more by the sun and by our relationship to the land that's not mediated by electricity. 

I'll end with my bell again. Wishing you the pleasures of electricity and the pleasures of not having electricity.

Are. You. Powerless? 

*

CREDITS

This episode was recorded without any preparation hence is a bit rough around the edges but I liked the flow and fragility in my voice. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to the Canadian Association for Sound Ecology (CASE).

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

i played back four episodes from this season at the same time and listened to how they interact

TRANSCRIPTION OF EPISODE

(bell and breath) 

Episode 105 stretches time

(e105 ropes)

Episode 101 releases tension

(e101 tension)

Episode 118 follows your shit

(e118 shit)

e116 mourns loss

(e116 loss)

How do you feel now?

*

I love to listen to the interplay of layered soundscapes : how they come in and out of each other like cloud formations, so I mixed 4 of my favorites from this season and you can hear the ci-existence of expanding ropes, plucked strings, flushing toilets and filtered ocean waves. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to ecoartspace.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

one morning I heard rhythmic water dripping from a gutter and improvised this poem

(bell and breath)

(Voice synchronized to sound of water drop)

I am a drop of water

I am a drop of rain

I am your body

I am your pain 

(Repeated)

Are you a drop of water?

*

CREDITS

Recorded at the back deck of our home in Ottawa on August 13th, 2023.  

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to Action Sandy Hill.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

while doing my qi gong one morning I heard roofers removing tiles and recalled simplesoundscape in 2016…

TRANSCRIPT OF EPISODE

(bell + sound of roofers taking off tiles)

While doing my daily qi gong on May 25, 2023 I was listening to roofers removing tiles on a nearby house.  

I’ve always been troubled and fascinated by the sound of deconstruction… of things being ripped apart… of the undoing of objects held together with glue, nails or screws. 

I sometimes feel the pain of the wood, metals and minerals. 

I sometimes feel like a part of me lives within these materials.

I think about where these materials came from - their extraction from the earth - and how we treat them when they are no longer useful to us. 

I feel gratitude towards these living beings who provide us with shelter and comfort.

Now I want to take you back to another encounter with deconstruction, in August of 2016, the very first recording of my simplesoundscapes project about mindful listening. 

Here is the recording from the very first episode of simplesoundsccapes: 

(beginning of simplesoundscapes pilot episode with nails being removed in background)

This pilot episode of simplesoundscapes explores the ecological and philosophical implications of deconstruction. I have a lifelong interest in environmental issues, in particular with acoustic ecology and so when I heard both the violence and the poetry of siding being removed and nails being extracted from a wall on our cottage, I was compelled to record it and to start this podcast series called simplesoundscapes. So this particular recording was captured in mono on an ipad with the ipad on a window sill. It  was recorded in August 2016 in Duhamel, Quebec.  I invite you to think about the following question: 

‘If construction is the art and science of building and deconstruction is its opposite, selective dismantlement, how then can we constructively deconstruct?’

How can you constructively deconstruct?

*

CREDITS

Thanks to the roofers that I recorded and all the best with the development of green practices in your industry. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to American Foundation for Suicide Prevention.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

my zen practice taught me that unhurried speech invites us to slow down

EPISODE TRANSCRIPTION

(bell and breath)

When I was a student at the White Wind Zen Community in Ottawa I had the privilege of listening to recorded teachings by Ven. Anzan Hoshin roshi. You can hear some his recording on wwzc.org.

During these teisho, the roshi speaks very slowly, with a lot of silence between words, a bit like what I’m doing now.

Silence between words.

As well as words between silence.

Now I love listening to spoken words at this kind of slow pace. 

It invites other sounds to permeate the acoustic space, such as the traffic that is in the background now, a bit of birdsong, muffled sounds. 

But we can also notice other things like our breath - it’s pace, depth, odor, weight - so many dimensions that we usually don't pay attention to and minute movements such as cracking of the floor from the weight of the chair, oscillations of light and so many details we normally don’t notice.

