Create Art Podcast

Create Art Podcast

By Timothy Kimo BrienArtsLeisurePerforming ArtsHobbies
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Create Art Podcast episodes

  • National Poetry Writing Month 2022 April 5th 2022

    History of National Poetry Writing Month

    National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada.

    NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

    This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

    My History with National Poetry Writing Month

    I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021.

    April 5th Poetry Prompt

    And now for our prompt (optional, as always). Today, I’d like to challenge you to write a poem about a mythical person or creature doing something unusual – or at least something that seems unusual in relation to that person/creature. For example, what does Hercules do when he loses a sock in the dryer? If a mermaid wants to pick up rock-climbing as a hobby, how does she do that? What happens when a mountain troll makes pancakes?

    April 5th Poem

    The Tame Sagittarius  

    5 April 2022 

    He sat in his stable and suffered through another gout attack 

    It had been forever since he had done archery practice 

    The catgut string on his bow was frayed and unusable 

    His belly had grown enormous 

    The oats he ate were replaced with Mt Dew and anything from Uber Eats 

    And nights that usually were the best time for hunting 

    Was now spent on video games 

    He had given up 

    He bought into the dream of leisure 

    The never-ending quest for the next thing ended abruptly  

    As those who honored his spirit  

    Emulated his independence 

    Decided that questing was only for the flickering screens 

    He had no reason to lead his followers 

    Or fulfill the visage they had of him 

    The immortality that many of us devote our lives, wealth and emotion on 

    Turned into an unspeakably horrible prison 

    And he just sat there and wallowed in his misery 

    Decades had passed while he was in this state 

    Until there was none left that followed the path he led for eons before 

    And when the last follower had passed away 

    The Sagittarius blinked out of existence 

    With no fanfare, no burning barge 

    Until one day a mortal discovered the writings of his former followers 

    He heard the call to bring him back into our realm 

    His legs gained strength 

    His heart began beating again 

    His vagabond mind started to drive him towards his newest disciple 

    And once again he took his spot in the pantheon of the gods 

    He regained his drive to search the cosmos 

    And imparted immortality to his mortal connection 

    As they explore the Universe together   

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod



  • This podcast uses the following third-party services for analysis:

    OP3 - https://op3.dev/privacy
    8 min
  • National Poetry Writing Month 2022 April 4th 2022

    History of National Poetry Writing Month

    National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada.

    NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

    This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

    My History with National Poetry Writing Month

    I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021.

    April 4th Poetry Prompt

    Finally, here’s our optional prompt! Today, I’d like to challenge you to write a poem . . . in the form of a poetry prompt. If that sounds silly, well, maybe it is! But it’s not without precedent. The poet Mathias Svalina has been writing surrealist prompt-poems for quite a while, posting them to Instagram. You can find examples here, and here, and here.

    April 4th Poem

    Poetry Prompt for Those Who Know They Are About to Die

    4 April 2022

    1. Don’t try to write like Sylvia Plath. We already have one and the world does not need another. Also, remember that your home warranty does not consider using the stove for suicide as normal wear and tear, so your family will be required to pay for a new stove.

    2. If you must rhyme then please don’t make it obvious, if I can guess the rhyme then I get to say it along with the person eulogizing you.

    3. Read some of the greats, but don’t think this will put you in the pantheon of poets. If it's your first time writing a poem, it is going to suck, and you don’t have much time to get it right or edit.

    4. Don’t make this like Kiss’s multiple farewell tours. We all love Kiss, we know that one day they will stop, refer to prompt #1 for reference.

    5. Don’t write something cryptic or esoteric that we would need to have someone decipher for us. Most people don’t have the time to figure out your sudoku of a poem.

    6. If you have already been visited by celestial beings, please for the love of god transcribe what they told you verbatim. You won’t be able to tell us what they really meant and for those of us being left behind that information could be really useful.

    7. Think about your audience and whom you want to hear this poem. Then think about how you want them to listen to this poem and keeping in mind their emotional state.

    8. If you want someone else to read this aloud at your funeral, use simple words. No one wants to mess up a 64,000-dollar word in front of grieving families.

    9. Once you have considered all of these suggestions, then please go ahead and write your swan song. Don’t call it your swan song because Led Zepplin said it better.

    10. Write the poem before you are too far gone. Like once you get done reading this line then you should go ahead and start your poem. You may believe you know when you are going to die, but sometimes the grim reaper is ahead of schedule, and they don’t have time to hear you beg for a few more minutes or asking them to help you find a word that rhymes with orange.

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod



  • This podcast uses the following third-party services for analysis:

    OP3 - https://op3.dev/privacy
    8 min
  • National Poetry Writing Month 2022 April 3rd 2022

    History of National Poetry Writing Month

    National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada.

    NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

    This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

    My History with National Poetry Writing Month

    I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021.

    April 3rd Poetry Prompt

    And now for our (optional) prompt. This one is a bit complex, so I saved it for a Sunday. It’s a Spanish form called a “glosa” – literally a poem that glosses, or explains, or in some way responds to another poem. The idea is to take a quatrain from a poem that you like, and then write a four-stanza poem that explains or responds to each line of the quatrain, with each of the quatrain’s four lines in turn forming the last line of each stanza. Traditionally, each stanza has ten lines, but don’t feel obligated to hold yourself to that!

    April 3rd Poem

    To Tallulah Belle

    Exhausting our hearts to their last desires,

    They both shall be like unto two glowing coals,
    Reflecting the twofold light of their fires
    Across the twin mirrors of our two souls.

    Charles BAUDELAIRE The Death of The Lovers, The Flowers of Evil

    1.

    Upon my furry chest

    Emblazoned in ink and blood

    Resides our spirit animals

    Penned by a former student

    Who has found her hearts desire

    Above my heart

    If you shave away the layers of hair

    I have made my declaration eternal

    Until we have

    Exhausted our hearts to their last desires

    2.

    When we found each other

    I was not ready to surrender

    Not knowing what it meant

    This elusive feeling

    I needed to take more time to discover

    Who I really was

    The fire burned in me all those years between

    Until the day we found each other again

    And the words unspoken on our day

    They shall both be like unto two glowing coals

    3,

    The hue of our feelings did not match

    I used suspicion, unhealthy introspection and lust

    To fuel the flames of what I called love

    This had never worked in the past

    But for some self-sabotaging reason

    I thought, as taught by those who I modeled

    That this would supply me with enough emotion

    Until we both entwined our inner flames

    And merged into a fire that the gods could be blinded by

    Reflecting the twofold light of our fire

    4.

    You have claimed your name

    After years of hiding behind a pseudonym

    And I have claimed the love you give

    Without reservation or investigation

    This led us to try the unthinkable

    Raising a family where agreement rises above argument

    Where the love we learned (and still learn) to combine

    Is fueled by that which we haven’t known

    In the eyes of our offspring, we see shadows of our old selves

    Across the twin mirrors of our souls

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod



  • This podcast uses the following third-party services for analysis:

    OP3 - https://op3.dev/privacy
    8 min
  • National Poetry Writing Month 2022 April 2nd 2022

    History of National Poetry Writing Month

    National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada.

    NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

    This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

    My History with National Poetry Writing Month

    I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021.

    April 2nd Poetry Prompt

    And now for our daily prompt (optional, as always). Today, I’d like to challenge you to write a poem based on a word featured in a tweet from Haggard Hawks, an account devoted to obscure and interesting English words. Will you choose a word like “aprosexia,” which means “an inability to concentrate”? Or maybe something like “greenout,” which is “the relief a person who has worked or lived in a snowy area for a long time feels on seeing something fresh and green for the first time”? Whatever you choose, happy writing!

    April 2nd Poem

    Peel The Bones 

    2 April 2022 

    *Peel The Bones is the phrase I chose. PEEL-THE-BONES was a 19th century term for bitterly cold or windy weather—so to PEEL was to go out in unsuitable or insufficient clothing given the conditions.

    I had spent the hottest summer of my life up until then in San Antonio 

    With a man snarling at me for 6 weeks 

    Telling me bad things about my Mama 

    And threatening me with 6 more weeks of hell 

    If I didn’t finish a mile and a half run 

    He had our squadron up at 0400 every morning 

    Because he loved to run 

    And now I was running for my life 

    His breath on my neck 

    His threats 

    I’d never run so hard and so fast 

    And just like that I was headed back to Illinois 

    For the comfort of the snow and ice 

    Only to be told that I would be headed back to Texas in February 

    When I arrived in my death machine from the 70’s 

    It was Mid-Texas 

    Abilene, prettiest town I have ever seen 

    People there don’t treat you mean 

    But damn the weather was nothing I’d ever seen 

    In sweet Abilene, my Abilene 

    It was there that I began my fascination with working all night 

    It prepped me for grad school 

    It prepped me to be a dad of twins 

    But nothing prepped me for the wind 

    From big sky country 

    Nothing stopped the oppressive blowing 

    The howling, the strange noises from what I hoped were animals 

    I climbed on the expeditor truck that held 8 men 

    Each had black coffee steaming up to the dim light 

    Some were snoring 

    Others were playing cards 

    While we waited for the call 

    That would drop us off to fix the metal birds 

    That would become my reason for being there 

    We pulled up to tail number 1666, the little gremlin 

    SGT Couter called out Electrics 

    My trainer and I stood up 

    I grabbed the toolbox that almost froze to my bare hands 

    It was a liquid oxygen leak 

    And we would spend the next hour in the front wheel well 

    Two men, in the dark and cold 

    Our lower halves being pummeled  

    My field jacket was still packed away 

    My thermals were probably left at my home of record 

    That was the first night of my mistake 

    Being from Chicago 

    I thought I knew what freezing was 

    I thought I knew how ruthless mother nature could be 

    Seeing snowfall in June made me think I could endure anything 

    And that all Texans wore cowboy hats and died  

    When it got below freezing 

    But whatever deity was on call that night 

    Was more than determined  

    To give me the worst possible welcome 

    I considered peeing on myself to warm my legs 

    When my trainer told me 

    Next time dress for success 

    Don’t think that piss will warm you up 

    Because you’ll get frostbitten 

    And the expeditor won’t let you back on his truck 

    So, I stood in the cold that night 

    Thinking I’d never be warm again 

    Thinking that the frozen demons from home followed me here 

    Thinking it was too damn cold to think 

    My trainer took pity on me 

    He offered a drink of his coffee 

    Warned not to backwash 

    No sugar, no cream, just the blackness 

    The heat that kept me awake 

    That kept me alive 

    When we finished two hours later  

    It seemed like forever 

    He taught me how to make mud 

    And now every time I drink it 

    I shiver for a few moments 

    Then I drain the cup and pour another 

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod



  • This podcast uses the following third-party services for analysis:

    OP3 - https://op3.dev/privacy
    11 min
  • National Poetry Writing Month 2022 April 1st 2022

    History of National Poetry Writing Month

    National Poetry Writing Month (also known as NaPoWriMo) is a creative writing project held annually in April in which participants attempt to write a poem each day for one month. NaPoWriMo coincides with the National Poetry Month in the United States of America and Canada.

