Vahn Black is a vocalist based in Atlanta, and in this episode we focused on her project celebrating Gladys Bentley, including Vahn’s fantastic  album Petrichor. Born and raised in Detroit, Vahn  grew up in a melting pot of music and this aided her in cultivating her soul-charged, jazz infused sound, marrying her reverence for vocalists like Sarah Vaughn with her love of producers like J Dilla. We talked about her musical education, her career path,  her research into Black history and culture, her joy of collecting vinyl and some of her other creative outlets. It was interesting to hear about her contrasting experiences with work, life and music in Detroit, New York and Atlanta. 

As a composer Black has lent her artistry to various art mediums from short films to interactive performance art. In 2023 she was selected to perform at NPR's Tiny Desk on the Road Tour stop in Atlanta, and for those listeners who are fans of Vahn Black and those who are discovering her, I hope you’ll enjoy this conversation which is punctuated with her music.

Vahn Black Website: https://www.vahnblack.com/about

Vahn Black's Care Too Much video NPR submission: https://youtu.be/B09NXWSoSWc?si=_f3SeS18fgN_MLB6

The transcript and video version of the podcast are linked here on my website: https://www.leahroseman.com/episodes/vahn-black

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

Timestamps: 

(00:00) Intro

(02:36) Gladys Bentley project

(10:58) intro to Too Soon from Petrichor

(12:13) live version Too Soon

(16:33) Detroit, Atlanta, finding her place and people

(20:20) The City from Temporary Colors

(23:20) Detroit, Atlanta, studying Classical music at Detroit School of Arts

(26:16) please support this series and sign up for my newsletter

(26:57) inspiring music teachers Connie Malabed and Cheryl Valentine

(29:08) studying Library Science, AI

(31:46) undergrad experience

(33:43) NPR Tiny Desk Block party

(35:22) Care Too Much 

(40:05) Trunino Lowe arrangements, recording spirituals

(41:36) Vinyl collection

(50:55) Gladys Bentley project

(51:45) Lucid Dreams

(55:54) Gladys Bentley project next albums, different inspirations

(59:47) career path choices

(01:02:05) creative outlets crocheting, creative process

Martha Mooke is a pioneer in the field of the electric five string viola and transcends boundaries as a performer and composer. This episode features insights, stories and music, including from the beautiful album by Carla Patullo So She Howls  which just won the GRAMMY® Award for “Best New Age, Ambient, or Chant Album.” as well as from several of Martha’s solo and collaborative albums. You’ll hear about the unique multi-style string program she’s helped launch at New Jersey City University, and about many of her mentors and collaborators from David Bowie to Tenzin Choegyal to Laurie Anderson to  Jean-Luc Ponty. Martha is passionate about the breadth and diversity needed in music education for the 21st century, and it was a joy and an inspiration for me to be able to hear about the arc of her multi-faceted career so far. 

 Like all my episodes, you can also watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website:  https://www.leahroseman.com/episodes/martha-mooke

Can you buy this independent podcaster a coffee? https://ko-fi.com/leahroseman

Martha Mooke Website: https://www.marthamooke.com/

Complete Catalog of Episodes: https://www.leahroseman.com/about

Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

Linktree for social media: https://linktr.ee/leahroseman

photo of Martha Mooke: Ebru Yildiz

The podcast theme music was commissioned from composer Nick Kold, and you can use the timestamps to navigate the episode:

Timestamps

(00:00) Intro

(02:59) electric viola demo with explanation of gear and effects Edmar Castaneda

(09:01) Martha’s creative process

(13:41) clip from Ice 4 from No Ordinary Window

(15:40) Martha’s creative process

(18:42) Multi-Style Strings program New Jersey City University

(35:29) Carla Patullo So She Howls 

(38:31) Machine Dreams from Carla Patullo So She Howls 

(43:15) Carla Patullo album concert, vocal group Tonality

(43:51) please support this independent podcast! 