I love the way spoken words linger in the air, hugging the clouds and floating down like rain or snow.

I love the way unhurried speech invites us to slow down.

So you might ask : how does the pace of speech relate to the sound of modernity?

The sound of modernity is the opposite of slowness. It’s fast moving and generally saturated, isn’t it?

Constant in overdrive, with technology accelerating our lives, faster and faster every day, 

We seem to have lost touch with slowness - there’s my phone reminded me to be fast.

We’ve also lost touch with the notion, the feeling of distance. 

So I’m going to slowly walk away from this microphone, while repeating this narration again as an exercise in listening to slowness but also to distance. 

Thanks for listening. 

(Gets up and walks away)

When I was a student at the White Wind Zen Community in Ottawa I had the privilege of listening to recordings of teachings, by Ven. Anzan Hoshin roshi. You can hear some on wwzc.org.

During these teisho, the roshi speaks very slowly, with a lot of silence between words, like I am speaking now.

Silence between words.

Words between silence.

I love listening to spoken words at a slow pace…

*

For more information on the White Wind Zen Community, see https://wwzc.org/

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to White Wind Zen Community.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

an exercise where I invite listeners to stop what they are doing, listen and to enjoy the experience

(unedited improvised narration)

Listening is at the heart of this season of the conscient podcast. Specifically, listening to the sounds of modernity, but also listening to everything, all at once and noticing what is going on, usually a mix of systems collapse and resilient beauty. 

So today’s episode is a listening exercise. At the end of this recording I invite you to stop what you are doing for a few minutes and listen to what is around you. 

Try not to think or analyse what you hear. Just note what is happening and enjoy the experience. Try to let the sounds enter your body without passing judgment. Just listen. I invite you to stay where you are or move around. 

I’ll give you an example from where I am right now. It’s 5.30 am on May 17, 2023. I’m in an apartment in Montreal. I’m hearing a thin tic toc sound at a distance. Behind that I hear a faint birdsong outside the apartment. I also hear my voice reverberating in this room and the sound of my breath. I also hear and feel the sound of my blood passing through my veins. The more I listen the more I hear and feel connected to this space and this moment. 

I’m not listening to modernity. 

I am modernity. 

*

This listening exercise was recorded on my iphone (poor sound quality) at 5.30am on May 16th, 2023 (I made a mistake and said May 17 on the recording) in one take in mp 3 format.

I wrote the script a few minutes before recording it. I did not edit the recording or add the ‘bell and breath’ at the top. I wanted it to be from that moment, ‘as is’, in the spirit of the exercise. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to NAISA, New Adventures in Sound Art.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

a quote from robin parmar about speculative fiction that raises some questions

(bell and breath)

I love the sound of leaves dancing on hard surfaces. 

(sound of a leaf blowing)

It’s poetic and kinetic and you’ll see in a minute how this sound relates to this episode about speculative fiction. 

With his kind permission, I will quote composer Robin Parmar, from a question he asked me at the end of my keynote presentation at the World Forum for Acoustic Ecology conference ‘Listening Pasts - Listening Futures’ on March 23rd, 2023 in Florida via Zoom. Here’s Robin question recorded from my microphone in the room:

The problem with the future is that it's already happened. Hollywood, and increasingly the games industry, have already colonized popular imagination about what the future is and there have been so many post-apocalyptic scenarios played out on the screen. And in almost all of these, there's a heroic band of survivors who have to face their new world in a confrontational way, which just perpetuates the same narrative of what I prefer to call the industrial military entertainment complex. I don't, like you, I don’t give up hope, but I realize it’s a small leaf in the wind, because I'm not sure how we can compete with such a massive force of narrative that in a way has already written the story, or at least the story that people want to hear, because people have to want to hear the story for it to be a successful one.