    NaPoWriMo, or National Poetry Writing Month, is an annual project in which participating poets attempt to write a poem a day for the month of April.

    This website is owned and operated by Maureen Thorson, a poet living in Washington, DC. Inspired by NaNoWriMo, or National Novel Writing Month), she started writing a poem a day for the month of April back in 2003, posting the poems on her blog. When other people started writing poems for April, and posting them on their own blogs, Maureen linked to them. After a few years, so many people were doing NaPoWriMo that Maureen decided to launch an independent website for the project.

    My History with National Poetry Writing Month

    I started writing poetry in 1988 after I had been exposed to T.S. Elliot in my honors English class in high school. In 1992 I started reading my poetry publicly at Espesso Europia Coffee Shop in Abilene Tx while I was in the United States Air Force. This continued for many years when I ran my own poetry reading at Cannova's in Loves Park Illinois and attended the poetry slams at The green Mill in Chicago Illinois. While living in Rockford Illinois I published my first book of poetry Throwing Yourself at the Ground and Missing in 2007 followed by Postcards From Someone You Don't Know in 2008 Wisdom From the Sack in 2010 and Shaving Crop Circles In My Chest Hair in 2017. You can get copies of all of these books in my merch section. In 2009 I started participating in National Poetry Writing Month which became the basis for my book Wisdom From the Sack and Shaving Crop Circles in My Chest Hair. In 2020 I started publishing my podcast version of the challenge and those can be viewed here for 2020 and here for 2021.

    April 1st Poetry Prompt

    And last but not least, our optional prompt! I got this one from a workshop I did last year with Beatrix Gates, and I’ve found it really helpful. The prompt is based on Robert Hass’s remarkable prose poem, “A Story About the Body.” The idea is to write your own prose poem that, whatever title you choose to give it, is a story about the body. The poem should contain an encounter between two people, some spoken language, and at least one crisp visual image.

    April 1st Poem

    Left Hand Blues 

    1 April 22 

    When I crashed my third motorcycle on a Friday night 

    Under the limitless mid-Texan sky 

    Tumbling over the handlebars of a bike with an unknown bent frame 

    Instinctively, I put out my arms to catch myself 

    But going 60 down a deserted highway the only thing that broke 

    Was my left wrist and my pride 

    Observers to this midnight race ran towards the danger 

    And took my body and my bike to the side of the road 

    Someone pulled out some cold sweaty beer cans  

    To control the instantly swelling wrist 

    And others who had succumbed to the magical elixir 

    Argued with those who were less inebriated  

    The drunks thought that good beer was going to be wasted on my gullet 

    The levelheaded ones used their commanding voices and won out 

    My bike was collected and put in the bed of a truck 

    I was pushed into a car and was raced to the hospital 

    A story was concocted, a lie had to be made 

    One that would stick  

    And that lie has brought me to where I am today 

    Chicks dig scars was what they told me 

    We’ll call you lefty from here on out 

    I got to keep my hand that night 

    But I had to lose out on a future that I’ll never know 

    A career cut short,  

    Lands never traveled 

    Possibilities never realized 

    Chicks do dig scars 

    As my children trace the lines that hold my hand together 

    They are overly empathetic and murmur apologies and concern 

    Thinking they can make my major boo boo better with their innocent kisses  

    And soft caresses 

    Just like my kisses and soft caresses fix their boo boos 

    These scars show that I have lived 

    I have taken chances that I probably shouldn’t have 

    These scars show the death of possibilities 

    For a life I thought I wanted to live 

    And a whole realm of regret that I do not have to endure 

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod
  •  



  • This podcast uses the following third-party services for analysis:

    OP3 - https://op3.dev/privacy
    8 min
  • Commentary Overcoming Imposter Syndrome

     

    We Are Not Imposters

     

    There is a term you may or may not have heard and it is called imposter syndrome, and how you overcome it is what we will talk about today. Do you listen to that little voice inside your head that says, they will find out that you have no idea what you are doing? Have you allowed that voice to stop you from trying something new or working on your creations? These thoughts and more cross my mind every time I sit down and being to write something or record a podcast or try to do a new type of project.  

     

    What I do to Overcome Imposter Syndrome

     

    • Solicit feedback from a mentor or your audience
  • Review and remind yourself of your body of work
  • Think about the path you have taken
  • Learn about imposter Syndrome and ways you can fight it

  •  

    Links To Articles on How to Overcome Imposter Syndrome

     

    • Culture And Creativity
  • Artwork Archive

  •  

    Reaching Out

     

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

     

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod

  •  

    Transcript of the Show

    Introduction to Overcoming Imposter Syndrome

    Create art podcasts, commentary overcoming imposter syndrome. Hello friend. This is Timothy Kimo. Brian, your head instigator for create art podcast where I use my 20 plus years of experience in creating art and teaching others. Do you listen to that little voice inside your head that says they will find out that you have no idea what you're doing.

    Have you allowed that voice to stop you from trying something new or working on your creations? Has it crossed your mind that you were too late to be a creator and that you are too far behind the time? Well, these thoughts and more cross my mind. Every time I sit down and begin to write something or report or record a podcast or try a new type of project.
    Now, if you've been following me for any amount of time, you'd know that these voices don't always stop me. And today I'm going to help you not be stopped by these ideas that come into our head from time to time. Now there's a term you may or may not have heard and it's called imposter syndrome and how you overcome it is what we're going to talk about today.

    Ways I fight Imposter Syndrome

    I'd like to make a distinction before I get too far into this episode, and that is the inner critic versus imposter since. Now the inner critic for me is useful. It helps me make better work. It pushes me to do better and points out my mistakes. It can be harsh, but I don't let it stop me from doing the work.

    Now, imposter syndrome is a little bit more outward focused. The thought of my audience or colleagues will figure out that I'm a fraud that I don't really know what I'm talking about. The common denominator for this is that you are concerned about others, opinions of your work. Now, here's the thing you can't control.
    What other people think about your work, but there are things you can do to silence that voice and make the voices in your head more beneficial and help you to create better work. The first thing I suggest is to solicit feedback from your audience or a trusted. Now you may need to pay for that feedback because you're utilizing someone else's time and knowledge and more than likely by paying for that advice, it will be more unbiased.
    Now in the past, I've hired someone to review my work and give me input on how to make it better. You can see that through my body of work that my podcast have gone through and they've become a higher quality than when I first started in 2006. Now I look at this as investing in my art by getting the feedback to improve, which is something that we should all be trying to do.
    Now, something else you can do when these voices start to bombard you. Is to take a look at your body of work with fresh eyes. When we, when you see what you have, that you have a large body of work, then you have ammunition that you need to silence those thoughts of inadequacy. When I think of all the episodes I have done since 2016, the number is staggering for me.
    Now I've started four podcasts and have participated in numerous podcasts as a guest. If I count up all the episodes, I'm well over 300 now, most people don't get past a hundred episodes. And quite frankly, most people really don't get past episode seven or 10. Now, obviously I've outpaced that while being a husband, a father, and working a full-time job, not too shabby.
    And it's a point of pride for me when those voices and or my head, that's usually my first way to silence my inner imposter. I reasoned to myself that if I was a phony, I would have stopped doing this a long time ago. Now, while you're looking at your body of work, think about the classes you have taken or the knowledge you have gained from the first time you tried your practice.
    Until today for me, I attended a local meetup on podcasting for about three years every month. And that was run by my good friend and partner at gaggle pod, Kyle, by. Now I've also attended podcasts and conferences in DC and New Jersey, as well as speaking at those conferences before the pandemic. I remember I was speaking in Atlantic city, New Jersey for indie pod con, and I actually had a flare up related to my AMS.
    And I couldn't read my notes for the presentation when I got done, because I did finish. Hey, the show must go on. I had a few people walk up to me and let me know that I did a great job. And then when I told them what happened, they couldn't tell that anything was wrong.
    The networking I've done in those situations has been priceless. And these people I'm sure would have taken me aside if they thought I was faking it and had to talk about. While the pandemic was going on. I did what most people did. I attended these conferences online. Again, I learned a great deal of knowledge and networked with a number of people.
    Now, if that was a fake, you would think at least one person out of all those people would have said something to me.
    The last tactic I would say to employ is learning about what imposter syndrome is and how to fight. Much like you're doing right now at the conferences I've attended. And many of the books I've read, I'm able to recognize when these thoughts enter my head. And I realized that many artists suffer from this issue.
    Basically you are already taking the first step in battling imposter syndrome. So congrats to you. If you understand it. About different ways to cope with it. You will be able to push through those times. You may need to take a break from your art for a short time. Hey, you're the boss in this endeavor. So make sure you are getting enough rest and go out and be inspired by other forms of.
    Also, it helps to talk with other artists that are maybe a notch above where you are and ask how they deal with imposter syndrome. You know, you would be surprised that the people that you admire are actually a human being and they have weaknesses that you may not, you may not see, and that should inspire you on your job.
    You can also talk with a therapist on this topic as well. It could be something more deep seated that needs attention and treatment. The big point here is this don't go it alone, grab ideas and try them out. Treat the art world like a buffet and take what works for you. And you can always reach out to [email protected] and be you I'll be happy to help you out on your journey.

    Articles Discussing Imposter Syndrome

    So you've heard what I do. Let's look at what other people with impaired loads let's look at, what other people do with imposter saying. On the website, culture partnerships. It's an article titled imposter syndrome, what it is and how can creative people overcome it? The author discusses the typical definition of imposter syndrome and it looks at possible causes.