(44:29) Thru the Walls, Scorchio quartet, Tibet House benefit concerts, Tony Visconti, David Bowie, Philip Glass

(01:01:17) Tenzin Choegyal with clip from Sutras of the Heart

(01:03:50) meditation practice

(01:05:46) different types of electric violins and violas, collaborations with Yamaha

(01:12:17) strings education outreach project in Jamaica

(01:17:18) album Buzz, Metachrosis electronic music production using insect sounds with audio clip, Linsey Pollak, sound design

(01:24:46) Jean-Luc Ponty

(01:33:57) clip from Omotion from No Ordinary Window

(01:34:53) Laurie Anderson

(01:39:09) Martha’s perspectives on her career

This week’s featured guest is James McGowan, a solo and collaborative pianist at home in jazz, classical and improvised musics. The 14-member James McGowan Ensemble has just released its jazz-classical fusion album Reaching Out, the companion to the previous album Reaching In, and this episode features some of the music from this beautiful project as well as from his jazz-fusion group Modasaurus. Besides James’ work as a composer and pianist, he’s also a Theory Professor, and choral direcctor,  and has served as Carleton University Chair in Teaching Innovation in developing experiences in the arts on campus and in the community. James is so passionate about sharing his love of music and I trust you’ll find this an uplifting conversation.  Besides my role as a podcaster, I’m a violinist, and last year I founded an improvising chamber group with James, Collected Strands,  and we’ll soon be releasing a special podcast episode to celebrate the release of our upcoming album. 

Can you buy this independenat podcaster a coffee? https://ko-fi.com/leahroseman Thanks!

You can also watch this on YouTube or read the podcast, everything linked here to my website: https://www.leahroseman.com/episodes/james-mcgowan

James McGowan website for all the music featured in this podcast, and his current projects: https://jamesmcgowan.ca/

photo: Kelly McDonald

Timestamps

(00:00) Intro

(02:32) Modasaurus jazz ensemble, 4K album, fusing styles

(05:13) clip from Chaconne and Fugue 4K Modasaurus

(06:41) background and clip of Crazy Ceilidh

(09:27) music career advice

(11:42) Reaching Out and Reaching In, tribute to Chick Corea

(16:43) clip from Corean Poultry on Reaching Out

(18:05) intro and clip from Blue Lament, from Reaching Out

(21:10) intro and Elegy from Reaching Out

(26:44) James’ grad school experience, switching from Composition to Theory 

(29:31) please spread the word about this podcast!

(30:08) musical dialects, code switching, overtone series

(39:59) teaching music theory

(43:05) Reaching In, spoken word and different art forms

(46:56) Acceptance from Reaching In

(50:50) parenting and music, encouraging children in the Arts

(56:36) dealing with emotions through music

(59:00) voluteer work Discovery Course for Ottawa Mission and Lotus Center 

(01:03:27) teaching musicianship, singing, community music

(01:10) dealing with playing injuries, music education, voice and choral direction

(01:18:26) improvisation, Collected Strands

This is a special re-release with cellist Rachel Mercer,  with added music from some of her recordings. This was orginally recorded and released in Season 2 of this podcast in 2022, and now in Season 4 2024, Rachel and I are including some tracks from some of her albums in the podcast version of this episode. See more below for some of the many topics covered!

The original video is on YouTube with the transcript, everything linked here: ⁠ https://www.leahroseman.com/episodes/e9-s2-rachel-mercer⁠

We discussed the arc of her career so far as a chamber musician, soloist, and Principal Cellist of my orchestra, the National Arts Centre Orchestra of Canada. One of the musical selections added to this podcast is from the album “Our Strength, Our Song" with Rachel’s sister, the wonderful violinist Akemi Mercer-Niewöhner. We also talked about and many other chamber music collaborations and unique projects, as well as her way of approaching music. You’ll also hear some of Rachel’s memories of the late Yehonatan Berick who was an amazing violinist and pedagogue and was Rachel’s life partner. As well,  Rachel very generously made a special recording of the prelude from JS Bach's fifth solo suite for this episode in 2022,  and her heartfelt introduction to the power of this music is right after our conversation, so please keep listening till the end.

Rachel Mercer’s website: http://www.rachelmercercellist.com/

Support link to buy this independent podcaster a coffee: https://ko-fi.com/leahroseman Thanks!