(sound of a leaf blowing)

Robin mentions a small leaf in the wind as a metaphor for our feeling powerless when faced with creative forces around us shaping our collective imagination in ways we might not be aware of, or even desire…

So I thought about Robin’s question and have come up with some questions of my own:

(in English and in French)

• Has the future already happened in our minds and memory? / L'avenir a-t-il déjà eu lieu dans notre esprit et notre mémoire ? 
• Do you feel like your imagination has been colonized? And if so, how would you know? / Avez-vous l'impression que votre imagination a été colonisée ? Et si oui, comment le sauriez-vous ?
• Do you know who your heroic band of survivors might be? And if so, could you identify with them? / Savez-vous qui pourrait être votre groupe héroïque de survivants ? Si oui, pourriez-vous vous identifier à eux ? 
• In what ways do you think the industrial military entertainment complex affects us? How does it affect our minds? / De quelle manière pensez-vous que le complexe industriel militaire et de divertissement nous affecte. Comment affecte-il notre esprit ?

I want to thank Robin for his question. Merci pour ta question, Robin.

What kind of stories do you want to hear? / Quel genre d'histoires aimeriez-vous entendre ?

*

For more information on Robert Parmar’s work see http://robinparmar.com/paper-platial-phenomenology.html. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to Howlround Theatre Commons https://howlround.com/.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

Here is another bonus episode, this one is called 'Portrait of Robin Mathews'. It is 3 part unpublished radio program I created in 2005 in collaboration with Robin based on an interview I recorded with him in 2004. The program is a layered discussion about the history of political poetry in Canada, the role of the artist in society and family matters, in particular his relationship with me as my father-in-law.  This program also includes Robin reading excerpts of his poetry as well as some of my soundscape compositions.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026

e129 world listening day - what does world listening day mean to you?

(bell and breath)

Every July 18th is World Listening Day. It’s also composer and acoustic ecologist R. Murray Schafer’s birthday. Rest in peace Murray. 

Now World Listening Day 2023 proposes three very interesting  listening prompts and I'll try to answer their questions in today's episode.

Question 1

What can we learn from the listening practices of all living beings?

What can we learn from the listening practices of all living beings?

It's a very good question and I would start by questioning who is the ‘we’ in this context. I would also question the assumption that other living beings have listening practices as we know them. ‘We’.

This being said, this prompt made me think of a story told to me by composer Robert Normandeau in 1991 for my Marche sonore 1 radio program that I did for Radio-Canada. I quote it in episode 19 reality and I’ll play it back for you now. 

(e19 reality)

·   It’s a bit like taking a frog, which is a cold-blooded animal, and putting it in a jar of water and heating the water, little by little. The frog will get used to the temperature rising and rising, and it will not notice that the temperature has risen and one day the temperature will be too hot for it and it will die. Therefore, our civilization, in terms of sound, looks a bit like that, that is to say we get used to it, we get used to it, we get used to it and at some point, we are going to have punctured eardrums.

Now the early 1990’s were a time of great environmental awakening and action, in particular the 1992 Rio Earth Summit. There was a sense that this was our last chance to change directions, to undo some of the wrongs of pollution. Ironically, things got much worse after 1992.

Sadly, this window is now closed and we find ourselves in very hot water not feeling or responding to the heat, the smoke and other signals we are receiving and so we’re slowly boiling to death…

(Bell)

Question 2

How can we deterritorialize listening practices?

How can we deterritorialize listening practices?

Dererrirorialize. De… terror. Deterritorialize.  It’s a hard word to say.

The notion of territory makes me think of stolen lands by colonial settlers, like myself, living in indigenous lands, unceded lands, such as the Algonquin-Anishinaabe nation, otherwise known as Ottawa.

One form of deterritorialization is the land back movement.

According to journalist and Canada Council for the Arts chair Jesse Wente (also see e107 harm) land back is :

• about the decision-making power. It’s about self-determination for our Peoples here that should include some access to the territories and resources in a more equitable fashion, and for us to have control over how that actually looks.