    Looking at the possible causes. The author refers to an article on imposter syndrome from a psychologist in Atlanta, Georgia. Basically the psychologist posits that there are two family models that may lead to. One is where the, uh, parents treat their children differently and label them. And the second model is where the parents idolized their children or idealized their children.
    Actually. Now, as a parent of twins, this strikes me close to my heart. And as their research, this topic for the episode and found this, I thought back to how I've been parenting my kids and. At that time, a bit of imposter syndrome decided it would be a good time to pop out and hit me. So it's not just having it as an artist, but also as a parent, you know, I tell myself and my spouse tells me that I'm doing a good job and I know I'm doing the best that I can with the information at hand.
    All right, woof. Okay. Onto the rest of the article. The other idea that really intrigued me was the idea that imposter syndrome may be good for us. Right? I know I was confused as you are, but the way they're looking at imposter syndrome is using it to your benefit. The three ideas that they presented here is the first one.
    It shows that you're challenging yourself. Now I've always been a proponent of trying new things and getting out of your comfort zone in order to show your art. So I can agree with this. Number two, you keeps your ego in check. And I agree to this to a point, but if you're susceptible to self-sabotage, this can easily stop you in your tracks.
    Third point, it shows that you're gaining experience and they refer to a quote from Aristotle where he says the more, you know, the more you don't know. Now I discovered this in college. When I was, when I asked a professor, I don't know what I don't know. So how can you, how can I ask you questions about the unknown?
    I'm still waiting for the answer and I'm still paying on my student loans. Now, as we progress through our practice, we will come upon new things that are outside our experience or knowledge. And that's okay. You were experiencing the unknown and it may be just a reaction to it. Recognize that and move on.
    The next article I researched was, uh, by artwork archive and it was entitled eight ways to overcome imposter syndrome as an artist. Now, the first point they bring up is recognizing your negative thoughts and changing them. When we know we are in the grips of these thoughts, then we can start to get out of the fog that it causes and get back to our creative lives.
    The second point is to become a risk taker. If that is something you, you know, if that's something you're known for doing, then it's going to help you battling these thoughts of inadequacy. When we take risks, we don't always hit a home run and Hey, that's okay. Look at, you know, major league baseball. No one has a, a, a thousand, uh, batting average.
    There they're happy if they get three out of 10, at least we are trying. And that's the important thing. The third point is, you know, to keep eight bragged bag. Now I've heard many podcasters have a file on their computer that has the emails of folks that have written to them to let them know the great work that they have done and how they helped them out.
    If someone has paid you a compliment, make sure you keep it and refer to it as. Also bonus points, make sure you reach out to artists, you respect and admire and let them know what they have done for you. Just putting it out there. You can always shoot me an email Timothy yet create art podcast.com.
    That's a great place to start. Number four is, um, if you can't trust yourself, then go ahead and trust somebody else for awhile. You know, we are not unbiased about our work. So let's to somebody who is, whether it's a mentor therapist or coach ask for feedback and act on that feedback. You know, I've had many times, many times people at poetry readings come up to me and say that they're stuck or their stuff is awful and I'll give them my honest opinion.
    And then I'll give them some advice on how I got better and continue to get better. The fifth point is to treat yourself like your best friend. Would you let anyone talk to your best friend the way your brain talks to you? Sometimes? Well, as I tell people, you are the one that has to sleep with you every night.
    So treat yourself better. Point six is to get more comfortable sharing your work publicly. You need to develop a thick skin, realize that your work is not for everyone. And here's the tricky part. You have to be okay with. If you don't put yourself out there, no one will know what you're doing. Even if that just means doing things online, put it out there.
    The act of putting it out there is a brave act. The seventh point is to mentor someone in your area of expertise, just the act of doing that will help you deal with your struggles and maybe the person that you're mentoring. Has a trick that you need to overcome your imposter syndrome. The last point is to find value in what is different.
    Now don't try to compare yourself to other artists because everyone has their own path. Instead of struggles, to deal with, look at their works, be inspired by their story, but realize the artist you admire has their own path and your path is just as valid.

    Final Thoughts on Imposter Syndrome and Closing

    Well, I hope you got something great out of this podcast. One of the reasons I do these types of episodes is so that I can remind myself of these things of what I've learned. Yup. I too suffer from imposter syndrome from time to time, but I don't let it stop me and I don't want it to stop. If you find value in this episode or this podcast, please share it with a friend.

    Reach out to me again. It's at Timothy and create art podcast.com. I'd love to know what you're doing to overcome imposter syndrome. And Hey, I'd love to have you on the show to talk about your artistic journey. So until next time, go ahead and team that inner critic create more than you consume. Overcome that imposter syndrome.
    And go make art for somebody you love yourself.

     



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    17 min
  • Conversations On Creativity with Kinja Dixon

    Being a Creative Powerhouse

    Hello friends, this is a rebroadcast from my old show KDOI Podcasting. In the last season of that show I took on various topics and had conversations with fellow artists about those topics. In this episode I talked with Kinja Dixon who was and sill is a powerhouse of creativity. his story will inspire you to go out there and be a creative. I do want to share a special shout out to my good friend Chris jones of the Art & Business of Writing Podcast for putting me in touch with Kinja and being a supporter of this show.

    Links for Kinja

    • Kinja's Website
  • Dixon On Demand
  • Chris Jones's Interview with Kinja

  • Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod
  •  

  • [podcast_subscribe id="207"]