Complete Catalog of Episodes: https://www.leahroseman.com/about

Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

Linktree: https://linktr.ee/leahroseman

This week, I’m featuring a wonderful episode from the archive, with Linsey Pollak, which was recorded and released in Season 2 of this podcast, 2022. Linsey Pollak is an Australian musician who is known worldwide as a passionate and creative advocate for community music. His life has been full of unusual opportunities to explore different styles of music, and his inventiveness has spurred him to create countless instruments from found objects. In this episode you’ll get to hear him play 4 different instruments in different improvisatory styles, and I’m sure that everyone will be inspired by stories from his life, describing some of his incredibly unusual, fun and beautiful collaborations and creations.

I take care of all the many jobs of research, production, and publicity and I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal:

https://ko-fi.com/leahroseman Thanks so much!

You can watch this on YouTube as well, and I've linked the transcript here too: https://www.leahroseman.com/episodes/linsey-pollak

Linsey Pollak website: https://linseypollak.com/

My complete catalog of episodes: https://www.leahroseman.com/about

Podcast newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

photo credit: Beat Lehmann

Timestamps:

(00:00 Intro)

(01:58) gaida music

(05:10) Rafting trip, discovering Macedonian bagpipes, first trip to Macedonia

(11:35) trip to Greece to study klarino with Stavros Vasthekis

(13:15) discovering the Macedonian community in Australia, establishing Kulcha

(17:36) Linsey’s start making instruments, London and Early Music scene

(23:14) busking in Europe, learning Macedonian dance,

Živko Firfov Group, Destan Destanovski

(31:48) importance of humour in his solo shows

(33:17) duduk design and music

(39:57) Linsey’s early musical education and projects

(41:27) developing live looping in the early 90s, his solo shows

(50:30) rubber glove bagpipe

(54:36) Linsey’s current project going out to record in the forest with ambient sounds (his album of this music is on Bandcamp), also the frog sounds album

(56:53) Dva with Tunji Beier and now Beier-Griffin-Pollak trio with Philip Griffin

(58:23) Humarimba community music project

(01:09:16) Paranormal Music Society Romano Crivici and Blair Greenberg, and QWERTY with Peter Rowe

(01:13:47) MIDI wind controller Dangerous Song project with demonstration using animal sounds

(01:33:26) Linsey’s drive to create instruments and connect people, his creative process

(01:37:20) Linsey’s decision to stop touring outside of Australia

(01:40:07) Linsey’s advice

This week’s episode is with the brilliant cello-piano ensemble, Cheng² Duo, with siblings Bryan and Silvie Cheng. They have performed to great acclaim worldwide and have released to date four fantastic albums, the most recent Portrait which was nominated for a JUNO award. Portrait features music by composers from diverse Asian heritages, and in this podcast, Bryan and Silvie reflect on some important personal experiences related to this. We are featuring some of the music from Portrait and some of their other projects in this episode, with their insights on championing living composers such as Paul Wiancko and  Dinuk Wijeratne and reaching new audiences. I asked them about their Carnegie Hall debut when Bryan had just started high school, and some of their individual experiences with concert preparation, touring, and finding a life-balance.  Some of what you’ll hear about are Bryan’s reflections on his  memorable childhood lessons with Yuli Turovsky, the incredible opportunity he’s had to play the Bonjour Strad, and his experiences with international competitions.  Silvie shared her reflections on her mentors and her life as a performer and educator in New York. Bryan and Silvie grew up in Ottawa, Canada where I live and it’s wonderful to see their careers expanding both individually and as a world-renowned chamber ensemble. Bryan spoke to us from his home in Berlin, and Silvie from her home in New York. 

Can you buy this independent podcaster a coffee? https://ko-fi.com/leahroseman Thanks!