What does land back sound like? 

Just last week I published an episode about decolonized listening 128 revisited. Here’s an an excerpt from that episode : 

• On June 23, 2023 I had the pleasure, and the privilege, of attending ‘Listening to Lhq’a:lets’ (I hope I’m pronouncing that right), otherwise known as the city of Vancouver, at the Peter Wall Institute for Advanced Learning at the University of British Coumbia, which is situated l on the unceded and ancestral territory of the Musqueam Nation. A group of artists, all women, spoke about their week-long residency, organized by indigenous sound scholar and UBC professor Dr. Dylan Robinson. They shared a wide range of sensory engagements through listening to Lhq’a:lets: how our bodies listen through the haptics of vibration, about  hearing and feeling the voices of our non-human relations, about how we can perceive the built environment with new perspectives – the air, waterways and earth that surround us. They spoke about their encounters with the trans-mountain pipeline, their dialogues with animals and birds, their encounters with haunting vibrations and their thoughts about the past, present and future sounds of this region. What they did not talk about was themselves, their accomplishments or the type of technology they used to extract and manipulate the sounds. None of that. There was also no reverence for say R. Murray Schafer or the World Soundscape Project, nor any nostalgia about the good old days when, say, the term ‘soundscape’ was invented. There was no disrespect either. They were listening from a different position. So I heard stories, poems, anecdotes, images, silences and prophecies… It was uplifting. 

(simplesoundscapes e03 bones) 

(Bell) 

Question 3

When should we listen more?

When should we listen more?

I guess it depends on what kind of listening, doesn’t it? 

More listening with a colonial lens or colonial education is not helpful. 

Perhaps we could listen more to ourselves through listening to other living beings? 

Maybe we could listen more to the land and give back?

Warm thanks to my colleagues at the World Listening Days for your thoughtful prompts and ongoing commitment to listening, by everyone, everywhere.

What does world listening day mean to you?

*

For more information on World Listening Day and to participate, this year or next, see https://worldlisteningday.org/

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to World Listening Day 2023.

*

END NOTES FOR ALL EPISODES

Note : I'm currently 'pressing pause' and am not producing new content until further notice. 

Hey conscient listeners, 

I’ve been producing the conscient podcast as a learning and unlearning journey since May 2020. It’s my way to give back.

This Indigenous Land Acknowledgement statement was developed by members of the Algonquin community for my former employer the Canada Council for the Arts. I have adapted slightly to make it my own.

• I acknowledge that my studio, located in Ottawa, is on the unceded, unsurrendered Territory of the Anishinaabe Algonquin Nation whose presence here reaches back to time immemorial.
• I recognize the Algonquins as the customary keepers and defenders of the Ottawa River Watershed and its tributaries. I honour their long history of welcoming many Nations to this beautiful territory and uphold and uplift the voice and values of our Host Nation.
• Further, I offer my respect and affirm the inherent and Treaty Rights of all Indigenous Peoples across this land and honour commitments to self-determination and sovereignty that have been made to Indigenous Nations and Peoples.
• I acknowledge the historical oppression of lands, cultures and the original Peoples in what we now know as Canada and fervently believe the Arts contribute to the healing and decolonizing journey we all share together

In parallel with the production of the conscient podcast and its francophone counterpart, balado conscient, I I publish a free ‘a calm presence' monthly Substack see https://acalmpresence.substack.com.  

Your feedback is always welcome at claude [at] conscient [dot] ca and/or on social media: Facebook, Instagram, Linkedin, Threads, BlueSky, Mastodon, Tik Tok, YouTube and Substack.

Share what you like, etc

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this podcast, including the toxic materials and extractive processes behind the computers, recorders, transportation systems and infrastructure that made this production possible. 

Thanks for listening. 

Claude Schryer

Latest update on March 21, 2026