    Transcripts

    Create Art Podcast KDOI ReBroadcast Conversations on Creativity with Kinja Dixon

    Tim: Create art
    podcast, Katie or I rebroadcast conversations on creativity with Kendzia Erickson.
    Hello
    friends. This is Timothy Kimo.
    Brian, your head instigator for great
    art. Where I bring my 20 years plus experience in the
    world, education and art.
    My previous podcast was K DOI
    podcasts, which stood for chemos den of equity. And of course we did a name change a while back,
    but I wanted to bring,
    especially this episode out to you, instead of letting it, you know, kind of sit in my external hard drive.
    This episode, we're going to be talking about creativity and time management. And we're talking with Kendzia Dixon. When I did this interview, all my gosh, Kenya
    has so much energy that literally, luckily I have a couch right next to my studio here,
    and I had to take
    a nap because of all the energy that he was
    pushing.
    So I hope you enjoy this rebroadcast of Katie Oli podcast. I hope it helps you tame your inner critic and create more than you can sell.
    Enjoy.
    Hey everybody, this is your friend, Timothy Kimo, Brian, the host of Katie or iPod. This episode is going to be a little different. We're going to tackle two subjects instead of one. So we're going to do creativity and some time management. And this one now this week we have on Kendzia Dixon, he's recognized unanimously unanimously as the number one sales executive in the world in 2013.
    And he's the first to win the gold Stevie and a R D a award in the same. Kendra is the author of three books. And in demand, public speaker is interactive course Dixon on demand and theatrical experience. The recreation encounter has helped thousands of people reshape their lives. His latest book, little solar book of superpowers takes young people on an interstellar journey of self-discovery as they learned the meaning of living with character and convince.
    Now you can learn more about [email protected] and Kendzia is spelled K I N J
    a
    all right, folks. So I want to thank you. Again, tuning into chemos den of iniquity. K DOI, podcasting, head instigator here, Timothy chemo, Brian. You know, folks we try to bring on guests here that really can speak to the conversations that we've started up here in season three. And tonight is is no different.
    We're bringing. Kanja Dixon. And he's going to be talking to us tonight about creativity and time management. Now, earlier you heard me talking about his very impressive resume for everything that he's been doing here lately, a big thing is he's got. S little solar book of superpowers coming out.
    It is actually out already, and I'm definitely going to be getting a copy for my girls. And you all should get a copy for your girls or guys if you've got boys as well. But I definitely wanted to bring on Kenji here at tonight to talk to us about creativity and time management, Kenya. How are you doing this?
    Kinja: On believable, just in a space of just pure joy. So many beautiful things have been happening within the last few weeks that are stemming from just following this process that I'm hopefully be able to share tonight, but I'm just honored to be up here and happier today than I was yesterday with the intention to be happy tomorrow.
    Tim: You know, that's a fantastic outlook in life. I just love your energy coming through here, coming through their airwaves. And I know, I know my audience is going to be feeling this when they're listening to it in their daily life, Kenya, you, like I said, you have an impressive resume. You have a lot of projects going on here.
    And tonight's topic is creativity and time management. Let's tackle creativity, right? All of these projects that you have going on here. And I brought up the you know, your latest book which is, you know, taking young people on an interstellar journey of self-discovery as it learned the meaning of living with character and conviction where do you get this idea from?
    How, how are you connecting this kind of stuff together together?
    Kinja: And to, to fully, fully explain. I have to go back to when my recreation's started. See, I just hit 40 years old in December of 2018. So. Now approaching my 10th year in a whole new state of mind in 2009, at a point in my life where I thought I was doing very, very well because of my real estate credentials.
    I was considered a legend with the company, Wyndham selling homes and vacation properties and went to a. And Puerto Rico with the young lady, friend of mine at the time for our yearly president's club. And when I got back in Virginia, which was my, my, my place of residence at the time we were in our home and we were looking at the pictures and.
    I saw my picture. If you go on my TEDx talk, you see the picture during that talk, but I got up to 300 pounds. I was looking at the picture and all, I just thought. With how within 10 years I went from 185 pounds to 300 pounds. And I was a functional alcoholic. I was in a position where I was competing with so many different parts of my company and having all these issues that I didn't realize were issues because on the outside things were so good.
    So literally I started within that month to reach out to a nutrition. In a, in a physical trainer. And I remember us walking into the Walmart after I agreed to pay him $100 a month for him to design a full life health plan for me. And I remember my true weak creation started with. The name of the second book, we creationism the oddest shape reality, but real quick, I realized that from that day, until today, there have been four things that I have been focusing on is the priority of my life.
    But to, to jump back a little bit, the drama of walking in to the Walmart with my trainer, and he said, Kim, If you're going to start this lifestyle and not waste your money, you do not need to eat out for the next two years. And I said, what do you mean? I said, what, what are you, what do you mean? And he said, in order for you to get this lifestyle going at the level I have intended, I really need to put you into a mindset where your willpower muscle increases.
    So if you don't want to do that, don't even pay me. And I really had a moment in Walmart where I really had to make it. And for him to step out and say, don't even pay me if you really don't want to do it, it let me know how much passion he had about the process. So I jumped on and I'm telling all this background, because literally that is one of the things that help the priority of health become a high priority in my life.
    So with the mixture of. Following his program of eating the same thing for the next two years fall increasing my emotional intelligence by diving deep into all the things that had me wanting to do so many things that didn't have to do with health, getting better at my sales profession and including so many new things into my daily agenda.
    My new life started at that point. And the rest is history, man. So to, to, to, to give you a true perspective, that was the day that started my next phase of life in February of
    Tim: 2009. Excellent. And you had to get to that point in, get your life changed around, get into a healthy mindset in order to be able to do everything that you're doing now and do it successfully.
    With, with the amount of passion that you have
    Kinja: exactly. Exactly. And that, that's one of the reasons why, you know, in, in the philosophy that I don't try to take any credit for, I just have studied a lot of people and found out that these four things of what I believe are the priorities in every person that could, if every person was a plant, I believe that health, emotional intelligence, hunger to gain new knowledge and getting better at whatever you do.
    I would consider that. Oil and the water and the mixture of how those things are focused will determine how high your plant grows. So the reason why I'm in a space now where I'm able to create so many things that I could even fathom is because I have prioritized my life. And if it doesn't help those four things grow, I cannot have it in my world.
    So people relationships that I'm building podcast. You know projects, if it does not fit into helping myself grow those things and people that I'm helping, those four aspects in their life grow, it's not a part of my daily regimen and I keep it out of my.
    Tim: That's that's fantastic because we have so much bombarding us in this world.
    I mean, you know, we're going to do the old back in my day, but back when I was in the air force, you know, and I was in the air force 91 through 94 we didn't have the. That we have today, we didn't have the cell phones that we have today. Everything that's bombarding us. And I'm looking at my girls, you know, they're five years old.
    I got twin girls that are five years old and I'm seeing all the all the apps, all the, the ways that marketers and people can get to them and get in front of their eyes and have them sit and be a couch potato and do absolutely nothing. You just, you know, passively absorb all this stuff and. I'm grateful that I grew up when I grew up, because when I was a kid, you had to, you know, you went out of the house.
    Until the streetlights came on and even then you stayed out for a little while longer finding things to do. And and this society that we're in right now, things are finding to do with you. And you have to have a really good, a really good edit, but we're not edit button, but you have to have really good filter to filter in the good and keep out the bad.
    Kinja: You, you hit it on the head, man. And I'm so honored for you to be a parent that recognizes how important creating that filter is for your girls. Because we have so many people, so many creations, and if we don't have a second. Foundation of what we're going to focus on. Our, our world will dictate what we become and what our focus is put on.
    So that's one of the reasons why when I look at the last 10 years and what I've been focusing on and been enabled to help others on. I believe those are the most important things. And the beauty of it is you get all of the accolades and the financial mastery and the choices that everyone wants, but you will be in control of it versus it controlling you.
    And that's what I learned firsthand, because I'll tell you that kind of talk about why I got to 300 pounds is in 2007 because of me allowing the world to control me. I got to a certain amount of money. So, you know you know, my went to bank of America, made a deposit in my account was over seven figures.
    And because of me thinking that I made it the next two years of my life was a blur. I was drinking more. I was throwing parties. I was doing all that. Things, because based off of humanity's agenda, I made it. And so in 2009, when I looked at that picture, it was like everything just crumbled. And I was able to start from scratch.
    And now I can really testify to, if you don't have, if a person doesn't have. Set amount of foundational principles. They live by the things that are popular in our humanity are usually not going to be in your best interest. That's just the reality
    Tim: and, and the things that are popular with with humanity and with the world right now, don't seem to last for that long.
    I mean, you know different musical styles. I was listening to NPR and they were talking about the whole Taylor swift thing. She's, you know, six records in, but I tell you in, you know, 20, 30, 40 years. Is there anyone good people say Taylor, who, you know, the things that last are things that aren't flashing the pants things that last have been proven time and time again, to withstand the test of time.
    One of our quotes from Rumi who's. Definitely lasted for centuries, the 13th century Persian poet. He says about creativity, you know, don't be satisfied with stories, how things have gone with others, unfold, your own myth. And, and to me, it sounded like you had two. You know, create the what am I trying to get at here?
    You ha you had to create the mantra, the, the picture of what you wanted to be with the help of your trainer and with all this study, in order to get to where you were at here today in 2019.
    Kinja: Exactly and, and, and another piece that's so important is I did not allow my monetary success after oh nine to dictate how I lived.
    And I think that is one of the most important piece. That you can gain from the timeless masters, like Rumi, that when you look back into history, the people that have been able to sustain and really make a debt in this world on a, on a, on a spiritual level. And when I say spiritual, I'm not talking religion, I'm talking about the soul or the people that have not allowed their value to be.
    On a monetary level, but from an inside level. And it's so unique because this point of view usually comes from someone that does not enjoy making money, but that's not the case. I I'm, I'm doing better than I've ever done. It's not a part of me chasing it. It's being created like a seed because of working on the things that make the seed grow.
    And that's when you can, you don't have to worry about getting to a certain place in life and then losing it like we see on the news regularly because you can, you get to a space where you can now add more and more subtle to the world because you don't get comfortable in your skin. So. Great, great point.
    And again, I congratulate you. For being a parent, you know, I work with so many schools and I work with so many parents and that's one of the issues is that parents sometimes get lost in the storm and, and forget that there are little people watching you and everything you do is teaching them how to live.
    And so I'm so honored that you have. Notice that sometimes just giving the kid an iPad and just thinking, okay, that's all right. That, that might not be the best thing to do. No.
    Tim: Yeah. That is, you know, that's probably another podcast that I should start up is, you know, how to raise twins. I think there's a few podcasts out there like that.
    Yeah, you can't and for yourself too. I mean, one of the reasons why I started up this podcast is I was seeing a lot of people just sitting there looking at their phones and these devices are, are fantastic. I mean, the cell phone that you have in your hand right now has the same computing power as the computer back in 1969 that sent a man to the moon.
    It's the same computer. So you could. Send a man to the moon with your cell phone. And you know, how many millions of cell phones are out there? It's a great tool, but. You want to make sure that you're using the tool and the tool is not using you and there's great art programs on there. You know, there's a million different apps that you can use to create something that's out there that's uniquely yours where you're not imitating somebody else.
    You're, you're creating something completely out of the blue. And when you're talking with these with these kids in these schools, and I know at the same thing with my daughters, they'll come. With their own stories, I encourage my girls to you know, kind of create their own stories out of fairytales that, you know, we tell them at night before they go to bed and the stories that they come up with.
    Our very inventive in a unique, because they don't have the same trappings that we as adults have. And it's kind of getting back into that mind, that childlike mindset of, you know, what let's, let's get rid of everything else and let's let that mind wander and see where it goes. And you know, let's not restrict ourselves.
    Let's go and make beautiful mistakes.
    Kinja: Exactly and, and to, to tie all of this into creativity, because many times when the net word may come up, it w the person that's talking about it is at a space where they are creative now. And sometimes they're not. Vocal about some of the downsides that they had to get to their creativity.
    And I'm such an open book. I want everyone to know that your highest creativity comes when fear is no longer the dominant emotion in your life. And in order for fear to be eliminated. There has to be habits that are going to be love producing. And even though food, even though television, even though what we're looking at, even though associations sometimes are not dissected, some of our most fear is instilled by the things that we do and are most comfortable with.
    And so I'm at a space now because of things that I started years and years ago, where I can, I can, my mind can wander into. So the unknown, because I don't have anything producing. Anything other than love in my life. And I'm talking about love for you. Love for family love for everyone, people that I know, people that I don't know.
    And that is because I will honestly say my identity is no longer tied into human based agendas. My identity is now risen above human based things. And now into. That I don't want to put a name on it. It's just a universal love for life for ourselves, for our heart beating for the plants, the animals. It's just, once you get to this space, it sounds kind of hokey and unrealistic, but it's just one of the best.
    10 years that I can imagine anyone in human history has been able to live. Man, I I'm, I I'm just, and I'm just so honored to be able to share because it's, it's only getting.
    Tim: Absolutely. Well, and when you, when you clean out the clutter, what do you have left? You have your human spirit. And, and, you know, like you said, you're not getting re you know, you're not talking church or, and neither am I, you have that spirit that's within all of us that You know, I, I hate to make this sound like a value judgment, but it kind of separates us a little bit from the animals and from, from the plants, you know, w w w we look at the cave paintings, you know, from, you know, hundreds of thousands of years ago, you know, we all have this need to relate to others in, in some sort of fashion, whether that be painting.
    Public speaking writing a book...

    53 min
  • Conversation on Replenishing Your Creative Energy with Emile Pandolphi

    Replenishing with Emile Pandolphi

    Do you sometimes suffer from low level creative energy? In this episode, I'll be talking with Emile Pandolphi about his approach to keeping his creative energy at a high level to fuel his professional career. Now, even if you are not a professional. This conversation is going to help you maintain and improve your creative energy by taking note of what a professional does to maintain their output.

    Biography

    Emile Pondolphi

    Emile Pandolfi is a professional pianist and entertainer with over 40 years of performance experience. One of the top-selling pianists in the music industry, he has recorded and released over 30 albums, including one with the City of Prague Philharmonic Orchestra (Czech Republic). Since his first release in 1991, Emile has sold over 4.5 million copies nationally and reached more than 750 million collective streams online.

    Throughout his career, Emile has performed hundreds of concerts with thousands of fans in attendance, including performances at St. Mark’s Square in Venice, the Catherine Winter Palace in St. Petersburg, Liverpool Cathedral, and Sydney Opera House in Australia. While intricate arrangements of Broadway and pop standards make up the majority of his performance repertoire, his influences remain more
    classical than pop. It is his subjective layering of classical style, which he infuses into the broad palette of his performance selections, that continues to resonate with audiences everywhere. Although serious about his playing, Emile is never serious about himself and believes that every moment at the piano should be one of joy. While his audience is treated to a brilliant musical performance, they are also entertained by Emile’s charming, light-hearted sense of humor and outgoing personality. From his early
    performances on cruise ships, in piano lounges, and in the recording studio to his current solo performance career in concert halls, Emile has used his music to create an intimate and powerful emotional connection for those listening. Today, Emile continues to write original songs and arrangements for his fans to
    stream. He lives in Greenville, South Carolina, with his wife Judy.