 Like all my episodes, you can also watch this on my YouTube and it's linked with the transcript on my website: https://www.leahroseman.com/episodes/cheng2-duo

https://www.cheng2duo.com/

Weekly newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

Catalog of Episodes: https://www.leahroseman.com/about

photo: Andrej Grilc 

Timestamps:

(00:00) Intro

(03:11) album Portrait, early pandemic in New York, Asian heritage, erhu

(12:33) Hua Yanjun Moon's Reflection upon a Spring

(20:26) anti-Asian harassment, making a difference in the world as musicians

(24:46) Paul Wiancko

(29:00) Paul Wiancko clip from Sonata 1, Part 1 

(28:59) concert presentation, connecting with the audience

(31:33) Carnegie Hall debut experience, importance of commissioning new music

(35:51) Yuli Turovsky

(40:48) Romance for Cello and Piano Scriabin from Russian Legends

(42:56) could you buy this independent podcaster a coffee?

(43:32) Brazilian composers,  Chiquinha Gonzaga, women composers, Silvie’s duo with violist Georgina Rossi

(45:24) Silvie’s work as a teaching artist Orto centre and Living Arts Collaborative

(50:36) family history, parents’ support

(54:08) Silvie’s mentors Jeffrey Cohen, Menahem Pressler

(57:21) learning music, comparing the analytical and intuitive

(01:01:25) Bonjour Strad cello

(01:03:07) Silvie coping with different pianos on tour, pianists’ psychology

(01:05:12) Bryan’s reflections on competitions

(01:08:46) pre-concert routines and mindset

(01:11:20) tour to India, Dinuk Wijeratne “Portrait of an Imaginary Sibling’

(01:14:27) excerpt from Dinuk Wijeratne “Portrait of an Imaginary Sibling’

(01:17:05) tour to India

This podcast strives to inspire you through the personal stories of a diversity of musicians worldwide, with in-depth conversations and great music, that reveal the depth and breadth to a life in music. 

This week’s episode is with the wonderful harmonica player and composer Ariel Bart. I first started listening to her music with her debut album, “In Between” in which she presents a unique approach to the harmonica and all her albums feature her original music which is inspired by the European jazz tradition and the Middle-Eastern world. Ariel began playing the chromatic harmonica at the age of 7 and since then it’s been her primary instrument.  We’re including music from several of her albums. You’ll hear  about some of her inspiring mentors and collaborators and her positive experience at the New School University for Jazz and Contemporary Music in New York City, including working with Reggie Workman, Shai Maestro, and Jane Ira Bloom. We also talked about the music business, and her delight in using storytelling and film with her music.  Like all my episodes, you can also watch this on my YouTube channel and I’ve also linked the transcript to my website, everything linked together here: https://www.leahroseman.com/episodes/ariel-bart

Besides being the host, I take care of all the many jobs of research, production, and publicity for this podcast, and I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman

Did you know that this podcast is in Season 4, and that I send out a weekly email newsletter where you can get access to Sneak Peeks of upcoming guests and be inspired by highlights from the archive? Sign-up here: https://mailchi.mp/ebed4a237788/podcast-newsletter

Ariel Bart website: https://www.arielbart.com/

Take a Ten Minute Break, solo Nine Souls video: https://www.youtube.com/watch?v=T8VnpGV2b58

Timestamps:

(00:00) Intro

(02:51) Ariel Bart’s harmonica journey and music education, starting to compose

(07:40) In Between

(13:16) Brendan Power, chromatic harmonica, playing technique

(18:15) harmonica improvisation

(20:03) Ariel’s influences and mentors, Jane Ira Bloom, New School in New York, Reggie Workman, effect of many influences

(28:36) please help this series keep going!