    Topics Covered
    • Knowing When to Replenish Your Creative Energy
  • Why it is important to replace your creative energy
  • The Impact of using negative sources for creative energy
  • Taming inner critic

  • Links To Emile Pandolphi
    • Emile Pandolphi Website
  • Emile Pandolphi YouTube Site

  • Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod


  • Transcripts of the Show

    CAP Conversation Replenishing Your Creative Energy with Emile Pandolphi

    Tim: Create art podcast conversations, replenishing your creative energy with a Emile Pandolphi hello friends. This is Timothy Kimo. Brian, your head instigator for create art podcast where I use my 20 years of experience in the arts and education world. To help you tame your inner critic and create more than you consume.
    Do you sometimes suffer from low level creative energy? In this episode, I'll be talking with Emile Pandolphi about his approach to keeping his creative energy at a high level to fuel his professional career. Now, even if you are not a professional. This conversation is going to help you maintain and improve your creative energy by taking note of what a professional does to maintain their output.
    Now, as an amateur artist, like many of you will listen to this podcast life, get in the way of my practice. Now you couple that with my recent diagnosis of Ms. In 2021 and being a father of twins and having a full time job energy is at a premium. So how do you refuel your creative tank and create the art that you were meant to create?
    Well, for Marie, for me, I read a lot of magazines and newsletters to get inspired for projects. I listened to podcasts about art that I've shared with you in previous episodes. And on Friday nights after I put my girls to sleep, I go out to local poetry readings and occasionally read poems, but mostly I go there to support other artists on their journey, which reminds me of my journey.
    Now, sometimes you must expend energy to get energy. And that's how I maintain my energy levels. Does it always work? And then not every time. Like you, my life has different poles on my energy and different priorities demand my attention. Let's talk about my guest this week for a moment before we go into the conversation now in meal with more than a half billion streams across platforms, including Pandora, Spotify, and apple.
    Is among America's most popular piano artists. Although majority of his performance performance rep RT are lush, intricate arrangements of Broadway and pop standards. His influences are in fact more classical than pop. It is this subjective layering of classical style, which pen Dolphy infuses into the broad palette of his performance selections that continues to resonate with audiences everywhere.
    Recording since 1991, the pianist's albums of familiar music have sold over three and a half million seats. Nationally, this has earned a meal. The distinction of being one of the top selling pianists in the music industry distributed online as well as in specialty. Gifts and bookshops across the nation.
    Now with 30 plus albums, most major online retailers also carry a meals, music for download, and it's streamed to thousands of times daily on Spotify, Pandora and other streaming platforms. Now I present to you, the conversation that we had about replenishing your creative energy.
    So, thank you all for listening into CRE podcast, where today we're going to be talking about replenishing your creative energy. And with me today you heard the intro before we started this conversation. I do have a meal with me here to give me the professional view of what that looks like for us and mail.
    How are you doing today?
    Emile: Great. Oh, we had here in South Carolina and we had some chilly weather and it's a nice change.
    Tim: Absolutely. It is. Absolutely. And I know it's taken us a little time to get together because I had a power outage
    Emile: for five days.
    It's
    Tim: okay. It was nice, quiet time away from podcasting, away from everything, you know, when your kids, kids
    Emile: like the hotel, kids love
    Tim: the hotel. Absolute. Absolutely. And, and I'm glad I have you on here today because you know, you're a professional. You do this for a living and I think it's going to be really important for our listeners.
    That are, you know, delving into, you know, making art either on a professional level or, you know, as their side hustle, but for you as a professional, how do you know when that creative energy needs to be replaced?
    Emile: Okay. To be honest, it almost, I almost never deal with that. It's because I love every time I get up in the morning and go to the studio and I start playing something or other, but if it does need to be replenished, let's say I have a deadline of playing these particular pieces of music.
    I just go to something that I already liked to play. What I do. I try to surround myself with beautiful things artwork. I'm not an artist. I'm not a visual artist, but I, I love paintings and I love watching a ballet. If I need to get inspired, I might turn on river dance and watch these amazing athletes dancers do what they do.
    And it doesn't take long before something kind of. Just clicks. In, in my case, I often have deadlines. I have to do a particular piece of music, whether I want to or not, but I take some, I think that it's worthwhile for me to take some time away from that and play. I feel like playing some Chopin or something that inspires me and I just get all excited about it.
    And then I say, okay, I'll go over here and do what I need to do again, because I'm doing it for a profession. But I think if you just. Go to other forms of artwork, literature, or poetry, or a famous paintings, or go to a museum. I think all those things seep into your consciousness. You don't do it with the, with the desire to be inspired.
    You just do it and then you get inspired
    Tim: and that's true. And it's really enjoyable to go through an art gallery and, you know, to take that time away from everything else and let that subconscious part of your mind. Figure out whatever issue that you're having, you know, we'll say you're working on a piece by Chopin and you just can't quite get that certain section step away.
    Go look at some art.
    Emile: Yeah. It's it has always worked for me. It's odd to discuss how to do it when you're in the doldrums, because I'm almost never there. I'm happy to say it's just part of my personality. It's just unlike you. I'm a one trick pony. I play piano and that's it. But I surround myself with other, other kinds of art.
    I love seeing people do I, it could be, it could be athletes or gymnasts or circus performers who do amazing things. And you say, oh my gosh, how did they do it? And that kind of gives it a. Good deal. Good deal. There's a silly country song title. It's I see something like that, that somebody does something extraordinary.
    And the guy says, I don't know whether to kill myself or go bowling. I always choose bowling.
    Tim: And today's brought to you by.
    So what bill you've talked about, you know, how do different ways that you, you know, you replenish that, that inspiration and and, and that energy for yourself, how important is it for you to have the, the, the high level of creative energy that you have in your profession?
    Emile: Well, I think the most important thing in for any artist is authenticity.
    And so rather than now you do your studying and you get your technique and the discipline that you're in, whether it be dancing or playing the piano or singing or whatever it is. So you have to. Given that you have your technique to whatever degree it is. That's a separate thing. But as far as having that creative energy going, I think if.
    If you were, if you were stuck and don't know what to do, I say, step outside yourself and look at yourself. What is your default place like? Who are you actually artistically when from a piano's viewpoint. If I am going in and I'm in a piano shop or I was in a place and there has a piano there and I have to touch it, what do I do?
    Do I start in the middle? Do I start at both ends? Do I play. Just junk things or play melodious things, because my default is what I just naturally default to tells me who I am musically and all of my piano in my profession. They're all piano arrangements, solo, piano arrangements of tunes that have been written by somebody else.
    They're all cover tunes. So why do they sound like me? Because I'm authentically me. I mean, whether people like it or not, I can't, I have no control over, but. I don't do something that is not authentically me and some people sometimes I think people are not sure how to find. What's authentically, then we'll look at yourself, see what you do.
    How do you like living with me? I talk with my hands all the time. Some people don't, some people I I talk enthusiastically, maybe some people are very slow talking and that's who you are. And that's what you should do with your art.
    Tim: I agree entirely. Absolutely. Now I was going to ask you about what's the overall impact for replenishing your creative energy from negative sources.
    Cause I, I read your book on play it, like you mean it and you had talked about you know, you had overcome smoking, which is something that I'm overcoming right now to get that out of my my thing. And now, you know, I I'm talking with my hands too with my, you know, famous quotes, but I've relied on that as a in the past, as a creative energy source.
    What's the impact of, you know, those negative. Sources of creative energy.
    Emile: Well, I think that what I have done over time is remove from my day, those things that I don't like, you can't remove everything, but removing those things that I don't like to do and I'm left with what I do want to do. And as far as the the, I'm not exactly sure what the question is, how do I use negative things to, to turn it to a positive.
    Well,
    Tim: actually what, what's the impact of using negative sources of energy on on your craft, maybe that you, you know, not that you do, but maybe that you've seen other people.
    Emile: Okay. I can say there, there are many times in my career where I'm doing, I'll just call it, work for hire. I have to play a certain song for a certain event.
    Right. And I don't even like the song. I don't want to do it, you know, and I keep finding other things to do besides work. Thanks. But then I think it comes down to, in my book, I call it digging a ditch. You start working on like, just disinterest in thinking about your day at the beach, but you're playing the notes and you're reading the notes on the page and you got to go through humdrum.
    I think, and because at sometime this has happened to me many times I was a piece of music that I didn't. I could even do like maybe a Michael Jackson tune or something that is not me at all. Even though, even if I love the song or, or I admire the artist. I discover, wow. I actually could do something with that.
    And because the work, the job has made me do it, otherwise I wouldn't have touched it, but because which is, to me, that's a kind of a negative, I, I, I avoid music that I don't like, but if I have to play it for a deadline, because it's my profession, it shows me. You know, you got to think outside your box and we all know that as a phrase, but you actually have to do it.
    And the more, excuse me, the more I do the busy work of going through it while I'm thinking about being at the beach, all of a sudden something clicks. And I say, so that's how they get that sound. And, and I've discovered something new that I never would have discovered if I had my druthers.
    Tim: Absolutely.
    Now my tagline for create art podcast. As everyone knows, is taming your inner critics in creating more than you consume?
    Emile: love that.
    Tim: Well, I got to credit my wife for that cause she's she's fantastic with one-liners she's married to me. So obviously she has to be good with one-liners, but for you, how do you.
    How do you tame that inner critic that we all have? You know, obviously we don't necessarily want to get rid of it because it does have some benefit to us, but how do you tame that inner critic in your practice?
    Emile: That's a good one.
    I guess
    I don't, I don't, it's a funny, I'm not having an answer for that. How do I tame that inner critic? I guess I don't, I just, I leave it. I let it be. And I, and I it's part of my process of learning. It's I say, okay. If I really don't like that. Meticulously looking at it. Just take it apart. What is it? I really don't like, because I think the inner critic says you don't play Michael Jackson tunes because that's not who you are.
    Well, okay. That's a big generality. So what part of it is actually happening? It's kind of like, I can't play. Piece of Chopin, but what I really can't play is those two bars, the rest of it I could get away with or I could play. And so I think when I Michael Jackson is a good example because I love his music, but it's nothing, whatever, like me is not in my background.
    My whole background is classical. It's just completely different and he's a wonderful artist, but I start examining it closely, closely. How did he get that sound? What, and I, it becomes a detective work. Did it and, and I come away learning some technique in my case, F the piano to imitate. The rhythm that he has in that piece of music I'm working on, on his tune bad right now.
    And it's not, it's not a penalty in any way, but it's, but you can do it. And I will have to discover how they it's just like when I'm playing my classical, I'm used to really intensely looking at how did they make that sound? I mean, from nothing, they got that. And so I, I do the same with. Pieces of music that I'm not familiar with or that I feel like I cannot do.
    And I think, I think meticulous investigation is what works for me. So
    Tim: for you, what's the next thing coming up for you? I obviously you are an accomplished And you have this wonderful book out, which everyone should go grab a copy of. I know I got a copy of it. I'm very happy that I did play it. Like you mean it, and it's not just for folks that are, are musicians.
    I found a lot of things that I could relate to other art forms with that book, but for you, what's next on the road for.
    Emile: For me I'm I have been kind of away from, I've never stepped away from classical music, but I haven't done classical performances in a very, very long time. My whole career is my arrangements of movie themes and musicals and that's, that's my, that's my thrust.
    That's what I love doing. And it's also. My career, but for now I'm backing off on public concerts to like put together a classical performance. That for me, I'm always, I always have the listener in mind, so I'm not trying to play for the Juilliard crowd. I'm trying to play for you and me and plays on the classical pieces that I'm playing or those that are probably like Clair de Lune a constellation by list trauma.
    I mean, I think there are things that. Even if people don't know them there, pop songs has some things, you know, that you can do excuse me. And it for me, because I don't do classical on a regular basis, it's going to take a lot of months. So that's my next goal. And it's just for my own pleasure, really.
    I'll keep doing my other things.
    Tim: Gotcha. And for those for our listeners out there, You know it might be a good idea. It let's say you're a painter or a dancer or something like that to pick up a meals book and take a look through it because I found I've got three pages of notes. I, I gotta say single-spaced times new Roman eight point font from from from.
    Where you do talk a lot about creativity. You do, you, yes. Your main thrust is the piano, but you do talk a lot about our creativity and, and how we can do better with it. And one of the things that I really liked, and that was back in chapter 19 when you're talking about the doldrums and the whole the whole ditch digging candidate.
    And can you elaborate a little bit more on that? Because that's, that's one of the things that really resounded with me is you know, when we're doing the things that we have to do for for money for pay, but then, you know, I putting it into that whole ditch story that,
    Emile: yeah, for me that that's a very accurate metaphor because and, and by the way, Elaborate on what's in the book.
    I say, you, you, you've got this hundred foot ditch to dig, but you've, you've got a dull shovel and you're starting on a hard ground and you just give up, you've got a dent going...