(29:13) making Teardrop narrative video, storytelling

(31:55) Teardrop

(35:18) The Trio Project 

(37:52) part two Listening to Shame from The Trio Project

(42:12) writing for film, collaborations cellists Mayu Shviro, Talia Erdal

(46:17) European contacts, the challenge of teaching

(48:56) the need to learn the business side of a music career

(52:32) clip from Deep Down with Omri Bar Giora

(53:23) creative process, the importance of collaboration

(54:56) the novelty of the harmonica for audiences, listening to singers

(56:01) Nine Souls film project Take a Ten Minute Break

(57:33) Nine Souls ensemble version from album Documentaries

Dr. Gail Archer is a GRAMMY-nominated internationally touring concert organist and trail-blazer for women organists.  She has fantastic advice on not only approaching a career in music, but in living life to it’s fullest. We talked about learning languages, some fascinating history, the magic of choirs and much more. This episode features music from several of her acclaimed recordings, and we discuss women composers, and the challenges facing women organists. We also speak about Musforum the international network for wormen organists that she founed. Gail’s work highlighting composers from many Eastern European countries including Poland, Ukraine, Bulgaria and Russia was a big part of this conversation and you’ll hear some of this music as well as that of Fanny Mendelssohn, a discussion of the Bach revival and interesting details about J.S. Bach himself, and one of Gail’s recordings of one of his sublime Chorale preludes. I learned a lot about the history of the pipe organ and gained not only a better understanding of the instrument and it’s vast repertoire, but I also gained important insights into the work of choir directors. One of the main topics Gail addressed was how to build a robust career and live a full life, with sensivity, curiosity,  intelligence and determination. 

Gail Archer website: http://www.gailarcher.com/

I really do need the help of my listeners to keep this project going; please consider buying me a coffee through my support page which is linked to Paypal: https://ko-fi.com/leahroseman

Timestamps: 

(00:00) Intro

(03:32) playing on different organs

(05:55) J.S. Bach Chorale preludes, Fritz organ

(08:30)  Chorale Prelude An Wasserflüssen Babylon, By the Waters of Babylon, from Gail Archer’s album "J. S. Bach The Transcendent Genius"

(13:02)  history of the organ

(26:17)Fanny Mendelssohn Prelude in G major from Gail Archer’s album “Mendelssohn in the Romantic Century”

(28:36) Musforum and sexist challenges facing women organists 

(36:47) please support this series!

(38:23) scene in England and Europe for women organists

(39:25) Eastern European organs, Chernivsti

(45:22) Chacona by Svitlana Osgtrova from album Chernivsti

(48:28) St. John Cantius in Chicago rescued organ from Canada, Polish album

(51:28) excerpt from Grazyna Baciewisz Esquisse on album Cantius

(51:53) interpreting repertoire, choosing registers, Messiaen, Bulgarian project

(58:08) Baroque performance practice

(01:00:01) choir director, the magic of choirs, building her career, Harriman institute at Columbia

(01:07:07) learning Russian and Italian

(01:10:02) choral director, priorities working with choirs

(01:15:10) books and history, Mendelssohn family, Clara Schumann, Bach revival

(01:24:02) advice, how Gail built her career

Gerry Bryant is a brilliant classically-trained pianist, composer, and arranger. He came from a poor inner-city Cleveland neighbourhood, and was givin an opportunity to attend the prestigious Phillips Academy, then Harvard university. He went on to get an MBA and a law degree, all the while continuing the expansion of his knowledge of different styles of music, and forming his jazz group Pocketwatch. This episode partly focuses on his Composers album, with music of Florence Price and Thomas Wiggins who was known as Blind Tom to his slave masters. Gerry reflects on how access to a musical education changed his life, and how wonderful it has been to discover and champion Black composers. One of the musicians that Gerry has collaborated with many times is the wonderful and versatile violinist Mark Cargill, whose playing is also featured in this episode. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/gerry-bryant

Can you buy this podcaster a coffee to support this series? ⁠https://ko-fi.com/leahroseman⁠ Thanks!

Gerry Bryant website: https://www.gerrybryant.com/music

Follow me on Social Media: ⁠https://linktr.ee/leahroseman⁠

Complete Catalog of Episodes: https://www.leahroseman.com/about

Did you know that this podcast is in Season 4, and that I send out a weekly email newsletter where you can get access to Sneak Peeks of upcoming guests and be inspired by highlights from the archive: https://mailchi.mp/ebed4a237788/podcast-newsletter

Timestamps:

(00:00) Intro

(03:18) The Composers album, Thomas Wiggins “Blind Tom”

(08:39) Rêve Charmant by Thomas “Blind Tom” Wiggins performed by Gerry Bryant

(17:16) blind musicians, learning by ear, Gerry Bryant first teacher Ethel Morton, going to Phillip’s Academy, Albian Metcalf

(23:27) inspiration and problems with comparing ourselves to great masters

(29:15) Florence Price

(33:18) Florence Price Piano Sonata in E minor, 2nd movement Andante, The Composers album

(40:49) Florence Price

(41:46) please help me keep this series going! 

(42:24) violinist Mark Cargill, Florence Price

(46:33) Andante con espressione by Florence Price for violin and piano Mark Cargill and Gerry Bryant 

(51:08) Gerry’s experience going to Phillips Academy in Andover and then Harvard

(01:02:03) accissibility in arts education

(01:06:42) commonalities between people in different creative disciplines like acting, music, visual art, and the importance of nurturing creative expression

(01:14:12) Gerry’s full life, and Pocketwatch jazz ensemble, getting a law degree and MBA

(01:24:19) What Could Have Been with Pocketwatch at Kulak’s 

(01:31:29) the healing power of music and Gerry’s volunteer work

(01:41:31) entertainment lawyer, California Lawyers for the Arts, balancing his life and new album

(01:53:06) Gerry’s foray into acting

This week’s episode is a Catch-Up episode with the renowned film and televison composer and multi-instrumentalist Pat Irwin, and we are featuring lots of Pat’s music for you today in different styles from many of his projects. 

In my previous episode with him from 2023, Season 3 of this podcast, we talked about his days with the B52s and composing the score for Dexter: New Blood, and we also talked about his band SUSS and his work mentoring graduate students, and so much more . I encourage you to click on the link to that earlier episode if you missed it: https://www.leahroseman.com/episodes/pat-irwin

Today’s conversation also jumps around Pat’s varied and fascinating creative life. You’ll hear more stories and music from some of his acclaimed cartoon music from Rocko’s Modern Life and songs from Pepper Ann.  We talk about, and you’ll hear music from some of his projects,  including rocking out with the PI Power Trio with Sasha Dobson and Daria Grace,  and new albums coming out with Cynthia Sley, with SUSS and with Julia Heyward.  I’m blown away by Pat’s detailed memory and this episode is rich with interesting stories, and also his down-to-earth advice. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/pat-irwin-2024-catch-up

Pat Irwin website: https://patirwinmusic.com/

Can you buy this podcaster a coffee to support this series? ⁠https://ko-fi.com/leahroseman⁠ Thanks!

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Follow me on Social Media: ⁠https://linktr.ee/leahroseman⁠

(00:00) Intro

(03:25) writing music for Disney’s cartoon Pepper Ann, touring with B52s

(10:06) music: Enough, song from Pepper Ann musical episode

(12:10) process of writing and recording for Pepper Ann

(14:21) music: Photosynthesis, song from Pepper Ann musical episode

(15:45) collecting instruments, Ray Beats archives

(19:32) Rocko’s Modern Life, getting the band back together

(22:53) music: Junk Junkies from Rocko’s Modern Life soundtrack

(26:09) music: Bookshop from Rocko’s Modern Life soundtrack

(27:27) getting the Rocko’s band back together

(29:33) re-purposing music, SUSS new album

(36:55) music: Heat Haze SUSS

(41:28) But I’m a Cheerleader

(43:59) how and why to pitch 

(49:54) Nurse Jackie

(50:15) music from Nurse Jackie

(50:13 advice for preparing reels, learning collaboration, students at NYU and Brooklyn College

(01:01:14) can you buy me a coffee? Thanks for supporting the series!

(01:01:56) music from Nurse Jackie

(01:01:55) learning to collaborate as a media composer

(01:04:53) Cynthia Sley Command V, Bush Tetras 

(01:07:05)music:  Command V with Cynthia Sley Lost On Me

(01:11:58) changes in the music industry

(01:16:18) the PI Power Trio Sasha Dobson, Daria Grace, Pat’s love of instrumental Rock ’n Roll

(01:21:48) music: The Walk PI Power Trio

(01:25:05) George Scott, Raybeats, PI Power trio

(01:29:10) film When Last Seen 

(01:30:04) music from Pat’s score to film When Last Seen

(01:31:39) working on When Last SEen, T Venus with Julia Hayward

(01:35:11) music: excerpt from Smile, Don’t Touch That Dial with T Venus Julia Hayward

(01:36:32) the importance of frien