    32 min
  • Conversations on Craft with Ashly Hutchins

    Talking Craft while Being Tattooed

    This is a K D O I rebroadcast and that's of my old show. KDOI Podcasting I love putting these on for you because we had some great conversations back in my old show, and it would be a shame if they just lived on my external hard drive and we didn't get a chance to share them with you in this episode, talking with my good friend and tattoo artists, Ashley Hutchins, and we're talking about craft, but now here's the thing in this interview.

    I'm actually getting a tattoo by her while I'm interviewing her. I've never done that before. I haven't done that since. And it was a interesting time to say the least. So I hope you enjoy this and I hope you get something out of it. If you do email me [email protected] and I'd love to hear from you.

     

    Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
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  • Twitter: @createartpod
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    Transcripts of the Show

    Intro

    KDOI Rebroadcast Conversations on Craft with Ashly Hutchins

    Timothy: Create art podcast. K D O I rebroadcast talking craft with Ashley Hudgins. Hi there, friends. This is Timothy Kimo, Brian, your head instigator for create art podcast where I use my 20 plus years of experience in arts and education to help you tame your inner critic and create more than you consume in this episode.
    This is a K D O I rebroadcast and that's of my old show. KDOI Podcasting I love putting these on for you because we had some great conversations back in my old show, and it would be a shame if they just lived on my external hard drive and we didn't get a chance to share them with you in this episode, talking with my good friend and tattoo artists, Ashley Hutchins, and we're talking about craft, but now here's the thing in this interview.
    I'm actually getting a tattoo by her while I'm interviewing her. I've never done that before. I haven't done that since. And it was a interesting time to say the least. So I hope you enjoy this and I hope you get something out of it. If you do email me [email protected] and I'd love to hear from you.
    So without further ado here is the KDOI rebroadcast. Craft with Ashley Hutchins.

    Start of KDOI Intro


    I am your head instigator, Timothy Kimo. Brian. This episode will focus on craft now out of all the subjects this season, this is probably the one that is the most tangible we can put our hands or witness craft in action. And maybe that's why it's the easiest to talk about. Perhaps it's going to turn out to be the hardest our friends over at Merriam-Webster defined craft as skill in planning or executing dexterity and occupation or trade requiring manual dexterity, or artistic skill skill in deceiving to gain and end members of a trade.
    To make or produce with a care skill or ingenuity. Now our two quotes come from gene Fowler writing is easy. You only need to stare at a blank piece of paper until drops of blood form on your forehead. And Stephen King amateurs, sit and wait for inspiration. The rest of us, just get up and go to work.
    Now, gene Fowler was a writer with the Detroit post and a syndicated manager of king features. His later work included over a dozen screenplays, mostly written in the thirties, 1930s folks, not the 2030s and a number of books, including biographies and memoirs. Stephen King. Well, Hey, there we go guys, author of horror, supernatural fiction, suspense science fiction, and fantasy, his books.
    And this is interesting, has sold more than 350 million copies. Many of which have been made into feature films, mini series, television series, and comic books. And from what I understand, he hates most of them. Stephen King's has published at least 58 novels, including seven under the pen name, Richard Bachman and six non-fiction books.
    He's also written about 200 short stories and most of which have been published in book collections. So obviously the question is why aren't we discussing craft for me? This is the most concrete topic yet. It's also a bit nebulous. Some people can fake craft with shortcuts or YouTube videos. Craft takes study craft takes doing craft takes failure and picking yourself up and pushing forward.
    Craft takes vision and research about where you want to go and what you want to incorporate into your work. The two quotes, I chose really speak to me about the hard work that comes with being artistic. This stuff just doesn't drop into our lap. We aren't waiting for some invisible friend in the sky to give it to us, or to give us a clue about how to complete something or overcome a barrier craft is the action of getting up when you are sick and blowing chunks, getting into your space and making something happen.
    When it's the last thing in the world that you want to do, craft separates the wheat from the. It's not meant to handcuff us. It is, it is there to help us to push through whatever blockages we may have that prevent us from creating our net from being our creative, natural selves. So, Hey, let's get this conversation going.

    Start of Interview


    All right. So we are recording live here in Sesame street. We have Ms. Ashley. She has been with us third time term. First time to get the perfect score on these seven questions. I'm just saying, well, you're the first one.
    Ashly: You're the first one
    Timothy: to get
    well so actually put this up on Facebook and I thought it was pretty cool. It is the sword. Oops.
    Ashly: Switch with switchblades.
    Timothy: it looks nice. Like it's a sword in somebody's
    Ashly: hands. That's how you say it's a mouse where it would be lacrosse or
    Timothy: I'm just saying we've got moon and of course we have skull on. It has been with us as, as per request and some lady face and a lady face. This is my, one of my first lady with you. We've got
    the the tiger could be considered a lady. It's on my heart. It represents, you know, my, my tiger at home. And then the minions they think they do represent the girls. So there could be women.
    Ashly: I mean, honestly, any of these supposed to be,
    Timothy: I have a lot of women on me.
    Ashly: Okay, Polly. Now
    let's
    Timothy: take a look at this. Okay. We're not going to Facebook poll on this guy's piece. You guys gonna do a choose what I did on my arms.
    Let's rock it out, make it happen, make some magic, right?
    Yeah, it was really good when I got into her. Some young lady, I think she might've been 19, but she wanted to get a face of an angel or something like that. And one of your guys out there saying, okay, we've got to do this really big, really bad. So she was trying to get as small as she could, you know, the whole thing.
    And I'm just like, oh, I get it. You want to get something small? So that way you can hide it.
    Ashly: Things like portraits. Yeah. Think that faces definitely need to be a certain size. And that is also why, which has crafted us because that's something that people it's for the longevity of your tattoo. And not because we just are trying to talk him into doing something larger.
    Exactly. So you're going to be hidden.
    Timothy: Fantastic.
    Ashly: Come on. We're here to the table.
    Timothy: I mean, towards me towards, yeah, those are the second table.
    Ashly: Oh yeah.
    Timothy: And I'm getting a massage on Friday night, so, you know, I'm just getting all the therapy on this. Awesome.
    Ashly: All right. So
    Timothy: right.
    Ashly: Yeah. When I was getting the Jim's put on my tooth and she was like, put it like Monday. I'm sorry. And I was like, I do this to people every day.
    Timothy: I like the idea that it's a subordinate switchblade, even though it is a Switzerland,
    Ashly: it can be whatever you want. It's like an impression is painting. It's it's whatever. There
    Timothy: we go. Nearly. No one says anything different. We just poke your head balls out. Like we normally do. We're actually talking
    Ashly: about
    Timothy: sweet and I promise not to ask so many basic questions.
    The answer to not everyone knows Ashley. Like I know actually, oh, I didn't pay the power bill. Yeah, that was the shortest tattoo I've ever.
    Ashly: No worries. That's another reason why we should talk about crap. I had to learn some things that shift in your program to forget is that,
    Timothy: oh no, no, we can, yeah, we can mark this as an explicit a okay. Well, I, you know, I did the one with my my nephew when I was no, we didn't do it in Chicago. We did it over a squad cast, but you know, he was dropping the F bomb, never got the vert, so we're good.
    We just mark it as explicit and we can park.
    Ashly: I was listening to . I said to my daughter, you talking about she's like, dad, you used to have tattooed, starts describing it, dealing with the sword, a crystal ball. And I was like, that sounds sweet. And he's like, no, I got saved. And I was like, oh,
    playing. Would you just state really can hear and understand? And I was like,
    Timothy: these guys are saved by somebody else.
    Ashly: That's like, fuck, it's sweet.
    Timothy: It's like, yeah. Well ask the song, my archive it's called up. Fuck you. I'm going up next to some nuns, you know? Yeah.
    Ashly: That's the way to do that. All right. Now.
    Timothy: Now, just let everybody know Ashley's using the painless needles, the non-permanent each. And this is her very first time tattooing this isn't a
    Ashly: very first hologram.
    Timothy: This isn't more
    Ashly: So
    Timothy: you're going to families.
    Ashly: All of you might say,
    Timothy: well, he posted something on RVA. Podcasts was about, I'm doing a panel discussion for the galaxy. So I was like, yeah, I'm doing for that dude.
    Ashly: And everybody was talking to me, not talking to you about
    Timothy: talking to me, talking to you. We're talking about everybody, but no, I've been trying to hook up with him for awhile.
    Kind of get like a meetup down here, somebody podcasts, that
    sort of stuff. Okay. Fantastic. Well, I was going to let you get a little bit warmed up in there. You're good. All right. So let's see here, let's start off with something basic. So like I know for me, you know, podcasting, I got into in like 2006, I had no idea what I was doing had no no apprenticeship or anything like that.
    And I seem to recall in college, you getting the sense too? That was on your neck, wasn't it? It was your shoulder. Okay. Geometrical.
    And so when was that bars or how did that hit you of, Hey, you know, I might want to do this.
    Ashly: I have been wanting to do that since I first learned about what they were when I was about six or seven
    Timothy: years old,
    Ashly: much to the chagrin of my mother. I started drawing all over myself with the Sharpies. So I've always wanted to be
    Kind of have to have the right set of circumstances,
    but yeah, I've always wanted to learn how to do it. That's definitely one of those things where it's like one of the labs beside being like the trade, like a carpenter or something like that. It's one of the last professions where you really do like one-on-one training specifically, just, you know, And sentence and you have to be committed to it.
    No.
    Timothy: Now did you have to learn these secret handshake and the door knock and the quaint nudge, nudge and all that we don't talk about? No, but
    Ashly: the guy guys all behind that, you definitely want to do a, have some sort of like may Sonic S ceremony. When I got my license
    Timothy: incessantly on my own,
    Ashly: which does not a full verse about migration and migration. A lot of history is that doing in there, which is really fascinating. And there was a lot of slate. He has to be all of those things. You have to be a technician. You're not just an artist. It's not some sort of like rockstar attitude
    to it as well, but you have to be humble mechanics. I just don't go about learning. Like, I love that new machine. It's about learning about your equipment, you know,
    Timothy: so you're not just, you know, well, I hate to say you're not just an artist because you know, people have a bad connotation of what artists do. Sometimes you're a mechanic as well. You have to have some mechanical apps as well as have that eye for detail and that skill and counseling or advising your, your clients on what they should get.
    Or,
    Ashly: yeah, there's definitely
    being able to draw. A lot of people don't realize. I mean, you can get that
    Timothy: and your canvas, you know, jumps out at you sometimes and switches and.
    Ashly: Yeah.
    Moving is, you know, that's another bird that you found to learn about it as you go along. So I'm not knocking anything about art. I love art, but I also like,
    I love the equipment issues, but like, I don't find that to be something that
    should be in the foreground is important.
    And you shouldn't be. It shouldn't ever seem like it's beneath, I'm fortunate to work with a bunch of people
    that like,
    something like that or warning them up again. I don't really follow stuff like that because it's unrealistic representation out there doing it. It's a game show
    which I used to do
    Timothy: earlier today. We were talking, you were not aware though, that the world is a weird,
    Ashly: strange, strange world. And even like not to get too technical about stuff, they didn't even have a whole lot of moving parts in it. They basically, they didn't have to even assemble all of it, like before they had to set up string, just not complicated.
    People are like, oh, I always get mine repaired. I haven't done that in years. You know? It's like, like it's something that you just, you know, like if I find that to be ridiculous,
    Timothy: we kinda, you know, buy a new tattoo machine every week and then open it up out of the box. It's all pre sterilized and everything like that.
    Well, well now for you that, I mean, for the show though, it's just kind of like, everything was all pre setup for them. They didn't have to do on their own set up. Yeah.
    Ashly: Or having a hard time doing some filming with the easy word of putting up a tattoo as you. But just talking about working on one, like it's the meat, you know what I mean? Yeah. You know, I'm the best on the east coast and whatever, you know, like, I, I haven't done this forever. I just send it out. I used to work with someone who I will not name who was like, that would just like, you know, could just immediately anything went any sort of way.
    And he's like, oh, well, if I try to repair my filter and I can't send it back to him, like, it's just an excuse for not liking
    Timothy: well, I mean, I think you have to know whatever tool that is that you're working with. No matter what what discipline you go into like a painter needs to know their brushes, the canvas that they're using.
    And you know, how the paint interacts and then the different mediums that they could add subtract from your existing, same way. You need to know how that machine works and how it's going to do the things that you put in it. I was going to react to certain skin and all that jazz.
    Ashly: Yeah. It's basically you wouldn't, you know, knowing your stuff, which is why in my version of it was a big deal.
    The guy who me on the tattoo to emphasize the business prep before the night. So often,
    Timothy: oh, I'm doing okay. And B you know, on the other side of the of the, of the machine, you know, you have to prep for. What's going to happen because we got that one long as you get up. And I did not eat that day,
    but afterwards I was like, and I went down, but that's another aspect of your craft that you need to know how to deal with somebody like that.
    Ashly: crashing, but yeah, you gotta be prepared for something like that. You're actually officially
    tattooed.
    Timothy: Well, you're the only person that I've interviewed doing their art while I'm interviewing.
    Ashly: This is just getting the sending. Cause last time we went and got and
    Timothy: exactly, exactly at a restaurant of which we're not going to name because it's a cool place and we don't want it to get all his Stearns for people to go there and try to get our autographs and all that kind of jazz.
    You have to be very protective of that.
    Ashly: Yeah. It's an hour thinking, thinking your show on,
    Timothy: well, you know, you, it's easy to do
    so I think you kind of mentioned this, but for you, the attraction is more the craft versus the arts say, or
    Ashly: I enjoy.
    Yeah. If I'm having like blocks working on packing machines as fulfilling as well,
    it sounded like, and I'm not saying that he is not a crap, cause obviously it is, but it's kind of like, like a pottery, you know, where you, there's another apparatus that you're using and not just like a pencil or a paintbrush, there's some, a whole other mechanical aspect of something that you use to create art.
    Lends it more to a craft for me.
    Timothy: Well, and you have your client, your patron, your desk, wherever you want to call them. Right there you get, you're getting the immediate feedback while it's happening.
    So, I mean, if something doesn't come out right, and just like bullshit or, you know, when it comes out fantastic, which, you know, not tooting your horn for you. That's what I do. But this is number 12,
    Ashly: really?
    Timothy: No, no. There's number 12 on my body. No, no,
    let's see the frame of chess. 1, 2, 3, 4, 5, 6, 7, 8.
    I'm losing count. That's okay. This is what happens when I get my a fifth core math skills become even worse.
    Majority of my tattoos are done by we'll just say that. Yeah. Cause I only had four done by somebody else and then you've done the rest. So
    I had the the Texas the chemo and then the dagger up here,
    the diagram, the scope of which, you know, it's, so it's like a dagger and a still after set that 92 94,
    Ashly: you
    Timothy: know,
    air force base. That's what city
    that was just down in San Antonio. That's right. Yup. If I was going to move to Texas and it tells you the town I'd go to,
    it's a good place. I went to a big old comic book store there it's right next to a Chinese buffet, Chinese buffet. It was first perfect match.
    so getting back on the crash site. So no, like in my, because I have a day job, this is your day, this is your job. And I put air quotes. So that way everyone can see the air quotes. That's what I do. Audio air quotes there, but it's your job for the work that I do. I do a lot of counseling with my clients and all that, but I do realize.
    There are some days that I do phone it in. Now when I do my art, I'm usually not phoning it in because that is something that, for me, it's a treat that I get to be. I don't necessarily get to do my art with every client. And I'm with you, you are doing your, with every client that you have with using your skills, you're using your craft and all that.
    I'm not doing
    Ashly: my art with everybody. I am definitely doing my craft with everyone....

    1 hr 35 min
  • Conversation On Going Professional with Ronika Merl

    Making The Decision To Go Professional

    In this episode, I talk with Ronika Merl, a screenwriter out of Ireland who at the time of the interview late last year had quit her day job and decided to take her craft to the next level and went professional. Ronika reached out to me via email and wanted to share her experience with going professional. If you are thinking about taking your practice to the next level, take a listen to someone who has just recently did that very thing and learn from her experience.

    Ronkia Merl's Bio

    Ronika is an award-winning screenwriter, writer, and producer.

    Having placed highly in both the Academy Nicholl Fellowship as well as the Austin Film Festival in 2019, she has since expanded her slate to contain more than 22 feature-length scripts, 4 of which are currently in preproduction or development with various production companies.

    She is also producing her "Wicklow Stories" Anthology "The Pier" in coordination with No Wifi.

    Her autobiography "The Unfinished Heart" is slated for publication in the coming years, and her textbook for Irish Screenwriters "The Hustle" is now available on Amazon or can be purchased directly from her.

    She has consulted on projects in the US, UK, South Africa and Australia.

    Discussion topics on Going Professional
    • The hardest point of going professional that Ronika was unprepared for
  • What drives her to overcome obstacles
  • Advice she gives artists who are considering going professional
  • Dealing with collages who are not as professional as she is
  • Who inspired her to make films
  • Her definition of success

  • Links to Ronika's work
    • Ronika Merl's Website
  • Ronika Merl's IMDB
  • Ronkia Merl's Instagram
  • Ronika Merl's YouTube
  • Ronika Merl's FaceBook

  • Reaching Out

    To reach out to me, email [email protected] I would love to hear about your journey and what you are working on. If you would like to be on the show or have me discuss a topic that is giving you trouble write in and let's start that conversation.

  • YouTube Channel: Create Art Podcast YT Channel
  • IG: @createartpodcast
  • Twitter: @createartpod

  • Transcripts for Going Professional
    Introduction


    Tim: Create art podcast conversations going pro with Ronica, Merl. Hello friends. This is Timothy Kimo. Brian, your head instigator for create art podcast where I use my 20 plus years in arts and education. To help you tame your inner critic and create more than you consume. Now, have you ever wondered what it would be like to quit your day job and go full professional?
    That's a scary thought. Isn't it? Some of you may have thought there's no way I'd be able to leave the security or a steady the security of a job or a steady paycheck. Well, if this pandemic has taught us anything, it's that the time to dive into your passion may be now don't get me wrong. I'm not saying at the end of this episode, you should give your boss a two weeks notice and start doing underwater basket weaving full time.
    And that if you do it, it'll pay the bills. What I am saying is that it may be time for you to take a look at your, at the next step in your practice and start thinking about making this your vocation with anything there is risk. And even if you don't feel like going full price, You may want to listen in on this conversation that I had with Ronica Merrill, who at the time of the interview had just quit her day job and decided to go full pro doing screenwriting in Ireland.
    Now she just didn't decide one day to drop everything. She did have a plan and had been working on it for a few years before she made that leap. Now you're probably asking, well, who is Ronica Merle? Well, she's an award-winning screenwriter. Writer and producer, and has placed very highly in both the academy Nicole fellowship, as well as the Austin film festival in 2019.
    She has since expanded her slate to contain more than 22 feature scripts, four of which are being currently pre production or development with various production company. And she also is producing her Wicklow stories, anthology, and the peer in coordination with no wifi. Now her autobiography, the unfinished heart is slated for publication in the coming years.
    And. The her textbook for Irish screenwriters, the hustle is now available on Amazon, or it can be purchased directly from her. She has consulted with projects in the U S the UK, South Africa and Australia. And you can look at her work on her website and ID B IMDV page. Now links are going to be in the show notes, and then we'll also have the transcript of the conversation we had in the show.
    For you to look at now, when it came, when I came up with this topic Going pro is one I really wanted to tackle and it's not because I'm technically a professional artist. However, I've consoled others to make that break and start earning income from their practice. Now, luckily Ronica reached out to me at the perfect time, and I'm very pleased to bring you the conversation that we.
    Feel free to share this episode with your friends and with somebody that, you know, that may be thinking about going pro also drop by Ronica his website and let her know that I went ahead and sent you. And now here's the conversation that I had with Monica mural on going pro

    Interview

    Ronika: So I recently quit my day job. Which was probably the most exciting moment of my artistic career so far, it was an absolute thrill. Right. And literally today it's 2:00 AM here. So today is my last day in employment. Ever, hopefully fingers crossed ever. And it's been quite the journey like it has been, it has been quite the journey to get me here.

    I started freelance copywriting in 2017 am. Now it's 2021. So it took me, it took me four years to get to a point where I thought, okay, I'm going to be able to make that leap. I'm going to be able to make that jump and really live off my writing. Immediately after I, I wrote my resume resignation email.
    I immediately regretted panic. Completely lost my mind because I thought, oh my God, am I good? Am I God? What am I doing? What am I doing? I am not prepared for that. Capable of this. But I think as you'd expect it to but I think that's kind of when, when the, when your confidence in your craft has to, has to come in and you have to.
    Bring yourself back down and say, listen, you got this, you know exactly what you're doing. You are a professional, you know, no matter what happens there, your craft is what is going to get you to the next level that you need to be reaching. And I think that's why it's usually important that before anybody stops thinking or starts thinking about stopping their day job is that they first are a professional artists in whatever field they're in.
    They need to be confident that, you know if push comes to shove, they can create at a, at a full-time level kind of pace because chances are as soon as you stop as soon as you stop your day job, it's not that you stop working it's that you work that much harder at what you, what you want to be doing.
    Which is also, I think why it's usually important to actually have a day job for a good while. I think it's important to understand what it feels like to work for 40 hours a week or six years a week or 80 hours a week, because that's what you're going to be doing for the rest of your life. So, and if you don't have that discipline in you if you, if you think, oh, I'm just going to be, I don't know, I'm just going to be an artist on.
    Because the old saying goes, you know, if you give him on a job that he loves, he'll never work a day in his life. No, no, no, no. You'll work. You will work a lot. You will work very, very, very hard. It's just that hopefully you have a lot of satisfaction doing the work. But it's still going to be work. Like you're going to be up as I am now.
    You're going to be up at two o'clock in the morning and you're going to be super, super happy to be up at two o'clock in the morning, talking about what you love doing and talking about your art and talking about your craft. But the fact still remains you're up at two o'clock in the morning and you're working.
    And I think a lot of people are, are misunderstanding. That aspect. And I think as soon as people who aren't maybe involved in, in, in a creative or an artistic pursuit, I think, oh my God, it's some sort of magical innate. Beautiful mysterious landscape that an artist just sneezes and a portrait exists, or, you know, a writer just sits down and types a sentence like Carrie Bradshaw at her window looking out
    that's immediately. It, no.
    It's not it's, that's not what, that's not what it is. It's it's work. It's really, really hard work. And so quitting the day job to be able to, to pursue a different day job. Doesn't mean that you're, that you're, that you stop working. So I think that that was kind of my major takeaway was that, yeah, I wasn't going to have any more free time now.
    I wasn't going to, I could structure my day a little bit better around, you know, my small children or, or other, or the things that I need to take care of, but it was never going to be that I worked less.

    Tim: True true. And will. And especially in your field with, you know, with the screenwriting and with making films, I've got a tiny bit of experience.

    I, you know, I looked at your bio and I've listened to a couple of your interviews. And I know the work as just an actor in a film, in a small film, not in a much less, you know, major motion picture. A lot of work and it's a lot of standing around and not doing anything. And then to have that, you know, two minutes of, okay, you know, getting the character, make sure that you have all your lines, all the, you know affects and, you know, make sure that the sound guy, especially the sound guy is is on point physical point.

    Ronika: I was. Sorry. Yeah. I was going to say the film industry, like as it's very, it's very topical at the moment. I know when this goes out, it'd probably be boiled over, but the whole film industry in the state just went on strike. So yeah, for good reason, because they're 16 hour days, you know, they're 16 hour days in the sunshine, in the freezing cold.

    And so I absolutely stand in solidarity with my, with my colleagues over there. So yeah, but as you were, sorry, you were saying. Oh, well, I, I was gonna ask I, I was going to pop back a little bit and ask you, you know, you know, you're, you're doing the resignation letter, you know, today's your last day.
    I feel privileged to be here with you to do that. I, you know, I want to grab, you know, a cake for you or something, but, you know, what's, what's the hardest thing about going pro that, that you weren't ready for it. And, and how are you overcoming that? I think the hardest thing about making the jump is the big dip that comes just after making the jump, because everything is beautiful and everything is rosy. If you know where your next paycheck is coming from, but there will come a time. There will come a moment in time. It's just, it's just going happen.
    Where you don't know where your next paycheck is coming from, and that will happen for most artists, unless you like, you know, I don't know. Hozier or someone who had like this big hit with their first song and at 22 who never had to worry about a paycheck ever. But you know, if you're, if you're a normal, if you're a normal kind of artist trying to, trying to go pro for a few years and then making the jump, there will come a time.
    It might come a week after you make the jump. It might come a month. It might come a year after, but there will come a moment. And in that moment, Is where you have to question. And in that moment then is where you have to rely on your gumption and have to remind yourself of how hard you worked to get here.
    Because chances are before you took the jump you had long nights, you sat at your kitchen table while your kids were asleep, or your partner was watching TV. You sat at the kitchen table looking at. Script researching something, writing a song, practicing you're practicing your craft, you know? And that's what you have to jump back on.
    That's what you have to remind yourself on. Is that okay? Yeah. No, at the moment, it's a little bit difficult, but look what it took to get you. And yeah, you have to, you have to keep that perspective alive. And I think that that's for me, at least for now, for the first few weeks when I'm kind of looking at, okay, my finances and Christmas is coming up and I have to kind of struggle around, okay.
    I'm going to have to make things, structure things differently until the big gigs come in. Yeah, you have to remind yourself of, okay. It took a while, but it's going to be fine because you, you got. It's going to be fine. Yeah.

    Tim: And I was gonna, cause you had mentioned about having confidence in your work, having confidence in your craft and from what I'm hearing, that's one way that you can It helps you to overcome these, these hard times is having that confidence in there.

    Is there anything else? And you'd mentioned the word gumption. And is there anything else that's helping you get through these through the tough times of going pro?

    Ronika: I think CRA, I think crafting con or confidence in craft is the most important thing. Because I know. There isn't anything somebody could put in front of me that I couldn't write.

    You know, there isn't, there isn't a concept that I couldn't possibly write about because that is what I do. This, this is my profession, you know friends. Who are supportive family who are supportive, that's extremely important. I, I don't have to worry about family cause I don't have family, but friends who are important or friends who are supportive, that is hugely important.
    Friends who cheer you on friends who are always no matter what going to be in your corner and want you to succeed. I think that. And I think what gets overlooked a lot of the time is just rest. You know, it is so important to also cause you're hustling, you're hustling, hustling, you're running, you're running, running, you're, you're trying to make this work and you, and you think, because again, you think, because this isn't your job, your, you know, old-timey job where you have to, you know, do things that your boss wanted you to do.
    You keep on running and you keep on, on trying to make something because you think, okay, this is what I always wanted to do. I've been working towards this for God knows how many years. Yeah. Yeah, no, you still need a day off. You still need to recharge your battery is specially in the creative industries.
    You cannot be expected to create a masterpiece every single day. You have to rest, you have to recharge your batteries and you have to know how to that's really important because I think a lot of artists they go into it and they love creating their art and they have natural kind of breaks. Before you become a professional, you have natural forest breaks because you are as an actor waitressing, or you are as a visual artist, you know, it's just, you just cannot paint 24 7.
    It is not possible. Or as a writer. Yeah. You're going to sit in the office and write up reports about numbers in columns and Excel sheets,
    which is what I did. And so. So you have natural breaks that, that recharge your creative juices. And as soon as you become a professional, all of a sudden you don't tend to take those natural breaks, but you have to, and you have to know how to recharge those batteries. For me, for example, it's painting.
    I, I know I'm not. I know, as soon as I, as soon as I find myself holding a paintbrush, I know my writing isn't, isn't, isn't going great. But you know, and I would never, I would never want to be known as a painter. It's not it's I I'm not, but I know it's, it's important. And I know that this is how I recharge my, my, my batteries.
    So yeah, taking breaks and resting in between. Is important also. And I think the last thing I would, I would say is it to, to, to kind of alleviate the struggle is before you take the jump, understand how to market yourself, please, please. Before you become a professional. Please understand that you're going to have to be up at two o'clock in the morning doing podcasts.
    That's how it works. You have to market yourself. Nobody's going to come rush towards you unless you market yourself. And unless you, you know, people love working with you. And so, yeah, those are, those are the kinds of the kind of Biggest tips I can give to somebody turning pro is be confident in your craft, know that you can do this, you know, have friends and family around you to support you work really, really, really hard and be disillusioned about that.
    Absolutely kill your illusions about having to work less. You're going to have to work more and Yeah. Put yourself out there. Don't be shy about that.

    Tim: Yeah, no, I completely agree with you because unless you are a huge name you know, like Peter Jackson, for instance, or our Tom Cruise or something like that, people aren't going to necessarily come and looking for you.

    So you need to go to where those people are and go, Hey, you know I, I do screenwriting, I do poetry. I do podcasting. You got to put yourself out there because. Yeah, that's how we got hooked up. You put yourself out there, you, you know, you messaged me and you're like, Hey, and of course I'm going, you know, head over heels.

    Ronika: I'm talking with a screenwriter in Ireland. Yes, that's fantastic.

    Exactly. Yeah, and I think also the biggest hurdle for me in that regard was Overcoming the imposter syndrome and overcoming the kind of odd, why would anybody ever want to know about me? Yeah. People do want to know about me. I have things to say, I'm a writer for God's sake.
    Of course I have things to say, you know, if I didn't have things to say, I'd be not a very good writer. And so you have to, you know, it's not being arrogant, thinking that you have...

    39 min

About Create Art Podcast

From the publisher's feed

Conversations, projects, interviews, and commentary are aimed at creating more than you consume. Timothy Kimo Brien with over 30 years in creating art in various disciplines helps you overcome any blocks that are holding you back from the potential artist we all have inside us.

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